Wells, Stanley, ‘Editorial Treatment of Foul-Paper Texts: Much Ado about Nothing as Test Case’, Review of English Studies, 31 (1980), 1-16

White, R. S. (ed.), Twelfth Night, New Casebooks (Basingstoke: Macmillan, 1996)

Wynne-Davies, Marion (ed.), ‘Much Ado about Nothing’ and ‘The Taming of the Shrew’, New Casebooks (Basingstoke: Palgrave, 2001)

The Problem Plays: All’s Well That Ends Well, Measure for Measure, Troilus and Cressida

Adamson, Janet, Troilus and Cressida, Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, I987)

Bennett, Josephine Waters, ‘Measure for Measure’ as Royal Entertainment (New York: Columbia University Press, 1966)

Cole, Howard C., The ‘All’s Well’ Story from Boccaccio to Shakespeare (Urbana IL: University of Illinois Press, 1981)

Geckle, George L. (ed.), Measure for Measure, Shakespeare: the Critical Tradition (London: Athlone, 2001)

Gless, Darryl J., ‘Measure for Measure’: The Law and the Convent (Princeton NJ: Princeton University Press, 1979)

Hawkins, Harriett, Measure for Measure, Harvester New Critical Introductions to Shakespeare (Brighton: Harvester, 1987)

Jowett, John, ‘The Audacity of Measure for Measure in 1621’, Ben Jonson Journal, 8 (2001), 229-47

Kimbrough, Robert, Shakespeare’s ‘Troilus and Cressida’ and its Setting (Cambridge MA: Harvard University Press, 1964)

Nicholls, Graham, Measure for Measure, Text and Performance (Basingstoke: Macmillan Education, 1986)

Price, Joseph G., The Unfortunate Comedy: A Study of ‘All’s Well That Ends Well’ and Its Critics (Liverpool: Liverpool University Press, 1968)

Rollins, Hyder E., The Troilus-Cressida Story from Chaucer to Shakespeare (New York: Haskell House, 1972) (Reprinted from PMLA, 32.3 (1917))

Shuger, Debora K., Political Theologies in Shakespeare’s England: The Sacred and the State in ‘Measure for Measure’ (Basingstoke: Palgrave, 2001)

Styan, J. L., All’s Well That Ends Well, Shakespeare in Performance (Manchester: Manchester University Press, 1984)

Taylor, Gary, ‘Shakespeare’s Mediterranean Measure for Measure’, in Shakespeare and the Mediterranean, eds. Tom Clayton, Susan Brock, Vicente Fores (Newark DE: University of Delaware Press, 2004)

Zitner, Sheldon P., All’s Well That Ends Well, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1989)

The Late Plays: All is True (Henry VIII), Cymbeline, Pericles, The Tempest, The Two Noble Kinsmen, The Winter’s Tale

Bartholomeusz, Dennis, ‘The Winter’s Tale’ in Performance in England and America, 1611-1976 (Cambridge: Cambridge University Press, 1982)

Bertram, Paul, Shakespeare and ‘The Two Noble Kinsmen’ (New Brunswick NJ: Rutgers University Press, 1965)

Draper, R. P., The Winter’s Tale, Text and Performance (Basingstoke: Macmillan, 1985)

Dymkowski, Christine (ed.), The Tempest, Shakespeare in Production (Cambridge: Cambridge University Press, 2000)

Frey, Charles H., Shakespeare’s Vast Romance: A Study of ‘The Winter’s Tale’ (Columbia MO: University of Missouri Press, 1980)

Goldberg, Jonathan, Tempest in the Caribbean (Minneapolis MI: University of Minnesota Press, 2004)

Graff, Gerald, and James Phelan (eds.), ‘The Tempest’: A Case Study in Critical Controversy (Basingstoke: Macmillan, 2000)

Hamilton, Donna B., Virgil and ‘The Tempest’: The Politics of Imitation (Columbus OH: Ohio State University Press, 1990)

Hirst, David L., The Tempest, Text and Performance (Basingstoke: Macmillan, 1984)

Jackson, MacD. P., Defining Shakespeare: ‘Pericles’ as Test Case (Oxford: Oxford University Press, 2003)

Law, Ernest, Shakespeare’s ‘Tempest’ as Originally Produced at Court (London: For the Shakespeare Association [by] Chatto and Windus, 1920)

Lindley, David, The Tempest, Shakespeare at Stratford (London: Arden Shakespeare, 2003)

Marsh, Derick R. C., The Recurring Miracle: A Study of ‘Cymbeline’ and the Last Plays (Pietermaritzburg: University of Natal Press, 1962)

Potter, Lois, ‘The Two Noble Kinsmen: Spectacle and Narrative’, in The Show Within: Dramatic and Other Insets (English Renaissance Drama) 1550-1642, ed. François Laroque (Montpellier: Publications de l’Université Paul-Valéry-Montpellier III, 1992)

Richmond, Hugh M., King Henry VIII, Shakespeare in Performance (Manchester: Manchester University Press, 1994)

Skeele, David, Thwarting the Wayward Seas: A Critical and Theatrical History of Shakespeare’s ‘Pericles’ in the Nineteenth and Twentieth Centuries (London: Associated University Presses, 1998)

Tatspaugh, Patricia E., The Winter’s Tale, Shakespeare at Stratford (London: Arden Shakespeare, 2002)

Vaughan, Alden T., and Virginia Mason Vaughan, Shakespeare’s Caliban: A Cultural History (Cambridge: Cambridge University Press, 1991)

Warren, Roger, Cymbeline, Shakespeare in Performance (Manchester: Manchester University Press, 1989)

White, R. S. (ed.), The Tempest: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1999)

Zabus, Chantal, Tempests after Shakespeare (Basingstoke: Palgrave, 2002)

The Roman Plays: Antony and Cleopatra, Coriolanus, Julius Caesar, Titus Andronicus

Adelman, Janet, The Common Liar: An Essay on ‘Antony and Cleopatra’ (New Haven: Yale University Press, 1973)

Barroll, J. Leeds, Shakespearean Tragedy: Genre, Tradition and Change in ‘Antony and Cleopatra’ (London: Associated University Presses, 1984)

Dessen, Alan C., Titus Andronicus, Shakespeare in Performance (Manchester: Manchester University Press, 1989)

Drakakis, John (ed.), Antony and Cleopatra: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1994)

Lamb, Margaret, ‘Antony and Cleopatra’ on the English Stage (London: Associated University Presses, 1980)

Madelaine, Richard (ed.), Antony and Cleopatra, Shakespeare in Production (Cambridge: Cambridge University Press, 1998)

Metz, G. Harold, Shakespeare’s Earliest Tragedy: Studies in ‘Titus Andronicus’ (London: Associated University Presses, 1996)