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The young people had stopped coming to see him. The new generation didn’t know him. His following from the boy scout days had been dispersed by the war. Letters came from various fronts, then there were only postcards, and one day Greff indirectly received the news that his favorite, Horst Donath, first scout, then squad leader, then lieutenant in the Army, had fallen by the Donets.

From that day Greff began to age, neglected his appearance, and devoted himself exclusively to his inventions, until there were more ringing and howling machines to be seen in his shop than potatoes or cabbage. Of course the general food shortage had something to do with it; deliveries to the shop were few and far between, and Greff was not, like Matzerath, a good buyer with good connections in the wholesale market.

The shop was pitiful to look upon, and one could only be grateful to Greff’s silly noise machines for taking up space in their absurd but decorative way. I liked the creations that sprang from Greff’s increasingly fuzzy brain. When today I look at the knotted string spooks of Bruno my keeper, I am reminded of Greff’s exhibits. And just as Bruno relishes my smiling yet serious interest in his artistic amusements, so Greff, in his distraught way, was glad when I took pleasure in one of his music machines. He who for years had paid no attention to me was visibly disappointed when after half an hour I left his vegetable and work shop to call on his wife, Lina Greff.

What shall I tell you about my visits to the bedridden woman, which generally took from two to two and a half hours? When Oskar entered, she beckoned from the bed: “Ah, it’s you, Oskar. Well, come on over, come in under the covers if you feel like it, it’s cold and Greff hasn’t made much of a fire.” So I slipped in with her under the featherbed, left my drum and the two sticks I had just been using outside, and permitted only a third drumstick, a used and rather scrawny one, to accompany me on my visit to Lina.

It should not be supposed that I undressed before getting into bed with Lina. In wool, velvet, and leather, I climbed in. And despite the heat generated by my labors, I climbed out of the rumpled feathers some hours later in the same clothing, scarcely disarranged.

Then, fresh from Lina’s bed, her effluvia still clinging to me, I would pay another call on Greff. When this had happened several times, he inaugurated a ritual that I was only too glad to observe. Before I arose from the palace of matrimony, he would come into the room with a basin full of warm water and set it down on a stool. Having disposed soap and towel beside it, he would leave the room without a word or so much as a glance in the direction of the bed.

Quickly Oskar would tear himself out of the warm nest, toddle over to the washbasin, and give himself and his bedtime drumstick a good wash; I could readily understand that even at second hand the smell of his wife was more than Greff could stomach.

Freshly washed, however, I was welcome to the inventor. He would demonstrate his machines and their various sounds, and I find it rather surprising to this day that despite this late intimacy no friendship ever developed between Oskar and Greff, that Greff remained a stranger to me, arousing my interest no doubt, but never my sympathy.

It was in September, 1942—my eighteenth birthday had just gone by without pomp or ceremony, on the radio the Sixth Army was taking Stalingrad—that Greff built the drumming machine. A wooden framework, inside it a pair of scales, evenly balanced with potatoes; when a potato was removed from one pan, the scales were thrown off balance and released a lever which set off the drumming mechanism installed on top of the frame. There followed a rolling as of kettledrums, a booming and clanking, basins struck together, a gong rang out, and the end of it all was a tinkling, transitory, tragically cacophonous finale.

The machine appealed to me. Over and over again I would ask Greff to demonstrate it. For Oskar imagined that the greengrocer had invented and built it for him. Soon my mistake was made clear to me. Greff may have taken an idea or two from me, but the machine was intended for himself; for its finale was his finale.

It was a clear October morning such as only the northwest wind delivers free of charge. I had left Mother Truczinski’s flat early and Matzerath was just raising the sliding shutter in front of his shop as I stepped out into the street. I stood beside him as the green slats clanked upward; a whiff of pent-up grocery store smell came out at me, then Matzerath kissed me good morning. Before Maria showed herself, I crossed Labesweg, casting a long westward shadow on the cobblestones, for to the right of me, in the East, the sun rose up over Max-Halbe-Platz by its own power, resorting to the same trick as Baron Münchhausen when he lifted himself out of the swamp by his own pigtail.

Anyone who knew Greff the greengrocer as well as I would have been just as surprised to find the door and showcase of his shop still curtained and closed at that hour. The last few years, it is true, had transformed Greff into more and more of a crank. However, the shop had always opened on time. Maybe he is sick, thought Oskar, but dismissed this notion at once. For how could Greff, who only last winter, though perhaps not as regularly as in former years, had chopped holes in the Baltic Sea to bathe in—how, despite certain signs that he was growing older, could this nature lover suddenly fall sick from one day to the next? The privilege of staying in bed was reserved for his wife, who managed for two; moreover, I knew that Greff despised soft mattresses, preferring to sleep on camp beds and wooden planks. There existed no ailment that could have fastened the greengrocer to his bed.

I took up my position outside the closed shop, looked back toward our store, and ascertained that Matzerath was inside; only then did I roll off a few measures on my drum, hoping to attract Mrs. Greff’s sensitive ear. Barely a murmur was needed, already the second window to the right beside the shop door opened. La Greff in her nightgown, her hair full of curlers, shielding her bosom with a pillow, appeared over the window box and its ice plants. “Why, Oskar, come in, come in. What are you waiting for when it’s so chilly out?”

I explained by tapping the iron curtain over the shop window with one drumstick.

“Albrecht,” she cried. “Albrecht, where are you? What’s the matter?”

Still calling her husband, she removed herself from the window. Doors slammed, I heard her rattling round the shop, then she began to scream again. She screamed in the cellar, but I couldn’t see why she was screaming, for the cellar transom, through which potatoes were poured on delivery days, but more and more seldom in the war years, was also closed. Pressing an eye to the tarred planks covering the transom, I saw that the light was burning in the cellar. I could also distinguish the top part of the cellar steps, on which lay something white, probably Mrs. Greff’s pillow.

She must have dropped the pillow on the stairs, for she was no longer in the cellar but screaming again in the shop and a moment later in the bedroom. She picked up the phone, screamed, and dialed; she screamed into the telephone; but Oskar couldn’t tell what it was about, all he could catch was accident and the address, Labesweg 24, which she screamed several times. She hung up, and a moment later, screaming in her nightgown, pillowless but still in curlers, she filled the window frame, pouring the vast bipartite bulk with which I was so familiar into the window box, over the ice plants, and thrusting both her hands into the fleshy, pale-red leaves. She screamed upward, so that the street became narrow and it seemed to Oskar that glass must begin to fly. But not a windowpane broke. Windows were torn open, neighbors appeared, women called out questions, men came running, Laubschad the watchmaker, pulling on his jacket, old man Heilandt, Mr. Reissberg, Libischewski the tailor, Mr. Esch, emerged from the nearest house doors; even Probst, not the barber but the coal dealer, appeared with his son. Matzerath came sailing up in his white smock, while Maria, holding Kurt in her arms, stood in the doorway of our store.