He tries to ponder if this is true. He snickers. "Well he sure screwed me. Last night was my dream date."

Janice sniffs and rubs each nostril with the Kleenex. "Webb says she's not as wonderful as she looks. He talked a lot about his first two wives."

Beneath them, through the scratched oval of Plexiglas, there is the South, irregular fields and dry brown woods, more woods than he would have expected. Once he had dreamed of going south, of resting his harried heart amid all that cotton, and now there it is under him, like the patchwork slope of one big hill they are slowly climbing, fields and woods and cities at the bends and mouths of rivers, streets eating into green, America disgraced and barren, mourning her hostages. They are flying too high for him to spot golf courses. They play all winter down here, swinging easy. The giant motors he is riding whine. He falls asleep. The last thing he sees is Janice staring ahead, wide awake, the bulge of tears compounding the bulge of her cornea. He dreams of Pru, who buts while he is trying to manipulate her limbs, so there is too much water, he begins to panic. He is changing weight and this wakes him up. They are descending. He thinks back to his night with Thelma, and it seems in texture no different from the dream. Only Janice is real, the somehow catastrophic creases in her linen sleeve and the muddy line of her jaw, her head slumped as from a broken neck. She fell asleep, the same magazine open in her lap that she read on the way down. They are descending over Maryland and Delaware, where horses run and the du Ponts are king. Rich women with little birdy breasts and wearing tall black boots in from the hunt. Walking past the butler into long halls past marble tables they flick with their whips. Women he will never fuck. He has risen as high as he can, the possibility of such women is falling from him, falling with so many other possibilities as he descends. No snow dusts the dry earth below, rooftops and fields arid roads where cars are nosing along like windup toys in invisible grooves. Yet from within those cars they are speeding, and feel free. The river flashes its sheet of steel, the plane tilts alarmingly, the air nozzles hissing above him may be the last thing he hears, Janice is awake and bolt upright. Forgive me. Fort Mifflin hulks just under their wheels, their speed is titanic. Please, God. Janice is saying something into his ear but the thump of the wheels drowns it out. They are down, and taxiing. He gives a squeeze to Janice's damp hand, that he didn't realize he was holding. "What did you say?" he asks her.

"That I love you."

"Oh, really? Well, same here. That trip was fun. I feel satisfied."

In the long slow trundle to their gate, she asks him shyly, "Was Thelma better than me?"

He is too grateful to be down to lie. "In ways. How about Webb?"

She nods and nods, as if to spill the last tears from her eyes.

He answers for her, "The bastard was great."

She leans her head against his shoulder. "Why do you think I've been crying?"

Shocked, he admits, "I thought about Nelson."

Janice sniffs once more, so loudly that one man already on his feet, arranging a Russian-style fur cap upon his sunburned bald head, briefly stares. She concedes, "It was, mostly," and she and Harry clasp hands once more, conspirators.

At the end of miles of airport corridor Ma Springer is standing apart from the cluster of other greeters. In the futuristic perspectives of this terminal she looks shrunken and bent, wearing her second-best coat, not the mink but a black cloth trimmed with silver fox, and a little cherry-red brimless hat with folded-back net that might get by in Brewer but appears quaint here, among the cowboys and the slim kids ofindeterminate sex with their cropped hair dyed punk-style in pastel feathers and the black chicks whose hair is frizzed up in structures like three-dimensional Mickey Mouse ears. Hugging her, Rabbit feels how small the old lady, once the terror of his young manhood, has become. Her former look of having been stuffed tight with Koerner pride and potential indignation has fled, leaving her skin collapsed in random folds and bloodless. Deep liverish gouges underscore her eyes, and her wattled throat seems an atrocious wreck of flesh.

She can hardly wait to speak, backing a step away to give her voice room to make its impact. "The baby came last night. A girl, seven pounds and some. I couldn't sleep a wink, after getting her to the hospital and then waiting for the doctor to call." Her voice is shaky with blame. The airport Muzak, a tune being plucked on the strings of many coordinated violins, accompanies her announcement in such triumphant rhythm that Harry and Janice have to suppress smiles, not even daring to step closer in the jostle and shufe, the old lady is so childishly, precariously intent on the message she means to deliver. "And then all the way down on the Turnpike, trucks kept tooting their horns at me, tooting these big foghorns they have. As if there were someplace else I could go; I couldn't drive the Chrysler off the road," Bessie says. "And after Conshohocken, on the Expressway, it's really a wonder I wasn't killed. I never saw so much traffic, though I thought at noon it would be letting up, and you know the signs, they aren't at all clear even if you have good eyes. All the way along the river I kept praying to Fred and I honestly believe it was him that got me here, I couldn't have done it alone."

And, her manner plainly implies, she will never attempt anything like it again; Janice and Harry find her at the terminus of the last great effort of her life. Henceforth, she is in their hands.

V

YET MA SPRINGER wasn't so totally thrown by events that she didn't have the wit to call up Charlie Stavros and have him come back to the lot. His own mother took a turn for the worse in December – her whole left side feels numb, so even with a cane it frightens her to walk – and as Charlie predicted his cousin Gloria went back to Norristown and her husband, though Charlie wouldn't give it a year; so he has been pretty well tied down. This time it's Harry who's come back with a tan. He gives Charlie a two-handed handclasp, he's so happy to see him at Springer Motors again. The Greek sales rep doesn't look that hot, however: those trips to Florida were like a paint job. He looks pale. He looks as if you pricked his skin he'd bleed gray. He stand hunched over protecting his chest like he'd smoked three packs a day all his life, though Charlie like most Mediterranean types has never really had the self-destructive habits you see in northern Europeans and Negroes. Harry wouldn't have given him such an all-out handshake this way a week ago, but since fucking Thelma up the ass he's felt freer, more in love with the world again.

"The old mastoras. You look great," he exuberantly lies to Charlie.

"I've felt better," Charlie tells him. "Thank God it hasn't been any kind of a winter so far." Harry can see, through the plate-glass window, a snowless, leafless landscape, the dust of all seasons swirling and drifting, intermixed with the paper refuse from the Chuck Wagon that has blown across Route 111. A new banner is up: THE ERA OF COROLLA. Toyota = Total Economy. Charlie volunteers, "It's pretty damn depressing, watching Manna mou head straight downhill. She gets out of bed just to go to the bathroom and keeps telling me I ought to get married."

"Good advice, maybe."

"Well, I made a little move on Gloria in that direction, and it may be what scared her back to her husband. That guy, what a shit. She'll be back."

"Wasn't she a cousin?"

"All the better. Peppy type. About four eleven, little heavy in the rumble seat, not quite classy enough for you, champ. But cute. You should see her dance. I hadn't been to those Hellenic Society Saturday nights for years, she talked me into it. I loved to watch her sweat."