He laughs, enjoying the push of this; his night with Thelma has made his body harder to insult. "You," he says, "are calling me fat?"

"I am. And how did you get so red in the face?"

"That's my tan. We just got back from the islands."

"Oh Christ, the islands. I thought you were about to have a stroke."

"When did your old guy pack it in? Whajja do, screw him to death?"

She stares at him a time. "You better go."

"Soon," he promises.

"Frank passed away in August of '76, of cancer. Of the colon. He hadn't even reached retirement age. When I met him he was younger than we are now."

"O.K., sorry. Listen, stop making me be such a prick. Tell me about our girl."

"She's not our girl, Harry. I did have the abortion. My parents arranged it with a doctor in Pottsville. He did it right in his office and about a year later a girl died afterwards of complications and they put him in jail. Now the girls just walk into the hospital."

"And expect the taxpayer to pay," Harry says.

"Then I got a job as the day cook in a restaurant over toward Stogey's Quarry to the east of here and Frank's cousin was the hostess for that time and one thing led to another pretty fast. We had Scott in late 1960, he just turned nineteen last month, one of these Christmas babies that always get cheated on presents."

"Then the girl when? Annabelle."

"The next year. He was in a hurry for a family. His mother had never let him marry while she was alive, or anyway he blamed her."

"You're lying. I've seen the girl; she's older than you say."

"She's eighteen. Do you want to see birth certificates?"

This must be a bluff. But he says, "No."

Her voice softens. "Why're you so hepped on the girl anyway? Why don't you pretend the boy's yours?"

"I have one boy. He's enough" – the phrase just comes – "bad news." He asks, brusquely, "And where are they? Your boys."

"What's it to you?"

"Nothing much. I was just wondering how come they're not around, helping you with this place."

"Morris is at school, he gets home on the bus after three. Scott has a job in Maryland, working in a plant nursery. I told both him and Annie, Get out. This was a good place for me to come to and hide, but there's nothing here for young people. When she and Jamie Nunemacher got this scheme of going and living together in Brewer, I couldn't say No, though his people were dead set against it. We had a big conference, I told them that's how young people do now, they live together, and aren't they smart? They know I'm an old whore anyway, I don't give a fuck what they think. The neighbors always let us alone and we let them alone. Frank and old Blankenbiller hadn't talked for fifteen years, since he began to take me out." She sees she has wandered, and says, "Annabelle won't be with the boy forever. He's nice enough, but…"

"I agree," Rabbit says, as if consulted. Ruth is lonely, he sees, and willing to talk, and this makes him uneasy. He shifts his weight on the old black sofa. Its springs creak. A shift in the air outside has created a downdraft that sends smoke from the damp fire curling into the room.

She glances to the dead couple in their frames like carved coffins above his head and confides, "Even when Frank was healthy, he had to have the buses to make ends meet. Now I rent the big fields and just try to keep the bushes down. The bushes and the oil bills." And it is true, this room is so cold he has not thought of taking his heavy coat off.

"Yes well," he sighs. "It's hard." Fritzie, wakened by some turn in the dream that had been twitching the ends of her paws, stands and skulks over to him as if to bark, and instead drops down to the rug again, coiling herself trustfully at his feet. With his long arm Harry reaches to the bookcase and lifts out the photograph of the daughter. Ruth does not protest. He studies the pale illumined face in its frame of maroon cardboard: backed by a strange background of streaked blue like an imitation sky, the girl gazes beyond him. Round and polished like a fruit by the slick silk finish of the print, the head, instead of revealing its secret, becomes more enigmatic, a shape as strange as those forms of sea life spotlit beneath the casino boardwalk. The mouth is Ruth's, that upper lip he noticed at the lot. And around the eyes, that squared-off look, though her brow is rounder than Ruth's and her hair, brushed to a photogenic gloss, less stubborn. He looks at the ear, for a nick in the edge like Nelson has; her hair would have to be lifted. Her nose is so delicate and small, the nostrils displayed by a slight upturn of the tip, that the lower half of her face seems heavy, still babyish. There is a candor to her skin and a frosty light to the eyes that could go back to those Swedes in their world of snow; he glimpsed it in the Murketts' bathroom mirror. His blood. Harry finds himself reliving with Annabelle that moment when her turn came in the unruly school line to enter the curtained corner of the gym and, suddenly blinded, to pose for posterity, for the yearbook, for boyfriend and mother, for time itself as it wheels on unheeding by: the opportunity come to press your face up against blankness and, by thinking right thoughts, to become a star. "She looks like me."

Ruth laughs now. "You're seeing things."

"No kidding. When she came to the lot that first time, something hit me -her legs, maybe, I don't know. Those aren't your legs." Which had been thick, twisting like white flame as she moved naked about their room.

"Well, Frank had legs too. Until he let himself get out of shape, he was on the lanky side. Over six foot, when he straightened up, I'm a -sucker for the big ones I guess. Then neither of the boys inherited his height."

"Yeah, Nelson didn't get mine, either. A shrimp just like his mother."

"You're still with Janice. You used to call her a mutt," Ruth reminds him. She has settled into this situation comfortably now, leaning back in the rocker and rocking, her stocking feet going up on tiptoe, then down on the heels, then back on tiptoe. "Why am I telling you all about my life when you don't say a thing about yours?"

"It's pretty standard," he says. "Don't be sore at me because I stayed with Janice. "

"Oh Christ no. I just feel sorry for her."

"A sister," he says, smiling. Women are all sisters, they tell us now.

Fat has been added to Ruth's face not in smooth scoops but in lumps, so when she lifts her head her eye sockets seem built of bony welts. A certain forgiving mischief has lifted her armored glance. "Annie was fascinated by you," she volunteers. "She several times asked me if I'd ever heard of you, this basketball hero. I said we went to different high schools. She was disappointed when you weren't there when she and Jamie went back to pick up the car finally. Jamie had been leaning to a Fiesta."

"So you don't think Jamie is the answer for her?"

"For now. But you've seen him. He's common."

"I hope she doesn't -"

"Go my way? No, it'll be all right. There aren't whores anymore, just healthy young women. I've raised her very innocent. I always felt 1 was very innocent, actually."

"We all are, Ruth."

She likes his saying her name, he should be careful about saying it. He puts the photograph back and studies it in place, Annabelle between her brothers. "How about money?" he asks, trying to keep it light. "Would some help her? I could give it to you so it, you know, wouldn't come out of the blue or anything. If she wants an education, for instance." He is blushing, and Ruth's silence doesn't help. The rocker has stopped rocking.

At last she says, "I guess this is what they call deferred payments."

"It's not for you, it would be for her. I can't give a lot. I mean, I'm not that rich. But if a couple thousand would make a difference -"