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“I don’t think I’m clear on this,” he kept repeating. “You’re staying?”

It was the school, she told him, so much better for Gwen: fewer drugs, fewer temptations. Just a change, a tryout. She’d forgotten how peaceful it was here, out in the country: she’d actually been inspired to work, so could he send on a box of her tools, and the packet of semiprecious stones in her night table drawer? Gwen was so happy, after all, she was doing so well; why, she’d even begun taking care of that old horse Belinda used to ride.

“Tarot?” Richard had said. “She’s spending time at the Farm?”

For those new to lying, it’s easy to get caught.

“Not exactly,” March had answered.

“Well, what exactly?”

March guessed that Richard had the bedroom window open as he spoke to her, and that the scent of lemons was filling the room. She had taken special care of that tree in their garden, forsaking poppies and jade plants whenever there was a drought, using all her rationed water for that one tree.

“Richard,” she had said, and for a very long time there was no response.

“You’re not going to do this to us, are you?” he had finally asked.

She thinks about the sound of his voice, so far away, as she gets her gloves and coat from the closet, then takes the asters from the table in the front hall. When she goes to the door, the dog follows, blocking her way.

“Move,” March tells it.

The dog looks up at the closet where its leash is kept on a shelf, then makes a noise, somewhere between a yip and a bark.

“Oh, all right,” March tells the thing. “But behave.”

She grabs the leash, and allows Sister to run ahead to the Toyota.

“Stay away from the flowers,” March says as the dog situates itself beside the asters. “Don’t eat them.”

When March gets to the cemetery, there are no other cars in sight. She parks in a pile of wet, brown leaves, then clips on the dog’s leash and takes the flowers.

“Don’t pull,” she tells Sister, who seems to know exactly where they’re going.

There’s a driving range which borders the cemetery, and March’s father used to joke that was the reason why they couldn’t keep gravediggers on the job. Man after man had gotten beaned on the head, and every one of those stray balls had been hit by Bill Justice, who continued to be a terrible golfer even though he went out to practice nearly every day, in an effort to improve his weekly game with Henry Murray. Now March wonders if the Judge only said he was going to the driving range; if, in fact, he spent those times with Judith Dale. She wonders too if her father knew-if he closed his eyes to what was going on in spite of his warm feelings for Louise. Amazing what people will tolerate. Richard, for instance, knows the way March feels about Hollis, and yet before he hung up the phone he’d said, Just come back. It will be all right. We’ll manage.

They have reached Judith’s grave, and although the dog sits quietly, there’s a tremor in its leg.

“Good girl,” March croons, but the dog is shivering now.

Wet leaves have attached themselves to March’s boots and to Sister’s white coat. It’s extremely quiet here, not even a jet overhead.

“Your favorites,” March tells Judith Dale as she places the pot of flowers at the foot of the grave site, which is still bare earth.

March sits on the grass beside the grave, and the dog comes to lie beside her, so close March can feel it shivering through fabric and fur. They walk back to the car slowly, until Sister decides to chase a few scarlet leaves, the last ones that fall from a tall maple. They stop at the knoll from which March can see her father’s plain gray headstone, and nearby, the headstone marking the spot where Alan’s young wife was laid to rest. When they get to the car, Sister sits in the front seat. March navigates the narrow road, and then, as she’s about to turn onto a larger drive, something runs in front of the car. Between the falling leaves and the asphalt there is a flash of red. March steps on the brake, hard.

Nothing but leaves and silence; March would have thought she’d imagined what passed before her, but Sister is scratching at the window, barking like mad. Then, from beneath a hedge of evergreens, the creature takes off again. It’s one of the last of the foxes, a great-great-grandson of one who survived the open hunting season all those years ago. It’s running as fast as it can, headed for the open fields west of the cemetery. Red lightning that doesn’t look back, it’s gone in the blink of an eye.

March remains there, with her foot on the brake, and Sister’s barks echoing. As a little girl, March used to wait out on the front porch in the dark, hoping to see one of the foxes who were so numerous back then. She could never stay up late enough, so she came up with a plan. She’d catch one for her own and keep him in a box in the kitchen, in one of those crates they used to store potatoes and yams. She’d make certain he stayed warm under a flannel blanket, she’d feed him buttered toast and train him to dance to music, in a circle, on his toes. On some nights, she’d allow him to sleep beside her in her bed, his pointed nose on her pillow, and she’d sing him to sleep.

“Don’t be silly,” Judith Dale told her one summer night, when March wasn’t more than seven or eight, and Mrs. Dale had discovered her out past her bedtime, poised on the porch with a fishing net, a hammer, and the vegetable crate. “You’ll never catch a fox that way.”

Mrs. Dale brought March to the chestnut tree, where she drew a circle in the dirt with a stick. She took some sugar cubes from her pocket, the kind she favored for her coffee and tea. She let March crush the sugar cubes, then sprinkle them around the circle.

“Spread it thin,” Judith told her, and March was especially pleased that Judith clapped her hands, approving her work when it was done.

“Bullshit,” Alan had responded when March informed him that she’d trap a fox by the morning. And when indeed all the sugar was found to be gone, Alan laughed out loud. “Anything could have eaten that sugar, dummy. Raccoons, stray dogs, mice. There are any number of explanations, Marcheline, and none are as stupid as yours.”

But later that day, Mrs. Dale took March inside the circle and pointed out the tracks of a fox’s lovely, sly paws. That’s when March decided that if she couldn’t keep a fox in the kitchen, she’d have one in the woods. For a very long time, she left out treats. Even after Hollis had come to live with them, she was sometimes found drawing a circle with a stick, setting out bits of sugar, or some cookies, or a fresh corn muffin she’d stolen from the pantry.

“Is that for your boyfriend?” Hollis said to her once, when she was distributing slices of apple around the circle.

“No,” she said, and then she’d turned her back on him. You’re my boyfriend, is what she was thinking, and after all this time, she’s thinking it still.

When the fox disappears, March turns onto Route 22 and heads for Guardian Farm, hoping that Hollis will be back from Boston. The autumn light is sharp, and March reaches for her sunglasses. She switches on the radio and sings along to a song she didn’t think she knew the words to. She has the sense that she’s driving backward in time; the sky is so much smaller here than it is out west, a bowl of heaven set above their pastures and their town. She eases into the turn off Route 22 carefully, since it’s a place where it’s difficult to see oncoming traffic. She drives along the fields the Coopers always planted, but which are now thick with little more than wild clematis and witch hazel. There’s only one tended patch, where Hank has been raising pumpkins, and that crop has done well. There are several rows of huge, fat pumpkins, still on their thick, ropy vines.

March remembers coming here with Hollis and wishing the Farm belonged to them. The house looked so much grander and more elegant back then, and Annabeth Cooper’s perennial gardens were amazing, especially her rose garden, where the blooms were as big as cabbages. March used to study Richard and Belinda with real interest. How strange it was that a rich girl would wear torn sweaters and keep her hair bunched into a rubber band. How odd that Richard should cry when he discovered a worthless old crow someone had shot for sport. She found them so curious, like creatures from a distant planet; she couldn’t help but be interested, and she stayed interested long after Hollis grew tired of their spying game.