Poole, Adrian, Coriolanus, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1988)

Ripley, John, ‘Julius Caesar’ on Stage in England and America 1599-1973 (Cambridge: Cambridge University Press, 1980)

—‘Coriolanus’ on Stage in England and America 1609-1994 (London: Associated University Presses, 1998)

Scott, Michael, Antony and Cleopatra, Text and Performance (London: Macmillan, 1983)

Steppat, Michael, The Critical Reception of Shakespeare’s ‘Antony and Cleopatra’ from 1607-1905, Bochumer anglistische Studien 9 (Amsterdam: Grüner, 1980)

Wilson, Richard, William Shakespeare: ‘Julius Caesar’, Penguin Critical Studies (London: Penguin, 1992)

Hamlet

Calderwood, James L., To Be and Not to Be: Negation and Metadrama in ‘Hamlet’ (New York: Columbia University Press, 1983)

Clayton, Thomas (ed.), The ‘Hamlet’ First Published (QI, 1603): Origins, Form, Intertextualities (London: Associated University Presses, 1992)

Dawson, Anthony B., Hamlet, Shakespeare in Performance (Manchester: Manchester University Press, 1995)

Farley-Hills, David (ed.), Critical Responses to ‘Hamlet’ 1600- 1900, Vols I- (New York: AMS Press, 1996-)

Frye, Roland Mushat, The Renaissance ‘Hamlet’: Issues and Responses in 1600 (Princeton NJ: Princeton University Press, 1984)

Greenblatt, Stephen, Hamlet in Purgatory (Princeton NJ: Princeton University Press, 2001)

Jones, Ernest, Hamlet and Oedipus (London: Gollancz, 1949)

Kliman, Bernice W., ‘Hamlet’: Film, Television, and Audio Performance (London: Associated University Presses, 1988)

Pennington, Michael, ‘Hamlet’: A User’s Guide (London: Nick Hern, 1996)

Prosser, Eleanor, Hamlet and Revenge, 2nd edn. (Stanford CA: Stanford University Press, 1971)

Rosenberg, Marvin, The Masks of ‘Hamlet’ (London: Associated University Presses, 1992)

Shakespeare, William, The Three-Text ‘Hamlet’: Parallel Texts of the First and Second Quartos and First Folio, eds. Paul Bertram and Bernice W. Kliman (New York: AMS Press, 1991)

Taylor, Gary, ‘Hamlet in Africa 1607’, in Ivo Kamps and Jyotsna Singh (eds.), Travel Knowledge: European ‘Discoveries’ in the Early Modern Period (Basingstoke: Palgrave, 2001)

Weitz, Morris, ‘Hamlet’ and the Philosophy of Literary Criticism (London: Faber and Faber, 1965)

King Lear

Blayney, Peter W. M., The Texts of ‘King Lear’ and their Origins, Vol. I: Nicholas Okes and the First Quarto (Cambridge: Cambridge University Press, 1982)

Bratton, J. S. (ed.), ‘King Lear’, William Shakespeare, Plays in Performance (Bristol: Bristol Classical Press, 1987)

Carson, Christie, and Jacky Bratton (eds.), The Cambridge ‘King Lear’ CD-ROM: Text and Performance Archive (Cambridge: Cambridge University Press, 2000)

Hawkes, Terence, William Shakespeare, ‘King Lear’, Writers and their Work (Plymouth: Northcote House in Association with the British Council, 1995)

Leggatt, Alexander, King Lear, Shakespeare in Performance (Manchester: Manchester University Press, 1991)

Lusardi, James P., and June Schlueter, Reading Shakespeare in Performance: ‘King Lear’ (London: Associated University Presses, 1991)

Mack, Maynard, ‘King Lear’ in Our Time (London: Methuen, 1966)

Reibetanz, John, The ‘Lear’ World: A Study of ‘King Lear’ in its Dramatic Context (London: Heinemann, 1977)

Rosenberg, Marvin, The Masks of ‘King Lear’ (Berkeley CA: University of California Press, 1972)

Ryan, Kiernan (ed.), ‘King Lear’: William Shakespeare, New Casebooks (Basingstoke: Macmillan, 1993)

Salgado, Gamini, King Lear, Text and Performance (Basingstoke: Macmillan, 1984)

Stone, P. W. K., The Textual History of ‘King Lear’ (London: Scolar Press, 1980)

Taylor, Gary, ‘The War in King Lear’, Shakespeare Survey, 33 (1980), 27-34

—and Michael Warren (eds.), The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear’ (Oxford: Clarendon Press, 1983)

Urkowitz, Steven, Shakespeare’s Revision of ‘King Lear’ (Princeton NJ: Princeton University Press, 1980)

Macbeth

Bartholomeusz, Dennis, ‘Macbeth’ and the Players (Cambridge: Cambridge University Press, 1969)

Berger, Harry, Text against Performance: The Example of ‘Macbeth’ (Norman OK: University of Oklahoma, 1982)

Calderwood, James L., If It Were Done: ‘Macbeth’ and Tragic Action (Amherst MA: University of Massachusetts Press, 1986)

Carroll, William C. (ed.), William Shakespeare, ‘Macbeth’: Texts and Contexts (Basingstoke: Macmillan, 1999)

Kliman, Bernice, Macbeth, Shakespeare in Performance (Manchester: Manchester University Press, 1992)

Rosenberg, Marvin, The Masks of ‘Macbeth’ (Berkeley CA: University of California, 1978)

Wain, John (ed.), Shakespeare, ‘Macbeth’, A Casebook, 2nd edn. (Basingstoke, Macmillan, 1994)

Williams, Gordon, Macbeth, Text and Performance (Basingstoke: Macmillan, 1985)

Othello

Adamson, Jane, ‘Othello’ as Tragedy: Some Problems of Judgement and Feeling (Cambridge: Cambridge University Press, 1980)

Hadfield, Andrew (ed.), A Routledge Literary Sourcebook on Shakespeare’s ‘Othello’ (London: Routledge, 2003)

Hankey, Julie (ed.), ‘Othello’, William Shakespeare, Plays in Performance (Bristol: Bristol Classical Press, 1987)

Honigmann, E. A. J., The Texts of ‘Othello’ and Shakespearian Revision (London: Routledge, 1966)

Orlin, Lena Cowen (ed.), ‘Othello’: William Shakespeare, New Casebooks (Basingstoke: Palgrave Macmillan, 2004)

Pechter, Edward, ‘Othello’ and Interpretive Traditions (Iowa City: University of Iowa Press, 1999)

Potter, Lois, Othello, Shakespeare in Performance (Manchester: Manchester University Press, 2002)

Rosenberg, Marvin, The Masks of ‘Othello’: The Search for the Identity of Othello, Iago and Desdemona by Three Centuries of Actors and Critics (Berkeley CA: California University Press, 1961)