I opened the door and went out, refusing to listen to the arguments and pleadings and protestations he had begun to babble. For the nonce, I preferred to face whatever might lurk in the gloomy passage, no matter how loathsome and terrifying, rather than endure any longer the society of John Carnby.

The hall was empty; but I shuddered with repulsion at the memory of what I had seen, as I hastened to my room. I think I should have screamed aloud at the least sound or movement in the shadows.

I began to pack my valise with a feeling of the most frantic urgency and compulsion. It seemed to me that I could not escape soon enough from that house of abominable secrets, over which there hung an atmosphere of smothering menace. I made mistakes in my hurry, I stumbled over chairs, and my brain and fingers grew numb with a paralyzing dread.

I had almost finished my task, when I heard the sound of slow, measured footsteps coming up the stairs. I knew that it was not Carnby, for he had locked himself immediately in his room when I had left, and I felt sure that nothing could have tempted him to emerge. Anyway, he could hardly have gone downstairs without my hearing him.

The footsteps came to the top landing and went past my door along the hall, with that same dead, monotonous repetition, regular as the movement of a machine. Certainly it was not the soft, nervous tread of John Carnby.

Who, then, could it be? My blood stood still in my veins; I dared not finish the speculation that arose in my mind.

The steps paused; and I knew that they had reached the door of Carnby’s room. There followed an interval in which I could scarcely breathe; and then I heard an awful crashing and shattering noise, and above it the soaring scream of a man in the uttermost extremity of fear.

I was powerless to move, as if an unseen iron hand had reached forth to restrain me; and I have no idea how long I waited and listened. The scream had fallen away in a swift silence; and I heard nothing now, except a low, peculiar, recurrent sound which my brain refused to identify.

It was not my own volition, but a stronger will than mine, which drew me forth at last and impelled me down the hall to Carnby’s study. I felt the presence of that will as an overpowering, superhuman thing—a demoniac force, a malign mesmerism.

The door of the study had been broken in and was hanging by one hinge. It was splintered as by the impact of more than mortal strength. A light was still burning in the room, and the unmentionable sound I had been hearing ceased as I neared the threshold. It was followed by an evil, utter stillness.

Again I paused, and could go no further. But this time it was something other than the hellish, all-pervading magnetism that petrified my limbs and arrested me before the sill. Peering into the room, in the narrow space that was framed by the doorway and lit by an unseen lamp, I saw one end of the Oriental rug, and the gruesome outlines of a monstrous, unmoving shadow that fell beyond it on the floor. Huge, elongated, misshapen, the shadow was seemingly cast by the arms and torso of a naked man who stooped forward with a surgeon’s saw in his hand. Its monstrosity lay in this: though the shoulders, chest, abdomen and arms were all clearly distinguishable, the shadow was headless and appeared to terminate in an abruptly severed neck. It was impossible, considering the relative position, for the head to have been concealed from sight through any manner of foreshortening.

I waited—powerless to enter or withdraw. The blood had flowed back upon my heart in an ice-thick tide, and thought was frozen in my brain. An interval of termless horror; and then, from the hidden end of Carnby’s room, from the direction of the locked cupboard, there came a fearsome and violent crash, and the sound of splintering wood and whining hinges, followed by the sinister, dismal thud of an unknown object striking the floor.

Again there was silence—a silence as of consummated Evil brooding above its unnamable triumph. The shadow had not stirred; there was a hideous contemplation in its attitude; and the saw was still held in its poising hand, as if above a completed task.

Another interval; and then, without warning, I witnessed the awful and unexplainable disintegration of the shadow, which seemed to break gently and easily into many different shadows ere it faded from my view. I hesitate to describe the manner, or specify the places, in which this singular disruption, this manifold cleavage, occurred. Simultaneously, I heard the muffled clatter of a metallic implement on the Persian rug, and a sound that was not that of a single body but of many bodies falling.

Once more there was silence—a silence as of some nocturnal cemetery, when grave-diggers and ghouls are done with their macabre toil, and the dead alone remain.

Drawn by that baleful mesmerism, like a somnambulist led by an unseen demon, I entered the room. I knew with a loathly prescience the sight that awaited me beyond the sill—the double heap of human segments, some of them fresh and bloody, and others already blue with beginning putrefaction and marked with earth-stains, that were mingled in abhorrent confusion on the rug. A reddened knife and saw were protruding from the pile; and a little to one side, between the rug and the open cupboard with its shattered door, there reposed a human head that was fronting the other remnants in an upright posture. It was in the same condition of incipient decay as the body to which it had belonged; but I swear that I saw the fading of a malignant exultation from its features as I entered. Even with the marks of corruption upon them, the lineaments bore a manifest likeness to those of John Carnby; and plainly they could belong only to a twin brother.

The frightful inferences that smothered my brain with their black and clammy cloud, are not to be written here. The horror which I beheld—and the greater horror which I surmised—would have put to shame the foulest enormities of nether hell in their frozen pits. There was but one mitigation and one mercy—I was compelled to gaze only for a few instants on that intolerable scene. Then, all at once, I felt that something had withdrawn from the room; the malign spell was broken, the overpowering volition that had held me captive was gone. It had released me now, even as it had released the dismembered corpse of Helman Carnby. I was free to go; and I fled from that ghastly chamber and ran headlong through an unlit house and into the outer darkness.

THE CITY OF

THE SINGING FLAME

Foreword

We had been friends for a decade or more, and I knew Giles Angarth as well as anyone could purport to know him. Yet the thing was no less a mystery to me than to others at the time, and it is still a mystery. Sometimes I think that he and Ebbonly had designed it all between them as a huge, insoluble hoax; that they are still alive, somewhere, and are laughing at the world that has been so sorely baffled by their disappearance. And sometimes I make tentative plans to re-visit Crater Ridge and find, if I can, the two boulders mentioned in Angarth’s narrative as having a vague resemblance to broken-down columns. In the meanwhile no one has uncovered any trace of the missing men or has heard even the faintest rumor concerning them; and the whole affair, it would seem, is likely to remain a most singular and exasperating riddle.

Angarth, whose fame as a writer of fantastic fiction will probably outlive that of most other modern magazine contributors, had been spending that summer among the Sierras, and had been living alone till the artist Felix Ebbonly went to visit him. Ebbonly, whom I had never met, was well known for his imaginative paintings and drawings; and he had illustrated more than one of Angarth’s novels. When neighboring campers became alarmed over the prolonged absence of the two men and the cabin was searched for some possible clue, a package addressed to me was found lying on the table; and I received it in due course of time, after reading many newspaper speculations regarding the double vanishment. The package contained a small, leather-bound notebook. Angarth had written on the fly-leaf: