Vaughan, Virginia Mason, ‘Othello’: A Contextual History (Cambridge: Cambridge University Press, 1994)

Wain, John (ed.), Shakespeare: ‘Othello’, A Casebook, rev. edn. (Basingstoke: Macmillan, 1994)

Wine, Martin L., Othello, Text and Performance (Basingstoke: Macmillan, 1984)

Romeo and Juliet

Evans, Robert O., The Osier Cage: Rhetorical Devices in ‘Romeo and Juliet’ (Lexington KY: University of Kentucky Press, 1966)

Holding, Peter, Romeo and Juliet, Text and Performance (Basingstoke: Macmillan Education, 1992)

Jackson, Russell, Romeo and Juliet, Shakespeare at Stratford (London: Arden Shakespeare, 2003)

Levenson, Jill, Romeo and Juliet, Shakespeare in Performance (Manchester: Manchester University Press, 1987)

Loehlin, James N., Romeo and Juliet, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)

Porter, J. A., Shakespeare’s Mercutio: His History and Drama (Chapel Hill NC: University of North Carolina Press, 1988)

White, R. S. (ed.), ‘Romeo and Juliet’: William Shakespeare, New Casebooks (Basingstoke: Palgrave, 2001)

The First Tetralogy and King John: Henry VI Parts 1―3, Richard III

Clemen, Wolfgang, A Commentary on Shakespeare’s ‘Richard III’, English version by Jean Bonheim (London: Methuen, 1968) (First published in German 1957)

Colley, Scott, Richard’s Himself Again: A Stage History of ‘Richard III’ (New York: Greenwood Press, 1992)

Cousin, Geraldine, King John, Shakespeare in Performance (Manchester: Manchester University Press, 1994)

Curren-Aquino, Deborah T. (ed.), ‘King John’: New Perspectives (London: Associated University Presses, 1989)

Day, Gillian, King Richard III, Shakespeare at Stratford (London: Arden Shakespeare, 2002)

Hankey, Julie (ed.), ‘Richard III’ by William Shakespeare, 2nd edn., Plays in Performance (Bristol: Bristol Classical Press, 1988)

Hassel, R. Chris, Songs of Death: Performance, Interpretation and the Text of ‘Richard III’ (Lincoln NE: University of Nebraska Press, 1987)

Montgomery, William, ‘The Original Staging of the First Part of the Contention (1594)’, Shakespeare Survey, 41 (1989), 13-22

Pendleton, Thomas A. (ed.), Henry VI: Critical Essays (London: Routledge, 2001)

Richmond, Hugh M., King Richard III, Shakespeare in Performance (Manchester: Manchester University Press, 1989)

Riggs, David, Shakespeare’s Heroical Histories: ‘Henry VI’ and Its Literary Tradition (Cambridge MA: Harvard University Press, 1971)

Shakespeare, William, The Tragedy of King Richard the Third: Parallel Texts of the First Quarto and First Folio with Variants of the Early Quartos, ed. Kristian Smidt (Oslo: Universitetsforlaget, 1969)

Taylor, Gary, ‘Shakespeare and Others: The Authorship of Henry the Sixth, Part One’, Medieval and Renaissance Drama in England, 7 (1995), 145―205

Walton, J. K., Copy for the Folio Text of ‘Richard III’ with a Note on the Copy of the Folio Text of ‘King Lear’ (Auckland NZ: Auckland University College, 1955)

The Second Tetralogy: Richard II, Henry IV Parts 1 and 2, Henry V

Brennan, Anthony, Henry V, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1992)

Campbell, Lily B., Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy (San Marino CA: Huntington Library, 1968) (First published 1947)

Hodgdon, Barbara, Henry IV, Part Two, Shakespeare in Performance (Manchester: Manchester University Press, 1993)

—(ed.), ‘The First Part of King Henry the Fourth’: Texts and Contexts (Basingstoke: Macmillan, 1997)

Loehlin, James N., Henry V, Shakespeare in Performance (Manchester: Manchester University Press, 1996)

McAlindon, Tom, Shakespeare’s Tudor History: A Study of ‘Henry IV, Parts 1 and 2’ (Aldershot: Ashgate, 2001)

McMillin, Scott, Henry IV, Part One, Shakespeare in Performance (Manchester: Manchester University Press, 1991)

Meron, Theodor, Henry’s Wars and Shakespeare’s Laws: Perspectives on the Law of War in the Later Middle Ages (Oxford: Clarendon Press, 1993)

Page, Malcolm, Richard II, Text and Performance (Basingstoke: Macmillan Education, 1987)

Prosser, Eleanor, Shakespeare’s Anonymous Editors: Scribe and Compositor in the Folio Text of ‘2 Henry IV’ (Stanford CA: Stanford University Press, 1981)

Shewring, Margaret, King Richard II, Shakespeare in Performance (Manchester: Manchester University Press, 1996)

Smith, Emma (ed.), King Henry V, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)

Taylor, Gary, ‘The Fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85―100

—‘Three Studies in the Text of Henry V’. in Stanley Wells and Gary Taylor, Modernizing Shakespeare’s Spelling, with Three Studies in the Text of ‘Henry V’ (Oxford: Clarendon Press, 1979)

Wharton, T. F., Henry the Fourth, Parts 1 and 2, Text and Performance (London: Macmillan, 1983)

Edward III and Sir Thomas More

The Book of Sir Thomas Moore, Tudor Facsimile Texts (London: issued for subscribers by the editor of the Tudor Facsimile Texts, 1910)

Howard-Hill, T. H. (ed.), Shakespeare and ‘Sir Thomas More’: Essays on the Play and its Shakespearian Interest (Cambridge: Cambridge University Press, 1989)

McMillin, Scott, The Elizabethan Theatre and ‘The Book of Sir Thomas More’ (Ithaca NY: Cornell University Press, 1987)

Metz, G. Harold, Four Plays Ascribed to Shakespeare, An Annotated Bibliography: ‘The Reign of King Edward III’, ‘Sir Thomas More’, ‘The History of Cardenio’, and ‘The Two Noble Kinsmen’ (New York: Garland, 1982)

Pollard, Alfred, and others, Shakespeare’s Hand in ‘The Play of Sir Thomas More’: Papers by Alfred W. Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson and R. W. Chambers, with the text of the III May Day Scenes, edited by W. W. Greg (Cambridge: Cambridge University Press, 1923)

Proudfoot, Richard, ‘The Reign of King Edward the Third (1596) and Shakespeare’, in British Academy Shakespeare Lectures 1980―89, introduced by E. A. J. Honigmann (Oxford: Oxford University Press for The British Academy, 1993)