My mother was appalled. Was he saying that Percy and Eddie had died for no higher purpose? That all those poor men had died for nothing? As for God, who else had seen them through this time of trial and suffering? She begged him at the very least to keep his atheism to himself. Then she was deeply ashamed for having asked this—as if what mattered most to her was the opinion of the neighbours, and not the relationship in which my father’s living soul stood to God.

He did respect her wish, though. He saw the necessity of it. Anyway, he only said such things when he’d been drinking. He’d never used to drink before the war, not in any regular, determined way, but he did now. He drank and paced the floor, his bad foot dragging. After a while he would begin to shake. My mother would attempt to soothe him, but he didn’t want to be soothed. He would climb up into the stumpy turret of Avilion, saying he wished to smoke. Really it was an excuse to be alone. Up there he would talk to himself and slam against the walls, and end by drinking himself numb. He left my mother’s presence to do this because he was still a gentleman in his own view, or he held on to the shreds of the costume. He didn’t want to frighten her. Also he felt badly, I suppose, that her well-meant ministrations grated on him so much.

Light step, heavy step, light step, heavy step, like an animal with one foot in a trap. Groaning and muffled shouts. Broken glass. These sounds would wake me up: the floor of the turret was above my room.

Then there would be footsteps descending; then silence, a black outline looming outside the closed oblong of my bedroom door. I couldn’t see him there, but I could feel him, a shambling monster with one eye, so sad. I’d become used to the sounds, I didn’t think he would ever hurt me, but I treated him gingerly all the same.

I don’t wish to give the impression that he did this every night. Also these sessions—seizures, perhaps—became fewer and farther apart, in time. But you could see one coming on by the tightening of my mother’s mouth. She had a kind of radar, she could detect the waves of his building rage.

Do I mean to say he didn’t love her? Not at all. He loved her; in some ways he was devoted to her. But he couldn’t reach her, and it was the same on her side. It was as if they’d drunk some fatal potion that would keep them forever apart, even though they lived in the same house, ate at the same table, slept in the same bed.

What would that be like—to long, to yearn for one who is right there before your eyes, day in and day out? I’ll never know.

After some months my father began his disreputable rambles. Not in our town though, or not at first. He’d take the train in to Toronto, “on business,” and go drinking, and also tomcatting, as it was then called. Word got around, surprisingly quickly, as a scandal is likely to do. Oddly enough, both my mother and my father were more respected in town because of it. Who could blame him, considering? As for her, despite what she had to put up with, not one word of complaint was ever heard to cross her lips. Which was entirely as it should be.

(How do I know all these things? I don’t know them, not in the usual sense of knowing. But in households like ours there’s often more in silences than in what is actually said—in the lips pressed together, the head turned away, the quick sideways glance. The shoulders drawn up as if carrying a heavy weight. No wonder we took to listening at doors, Laura and I.)

My father had an array of walking sticks, with special handles—ivory, silver, ebony. He made a point of dressing neatly. He’d never expected to end up running the family business, but now that he’d taken it on he intended to do it well. He could have sold out, but as it happened there were no buyers, not then, or not at his price. Also he felt he had an obligation, if not to the memory of his father, then to those of his dead brothers. He had the letterhead changed to Chase and Sons, even though there was only one son left. He wanted to have sons of his own, two of them preferably, to replace the lost ones. He wanted to persevere.

The men in his factories at first revered him. It wasn’t just the medals. As soon as the war was over, the women had stepped aside or else been pushed, and their jobs had been filled by the returning men—whatever men were still capable of holding a job, that is. But there weren’t enough jobs to go around: the wartime demand had ended. All over the country there were shutdowns and layoffs, but not in my father’s factories. He hired, he overhired. He hired veterans. He said the country’s lack of gratitude was despicable, and that its businessmen should now pay back something of what was owed. Very few of them did, though. They turned a blind eye, but my father, who had a real blind eye, could not turn it. Thus began his reputation for being a renegade, and a bit of a fool.

To all appearances I was my father’s child. I looked more like him; I’d inherited his scowl, his dogged skepticism. (As well as, eventually, his medals. He left them to me.) Reenie would say—when I was being recalcitrant—that I had a hard nature and she knew where I got it from. Laura on the other hand was my mother’s child. She had the piousness, in some ways; she had the high, pure forehead.

But appearances are deceptive. I could never have driven off a bridge. My father could have. My mother couldn’t.

Here we are in the autumn of 1919, the three of us together—my father, my mother, myself—making an effort. It’s November; it’s almost bedtime. We’re sitting in the morning room at Avilion. It has a fireplace in it, with a fire, as the weather has turned cool. My mother is recovering from a recent, mysterious illness, said to have something to do with her nerves. She’s mending clothes. She doesn’t need to do this—she could hire someone—but she wants to do it; she likes to have something to occupy her hands. She’s sewing on a button, torn from one of my dresses: I am said to be hard on my clothes. On the round table at her elbow is her sweetgrass-bordered sewing basket, woven by Indians, with her scissors and her spools of thread and her wooden darning egg; also her new round glasses, keeping watch. She doesn’t need them for close work.

Her dress is sky blue, with a broad white collar and white cuffs edged in piquet. Her hair has begun to go white prematurely. She would no more think of dyeing it than she would of cutting off her hand, and thus she has a young woman’s face in a nest of thistledown. It’s parted in the middle, this hair, and flows back in wide, springy waves to an intricate knot of twists and coils at the back of her head. (By the time of her death five years later, it would be bobbed, more fashionable, less compelling.) Her eyelids are lowered, her cheeks rounded, as is her stomach; her half-smile is tender. The electric lamp with its yellow-pink shade casts a soft glow over her face.

Across from her is my father, on a settee. He leans back against the cushions, but he’s restless. He has his hand on the knee of his bad leg; the leg jiggles up and down. (The good leg, the bad leg —these terms are of interest to me. What has the bad leg done, to be called bad? Is its hidden, mutilated state a punishment?)

I sit beside him, though not too close. His arm lies along the sofa back behind me, but does not touch. I have my alphabet book; I’m reading to him from it, to show that I can read. I can’t though, I’ve only memorized the shapes of the letters, and the words that go with the pictures. On an end table there’s a gramophone, with a speaker rising up out of it like a huge metal flower. My own voice sounds to me like the voice that sometimes comes out of it: small and thin and faraway; something you could turn off with a finger.