MRS MASHAM: You must forgive me, ma’am. It’s a deeply personal thing, but I cannot help observing, ma’am—because of the disorder of your dress—that you have a wee thing

MRS. MORELY: A wee thing? You are bold, ma’am.

MRS MASHAM: Aye, a wee thing. I’ll go further—a wee pink tail. Yes, a wee pink tailie—I can see it, I can see it, I can see it—

MRS. MORELY: You must not peep!

MRS MASHAM: Aye, but I will peep! And I’ll—how my fingers itch—I’ll pull it—

MRS. MORELY: Creature, you dare not!

MRS MASHAM: I dare all! I’ll pull it, I’ll pull it, I’ll pull it—

“—And when the tease was almost at its climax, I did pull it. Pulled Urky’s little tag of ribbon, and ran with it across the room so that it unfolded rapidly and softly and ticklishly inside him, and he reached what he called his Little Xmas.

“—Then I ran to the kitchen and kept out of the way until Urky had freed himself from the easy bonds and retired to his bedroom. I cleaned up, put everything in order, and left, having picked up the envelope which he had left for me on the table by the door.

“—It contained twenty-five dollars. Twenty-five measly bucks for a day that had started at six in the morning and never ended before one! Twenty-five lousy bucks for a man of my attainments to serve as cook, butler, drug supplier, coosie-packer, character actor, sex-tease, and scholarly parasite for nineteen hours! Once, when I hinted to Urky that it was sweated labour, he looked hurt, and said he had supposed I got as much fun out of it as he did! All that delicious exciting pretence! His egotism was phenomenal in my experience, which has been great. If he hadn’t nosed out a few things I preferred not to have known, I would have squealed on him long ago. Now I no longer have to dread blackmail, for I speak from the threshold of eternity, my dears. Pray for Brother John. Necessity, not my will, consented. Until tonight, when I decided I had had enough. Even a buzzard sometimes gags.

“—Not that my decision was a sudden one; I do not make up my mind about important things in an instant. It is at least three weeks since I decided that the time had come for me to disappear as Brother John, the joke-monk, and to re-emerge as John Parlabane, author of one of the few unquestionably great novels of our time. For that is what Be Not Another is: the greatest and in time the most influential roman philosophique written by anyone since Goethe. And when I am not around to be punished and patronized and belittled by my inferiors that is how it will be seen. It is jealousy—yours, Clem, God forgive you, and that of many others—that stands in the way of the book; you know me and you know me in my inferior guise as a needy friend who has taken some wrong turnings in his life, and so has not made his way to the scholar’s safe harbour. You refuse to see me as what I truly am—a man of strongly individual nature, richly perceptive and an original moralist of the first order. I should not have been this if I had refused to get my shoes muddy, as you have done.

“—As an original moralist I value a truly fine work of art above human life, including my own. To ensure the publication of my book and its recognition for what it is, I am ready to give my own life, but I recognize that such an act would attract little attention. In the eyes of the world I am nobody; if I am to get the attention that is my due, I must become somebody. What easier way than by taking another into the shadows with me? All the world loves a murderer.

“—Few murders have been undertaken to ensure the publication of a book; offhand, I can’t think of one, but as there may be some other instances I must speak with caution. People murder for other sorts of gain, or in passion. I do not even admit that I have polished off Urky for gain, because I shall reap no direct advantage—the advantage will all be the world’s, which will be persuaded by this rough means to give fair consideration to my book, and in the course of time the world will see how enormously it is the gainer. Which would you rather have, Maria—the great romance of François Rabelais, or a living, breathing, sniggering Urquhart McVarish? Indeed, I am providing Urky with a kind of immortality he could not aspire to if he died by what are called natural causes. (Not, of course, that I write in Rabelais’s vein, which I have always considered needlessly gross, but as a work of humanist learning my book is measurably finer than his.)

“—Why Urky? Well, why not Urky? I need someone and he fills the bill because his taking-off will cause a stir, especially in the way I have managed it, without in any serious way depriving the world of a useful human creature. Besides, I have become impatient with his hoity-toity ways with me, as well as his stinginess. It is an oddity of people with unusual sexual tastes that they must enjoy them in the company of somebody whom they can patronize and look down on; I think Oscar Wilde really liked his grooms and messenger boys better than he ever liked aristocratic Bosie. There are men who like vulgar women, as well as women who prefer vulgar men; snobbery in sex has never been carefully investigated. But I, to whom Urky was what a dog is to a man, have grown tired of playing the gossiping old Edinburgh wifie, to be snubbed and put down by The McVarish. The worm turns: the parasite punishes.

“—So, a few hours ago when the tedious charade of the Two Old Edinburgh Ladies had sniggered towards its close, I made a change in the script, which Urky at first saw as an ingenious variation designed for his pleasure. Oh, invaluable parasite!

“—Imagine him, tied up and giggling like a schoolgirl as I lean closer and closer.

MRS MASHAM: Mistress Morley, my dear, you do giggle so! It can’t be good for you. I shall have to punish you, you naughty girlie. Look how you’ve disturbed your frock! I shall have to tie you up tight, my wee lassie, verra tight indeed.—But och! what a foolish giggler! Can ye not laugh a guid hearty laugh! Here, let me show you how. See, I am going to put this record on the machine; it’s Sir Harry Lauder singing ‘Stop Your Tickling, Jock’.—Now, listen how Sir Harry laughs; that’s a laugh, eh? A guid, hearty laugh? Come on, Mistress Morley, sing with me and Sir Harry:

I’ll just turn up the volume a bit to encourage you. And I’ll tickle you! Yes, I will! See, I’m coming at you to tickle you!—Och, do ye call that a laugh? I know what! Ordinary tickling will never do the job. Now watch: ye see I have here my knitting needles. If I juist insert this one up your great red nose, Mistress Morley, and wiggle it a wee bit to tickle the hairs, eh? Ticklish, eh? But still not enough; let’s put the other needle up the other hole in yer neb. See, when I wiggle them both how easy it is to laugh? Laugh right along with Sir Harry? Och, that’s not laughin’. That’s more like shriekin’. I’ll just push them in a wee bit further. No, no, it’s no good rollin’ yer een and greeting, Mistress Morley, my dear.—D’ye know, a great idea occurs to me! Juist suppose now—I’ll need some sort of a hammer—so juist suppose I take off my shoe, so. Then wi’ the heel o’t I gie the ends o’ the needles a sharp tap—one, two: But Mistress Morley, ye’re no longer laughin’. Only Sir Harry is laughin’.

“—And indeed only Sir Harry was laughing, for Urky with two aluminium knitting-needles well up into his brain was quite quiet. Whether it was the needles, or fright, or heart failure, or all three, Urky was dead, or too close to it to make a sound.

“—So—out of Mistress Masham’s old gown in a flash, set the repeating-device and turn up the volume on the record-player to the full, so that Sir Harry will go on singing his song and laughing heartily until a neighbour phones the caretaker, and out of the flat, not forgetting my envelope. But no need to worry about fingerprints; I wanted to leave plenty of those, so that there would be no danger of anybody else stealing my murder.