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Smith Clark Ashton
Книга "The Last Hieroglyph"
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Volume Five of The Collected Fantasies Of Clar...
Volume Five of The Collected Fantasies Of Clark Ash...
The Last Hieroglyph © 2010 by The Estate of Clark Ashton Smith This edition of The Last...
INTRODUCTION By Richard A. Lupoff Of the many great names of those who wro...
A NOTE ON THE TEXTS Clark Ashton Smith considered himself primarily a poet, but he bega...
THE DARK AGE The laboratory was like a citadel. It stood on a steep eminence, ov...
THE DEATH OF MALYGRIS At the hour of interlunar midnight, when lamps burned rare...
THE TOMB-SPAWN Evening had come from the desert into Faraad, bringing the last s...
THE WITCHCRAFT OF ULUA Sabmon the anchorite was famed no less for his piety than...
THE COMING OF THE WHITE WORM (Chapter IX of the Book of Eibon)* Evagh the ...
THE SEVEN GEASES The Lord Ralibar Vooz, high magistrate of Commoriom and third c...
THE CHAIN OF AFORGOMON It is indeed strange that John Milwarp and his writings s...
THE PRIMAL CITY In these after-days, when all things are touched with insoluble ...
XEETHRA Subtle and manifold are the nets of the Demon, who followeth his chosen ...
THE LAST HIEROGLYPH The world itself, in the end, shall be turned to a round...
NECROMANCY IN NAAT Dead longing, sundered evermore from pain: How dim and ...
THE TREADER OF THE DUST …The olden wizards knew him, and named him Quachil Uttaus. Seld...
THE BLACK ABBOT OF PUTHUUM Let the grape yield for us its purple flame, An...
THE DEATH OF ILALOTHA Black Lord of bale and fear, master of all confusion! By th...
MOTHER OF TOADS “Why must you always hurry away, my little one?” The voice...
THE GARDEN OF ADOMPHA Lord of the sultry, red parterres And orchards sunned by he...
THE GREAT GOD AWTO (Class-room lecture given by the Most Honorable Erru Saggus, ...
STRANGE SHADOWS Downing his thirteenth dry Martini, Gaylord Jones drew a complac...
THE ENCHANTRESS OF SYLAIRE “Why, you big ninny! I could never marry you,” declar...
DOUBLE COSMOS It is for the reader to decide how much importance can be attached...
NEMESIS OF THE UNFINISHED The authentic talent of Francis La Porte, fiction-writ...
THE MASTER OF THE CRABS I remember that I grumbled a little when Mior Lumivix aw...
MORTHYLLA In Umbri, City of the Delta, the lights blazed with a garish brillianc...
SCHIZOID CREATOR In the private laboratory which his practice as a psychiatrist ...
MONSTERS IN THE NIGHT The change occurred before he could divest himself of more...
PHOENIX Rodis and Hilar had climbed from their natal caverns to the top chamber ...
THE THEFT OF THE THIRTY-NINE GIRDLES Vixeela, daughter of beauty and doom!...
SYMPOSIUM OF THE GORGON At the third cup I penetrate the Great Way; A full...
THE DART OF RASASFA Jon Montrose and his wife Mildred were passing Belaran, a su...
APPENDIX ONE: STORY NOTES Abbreviations Used: ...
APPENDIX TWO: VARIANT TEMPTATION SCENES FROM “THE WITCHCRAFT OF ULUA” Vers...
APPENDIX THREE: “THE TRAVELER” (Dedicated to V.H.) “Stranger,...
APPENDIX FOUR: MATERIAL REMOVED FROM “THE BLACK ABBOT OF PUTHUUM” ...
APPENDIX FIVE: ALTERNATE ENDING TO “I AM YOUR SHADOW” ...
APPENDIX SIX: ALTERNATE ENDING TO “NEMESIS OF THE UNFINISHED” ...
APPENDIX SEVEN: BIBLIOGRAPHY “The Dark Age.” Thrilling Wonder Stori...
Table of Contents INTRODUCTION A Note on the Texts The Dark...
Table of Contents INTRODUCTION A Note on the Texts The Dark...
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