Soe wait I in shadowes under eaves & after a time out cometh the lad and he tells me my man met with Harry Crabbe and John Simpson & they spake low but he heard money passed in a purse. We wait in shadowes & soone out comes Mr Piggott & in a litel comes two ill-favoured men, one with his nose cut off & wore a leather one in its playce & the other a verie beare, black of face but trumperie dressed with a longe yellow plume to his hat. The lad pointeth now privilie, telling these be the men he met with. And what manner of men are these, I asked him, and he replies, Crabbe (he of the false nose) is well-named for he loveth the crabs so much he feedes them on men & this Simpson is called John the Baptist heerabouts, for he baptises in Thames water & better than a bischop too, for those he baptiseth sin no more in this world; by which he meant he drowneth them. Quoth I: did you then heere nothynge of theyre plots? He saith: yea, I heard that the playere must die & Simpson saith ten angels maketh but one angel & must give ten more if you want yon lad Richard in the river bye him & your man agreeth but with bad grace and giveth over more & may you my master, be generous as he. Soe I payde him and left that street much afeared & knowing not where to turn for aide.
With my harte thus confuzed I got me over river to the Globe & set to my taskes there, but verie melancholie & otheres of that company saw & sence there be no company lyke a company of plaieres for gossip I was butt of verie much bayting that day, one saith hee is in love, another nay, he hath learnt he hath the pox, yet another nay, he hath lost all at cartes & shall pawn his cloake & hanger at the Jewes: til I threw a stool at Saml. Gilbourne, and soon thereafter Thos. Pope & I were at daggeres nearlie, when Mr Burbadge and some otheres bade us stop upon feare of ducking, yet we would not & were thrown in the river for oure owen goode.
Then we had the tragedie of Hamlet that after-noone & I was set to plaie a lord attendant on the King & come out with them alle in Actus Primus, scena ii, but when I look out at the groundlings in the penny-places my harte near stopps in my breast for there at the fore stood those two villains from the Lamb & I sware I could not move more than a painted man on a board & missed my cue til Harry Cordell cloutes me in the short ribs to move me on.
16
Crosetti’s doubts about the rationality of the present voyage were somewhat assuaged by the thrill of traveling on a private jet. He had, of course, never ridden one before, nor had anyone he knew ever done so. He thought he could get used to it. Mishkin apparently never traveled any other way. He had a card from his firm entitling him to a certain number of hours of private jet flight and if you loaded enough people onto it, as now, it was only a little more expensive than first class, if you considered a couple of grand each a little, which Mishkin did. He had explained this to Crosetti on the ride out to Teterboro. He seemed to want Crosetti to believe he was just an ordinary guy and not an incredibly rich person. Yes, he was an income millionaire, but just barely. It was mainly that he did not really fit, physically, on commercial airliners. Otherwise, he’d be happy to line up and take off his shoes with his fellow citizens. Crosetti didn’t know why Mishkin was trying to sell him this line, but he’d noticed the same impulse in a couple of people he’d met through his film contacts, guys who’d sold scripts for six, seven figures and were bending over backward to demonstrate that they were still just regular fellas like everyone else: I only bought the Carrera for my bad back, it’s got the most orthopedically correct seating…
The aircraft was a Gulfstream 100 and it was configured for eight passengers, and, somewhat to Crosetti’s surprise, they were carrying six: besides him and Mishkin, there was Mrs. Mishkin and the two Mishkin Munchkins (a phrase that popped into Crosetti’s mind when they arrived at the terminal and stuck there like a bit of bubble gum beneath a theater seat) and a guy who looked so much like Rutger Hauer that it was a little scary, and who turned out to be Paul, the brother of the host. Apparently, the wife and kids were going to be taken to Zurich after the stop in London, but the brother was going to come along on the Bulstrode mission.
Crosetti thought this a little peculiar, but then he was getting the impression that Jake Mishkin was not all that tightly wrapped. For example, while they waited in the lounge provided at Teterboro for private jet passengers a man arrived who was apparently one of those people upon whom business empires utterly depended, for it seemed he could not be out of touch for one instant. That his underlings were a lazy and recalcitrant lot was evidenced by his management style, which was loud-screaming nearly-and laced with obscenity. His interlocutors were told repeatedly to shut the fuck up and listen, and advised to tell other stupid motherfuckers to fuck themselves. Mrs. Mishkin was clearly upset by this person, as were the other inhabitants of the lounge. At last the churl finished his conversation with the command, “Tell that fuckhead to call me right away! This second!” He stared at the little instrument for almost a minute, mumbling curses, and then the thing rang again, with Wagner’s Valkyrie theme, and he resumed his tirade at the new fuckhead, whereupon Mishkin rose, walked over to the man, looming above him like the Jungfrau over Stechelberg. He said something in a low voice and was answered with a “Fuck off!” at which Mishkin plucked the cell phone from the man’s hand, snapped it in two, and tossed it in the trash. There was a pattering of applause from the other waiting passengers, Mishkin walked back to their group, and, after a stunned interval, Mr. Obnoxio dashed out of the lounge, perhaps to obtain another phone or a cop, but which it was they never discovered, because at that moment a trim young woman in a tan uniform came out of a door and informed Mishkin that they could board now.
Crosetti was the last one to enter the airplane and took the remaining seat, which was leather smooth as girls and comfortable enough to qualify as a mortal sin all by itself. The uniformed woman asked him if he wanted something to drink and of course he asked for champagne and got it, a split of Krug, perfectly chilled, and a crystal flute to drink it from and a basket of little crackers and a ceramic tub of soft cheese. The man across the aisle was having a beer, but he had a little basket too. This was the brother. Crosetti examined him peripherally as the plane rolled across the taxiways. He was wearing a dark sweater and blue jeans and wore cheap sneakers on his feet. The poor relation? He was reading the morning’s New York Times, scanning it really, as if the news bored him, or he knew what it was going to say already. Crosetti appreciated the feeling; this was how he himself read the paper, except for the movie reviews. He wondered if the man were an actor, a terrific-looking guy really, and wondered too at the genetics that had cranked out this one and Mishkin from the same batch.
Suddenly the man snapped the paper shut, folded it, and jammed it into a seat pocket. He turned to Crosetti and said, “I’ve lost the ability to distinguish truth from fiction in the news, with the exception of the scores in sports. I don’t know why I bother. It just makes me angry without a reasonable outlet.”
“You could tear the paper into shreds and stamp on the scraps.”
The man smiled. “I could, but that sounds like something my brother might do.”
“He has a temper. That cell phone business?”
“Yes, and killing two people. But the strange fact is he doesn’t have a temper. He’s the mildest, longest-suffering guy in the world. I’m the one in the family with a temper.”