Someone once told me that the gambler's greatest desire, knowledge of the future, would drive us insane. On that warm summer evening as I drove back home, with the moon denting the lake and the fireflies lighting in the palm and oak trees, I felt a thin tremolo inside me, like the faint tinkling of crystal or the almost silent vibration of sympathetic guitar strings, just a hint of Cassandra's tragic gift, and I tried to ascribe it to my old alcoholic fears that writhed in the unconscious as blind snakes would. But a winner at the track usually cares little for caution or moonlit nuances.

TWO

Early the next morning I drove southwest of New Orleans, into the bayou country. It was the south Louisiana I had grown up in, around New Iberia. Oak, cypress, and willow trees lined the two-lane road; the mist still clung like torn cotton to the half-submerged dead tree trunks back in the marsh; the canebrakes were thick and green, shining in the light, and the lily pads clustered along the bayou's banks were bursting with flowers, audibly popping, their leaves covered with drops of quicksilver. The bream and bass were still feeding in the shadows close to the cypress roots; egrets were nesting in the sand where the sun had risen above the tree line, and occasionally a heron would lift from its feeding place on the edge of the cattails and glide on gilded wings down the long ribbon of brown water through a corridor of trees.

Now these same bayous, canals, and marshlands where I had grown up were used by the Barataria pirates. But their namesakes, Jean Lafitte's collection of brigands and slavers, were romantic figures by comparison. The current group was made up of marijuana, cocaine, and heroin smugglers who would murder a whole family out on the Gulf simply for the one-time use of their boat, after which they'd open up the cocks and sink it. Occasionally the Coast Guard would find one half-filled with water and beached on a sandbar, the gunwales painted with blood.

But why should this shock or revile? The same people sometimes killed infants by injection, embalmed the bodies, and filled the stomachs with balloons of heroin so women transporters could walk through customs as though they were carrying their sleeping children.

The Cataouatche Parish sheriff was not at the courthouse. He was at his horse farm outside of town, galoshes on his feet, feeding two Arabians in a side lot. His house had a fresh coat of white paint and a wide screen porch, and Was surrounded by azalea bushes and flaming hibiscus. The long white fence along the back horse pasture was entwined with climbing roses. The sheriff was around fifty, a man in control of his property and his political life. His blue uniform fitted tightly on his compact, hard body, and his round, freshly shaved face and direct eyes gave you the impression of a self-confident rural law officer who dealt easily with outside complexities.

Unfortunately for him, I proved to be the exception.

"She drowned," he said. "My deputies said a bucket of water came out of her when they flipped her off the gurney."

"She had tracks on her arms."

"So? Addicts drown too. You need an autopsy to tell you that?"

"Do you know if she was right-handed or left-handed?"

"What the hell are you talking about?" he said.

"She'd been shooting regularly into the left arm, but she had only one needle hole on the right. What's that tell you?"

"Not a goddamn thing."

"When a junkie flattens the vein in one arm, he starts on the other. I don't think she'd been shooting up that long. I think somebody gave her a hotshot."

"The parish coroner signed the death certificate. It says 'drowned.' You take it up with him if you want to pursue it. I'm late for work." He walked out of the horse lot, pulled off his muddy galoshes on the grass, and slipped on his polished, half-topped boots. His round face was turned away from me as he bent over, but I could hear the repressed anger in his breathing.

"Those are fine Arabians," I said. "I understand they can bring thirty thousand or so when they're trained."

"That wouldn't touch them, Lieutenant. Like I say, I don't mean to be rude, but I'm late. You want me to introduce you to the coroner?"

"I don't think so. Tell me, as a matter of speculation, how do you figure a healthy young woman, wearing all her clothes, would come to drown in a narrow bayou?"

"What's going to make you happy, Lieutenant? You want somebody to write down for you that she died of a hotshot? You want to take that back to New Orleans with you? All right, you have my permission. It's no skin off our ass. But how about her family? She was raised up in the quarters on a sugar plantation about five miles south of here. Her mother is feeble-minded and her daddy is half-blind. You want to drive out there and tell them their daughter was a junkie?"

"Everything in this case stinks of homicide, Sheriff."

"I've only got two more things to say to you, podna, and it's important you understand this. I trust what my deputies told me, and if you got a complaint, you take it to the coroner's office. And number two, this conversation is over."

Then he looked away at his horses in a distant field, as though I were not there, slipped on his pilot's sunglasses, got into his Cadillac, and drove down his pea-gravel lane to the blacktop. I felt like a post standing in the ground.

The dead girl's name had been Lovelace Deshotels. Her parents lived in one of the weathered, paintless shacks along a dirt road on the back of a corporate sugar plantation. All the shacks were identical, their small front porches so evenly aligned that you could fire an arrow through the receding rectangle of posts, roofs, and bannisters for the entire length of the quarters without striking wood. The thick green fields of cane stretched away for miles, broken only by an occasional oak tree and the distant outline of the sugar mill, whose smokestacks in the winter would cover these same shacks with a sickening sweet odor that made the eyes water.

The shack was like thousands of others that I had seen all my life throughout Louisiana and Mississippi. There was no glass in the windows, only hinged board flaps that were propped open on sticks. The walls had been insulated with pages from the Sears catalog, then covered with wallpaper that was now separated and streaked brown with rainwater. The outhouse, which was set next to a small hog lot, had a rusted R.C. Cola sign for a roof.

But there were other things there that leaped at your eye when you walked through the door: a color television set, an imitation Bavarian clock above the woodburning stove, plastic flowers set in jelly glasses, a bright yellow Formica breakfast table next to an ancient brick fireplace filled with trash.

The parents would tell me little. The mother stared vacantly at a game show on television, her huge body stuffed in a pair of lime-green stretch pants and a man's army shirt cut off at the armpits. The father was gray and old and walked with a cane as though his back were disjointed. He smelled of the cob pipe in his shirt pocket. His eyes were scaled over and frosted with cataracts.

"She gone off to New Orleans. I tolt her a colored girl from the country dint have no business there, her," he said, sitting on the couch, his hand curved along the top of his cane. "She only a country girl. What she gonna do with them kind of people they got in New Orleans? I tell her that, me."

"Who did she work for, Mr. Deshotels?"

"What I know about New Orleans? I ain't got no truck there, me." He smiled at me, and I saw his toothless blue gums.

"Do you believe she drowned?"

He paused and the smile went out of his face. His eyes seemed to focus on me for the first time.