"You say she'll be back."

"Yeah but not for me. I've missed that boat." He adds, "I've missed a lot of boats."

"Who hasn't?"

Charlie rolls a toothpick in the center of his lower lip. Harry doesn't like to look at him closely; he's become one of those old Brewer geezers who go into cigar stores to put ten dollars on the numbers and hang around the magazine racks waiting for a conversation. "You've caught a few," he ventures to tell Harry.

"No, listen. Charlie. I'm in rotten shape. A kid who's disappeared and a new house with no furniture in it." Yet these facts, species of emptiness and new possibility, excite and please him more than not.

"The kid'll turn up," Charlie says. "He's just letting off steam."

"That's what Pru says. You never saw anybody so calm, considering. We went up to the hospital last night after getting in from the islands and, Jesus, is she happy about that baby. You'd think she was the first woman in the history of the world to pull this off. I guess she was worried about the kid being normal, after that fall she took a while ago."

"Worried about herself, more likely. Girl like that who's been knocked around a lot by life, having a baby's the one way they can prove to themselves they're human. What're they thinking of calling it?"

"She doesn't want to call it after her mother, she wants to name it after Ma. Rebecca. But she wants to wait to hear from Nelson, because, you know, that was his sister's name. The infant that, you know, didn't make it."

"Yeah." Charlie understands. Inviting bad luck. The sound of Mildred Kroust's typewriter bridges their silence. In the shop one of Manny's men is pounding an uncooperative piece of metal. Charlie asks, "What're you going to do about the house?"

"Move in, Janice says. She surprised me, the way she talked to her mother. Right in the car driving home. She told her she was welcome to move in with us but she didn't see why she couldn't have a house of her own like other women her age and since Pru and the baby were obviously going to have to stay she doesn't want her to feel crowded in her own home. Bessie, that is."

"Huh. About time Jan stood on her own two feet. Wonder who she's been talking to?"

Webb Murkett, it occurs to Harry, through a tropical night of love; but things always work best between him and Charlie when they don't go too deep into Janice. He says, "The trouble with having the house is we have no furniture of our own. And everything costs a fucking fortune. A simple mattress and box spring and steel frame to set it on for six hundred dollars; if you add a headboard that's another six hundred. Carpets! Three, four thousand for a little Oriental, and they all come out of Iran and Afghanistan. The salesman was telling me they're a better investment than gold."

"Gold's doing pretty well," Charlie says.

"Better than we are, huh? Have you had a chance to look at the books?"

"They've looked better," Charlie admits. "But nothing a little more inflation won't cure. Young couple came in here Tuesday, the first day I got the call from Bessie, and bought a Corvette convertible Nelson had laid in. Said they wanted a convertible and thought the dead of winter would be a good time to buy one. No trade-in, weren't interested in financing, paid for it with a check, a regular checking account. Where do they get the money? Neither one of 'em could have been more than twenty-five. Next day, yesterday, kid came in here in a GMC pick-up and said he'd heard we had a snowmobile for sale. It took us a while to find it out back but when we did he got that light in his eyes so I began by asking twelve hundred and we settled at nine seventy-five. I said to him, There isn't any snow, and he said, That's all right, he was moving up to Vermont, to wait out the nuclear holocaust. Said Three-Mile Island really blew his mind. D'y'ever notice how Carter can't say `nuclear'? He says `nookier.' "

"You really got rid of that snowmobile? I can't believe it."

"People don't care about economizing anymore. Big Oil has sold capitalism down the river. What the czar did for the Russians, Big Oil is doing for us."

Harry can't take the time to talk economics today. He apologizes, "Charlie, I'm still on vacation in theory, to the end of the week, and Janice is meeting me downtown, we got a thousand things to do in connection with this damn house of hers."

Charlie nods. "Amscray. I got some sorting out to do myself. One thing nobody could accuse Nelson of is being a neatness 'freak." He shouts after Harry as he goes into the corridor for his hat and coat, "Say hello to Grandma for me!"

Meaning Janice, Harry slowly realizes.

He ducks into his office, where the new 1980 company calendar with its photo of Fujiyama hangs on the wall. He makes a mental note to himself, not for the first time, to do something about those old clippings that hang outside on the pressed-board partition, they're getting too yellow, there's a process he's heard about where they photograph old halftones so they look white as new, and can be blown up to any size. Might as well blow them up big, it's a business expense. He takes from old man Springer's heavy oak coat-rack with its four little bow legs the sheepskin overcoat Janice got him for Christmas and the little narrow-brim suede hat that goes with it. At his age you wear a hat. He went all through last winter without a cold, because he had taken to wearing a hat. And vitamin C helps. Next it'll be Geritol. He hopes he didn't cut Charlie short but he found talking to him today a little depressing, the guy is at a dead end and turning cranky. Big Oil doesn't know any more what's up than Little Oil. But then from Harry's altitude at this moment anyone might look small and cranky. He has taken off, he is flying high, on his way to an island in his life. He takes a tube of Life Savers (Butter Rum) from his top lefthand desk drawer, to sweeten his breath in case he's kissed, and lets himself out through the back of the shop. He is careful with the crash bar: a touch of grease on this sheepskin and there's no getting it off.

* * *

Nelson having stolen his Corona, Harry has allocated to himself a grape-blue Celica Supra, the "ultimate Toyota," with padded dash, electric tachometer, state-of-the-art four-speaker solid-state AM/FM/MPX stereo, quartz-accurate digital clock, automatic overdrive transmission, cruise control, computer-tuned suspension, ten-inch disc brakes on all four wheels, and quartz halogen hi-beam headlights. He loves this smooth machine. The Corona for all its dependable qualities was a stodgy little bug, whereas this blue buzzard has charisma. The blacks along lower Weiser really stared yesterday afternoon when he drove it home. After Janice and he had brought Ma back to 89 Joseph in the Chrysler (which in fact even Harry found not so easy to steer, after a week of being driven in taxis on the wrong side of the road), they put her to bed and came into town in the Mustang, Janice all hyper after her standing up for herself about the house, to Schaechner Furniture, where they looked at beds and ugly easy chairs and Parsons tables like the Murketts had, only not so nice as theirs, the wood grain not checkerboarded. They couldn't make any decisions; when the store was about to close she drove him over to the lot so he could have a car too. He picked this model priced in five digits. Blacks stared out from under the neon Signs, JIMBO's Friendly LOUNGE and LIVE ENTERTAINMENT and ADULT ADULT ADULT, as he slid by in virgin blue grapeskin; he was afraid some of them lounging in the cold might come running out at a stoplight and scratch his hood with a screwdriver or smash his windshield with a hammer, taking vengeance for their lives. On a number of walls now in this part of town you can see spray-painted SKEETER LIVES, but they don't say where.