We met at a kind of mezzanine, where a single wide set of steps led up to the second story. Louis moved ahead, while I stayed a little farther behind. I watched as he pushed open a swinging door, a dirty, wire-mesh window at head level, and began his search of the floor. I had decided to move on to the third story when there was the sound of movement from below. I looked down over the stair rail and a man stepped into my line of vision, striking a match to light a cigarette. In the flash of illumination I recognized him as one of Tony Celli's crew from the hotel room, left to guard the door from outside, but instead taking shelter from the rain. Above me, a floorboard creaked gently, then another: at least one of Celli's men had progressed to the top floor.
As I watched Tony Clean's man smoke his cigarette, something caught my attention to my left. The windows on the mezzanine, which would once have looked out onto the lot below, were now boarded up and no light shone through them. The only illumination came from a jagged hole in the wall, ringed with damp where the plaster surrounding an old air-conditioning unit had given way and fallen in a heap to the floor below, taking the unit with it. The hole created a kind of murky pool of light between two masses of dark at either side. In one of those unlit areas, I sensed a presence. A pale figure flickered, like a piece of paper gently tumbling. I moved forward, my heart pounding and the gun heavy in my hand.
From out of the blackness, a face appeared. Its eyes were dark, with no whites showing, and a dark necklace seemed to hang around its neck. Slowly, its mouth became visible, the zigzagging black thread sealing it shut. Beneath it, the mark left by the rope was deeply indented on her skin. She watched me for a moment, then seemed to turn in on herself, and there was only emptiness where she had been. I felt a cold sweat on my back and a feeling of nausea swept over me. I gave one more look at the patch of darkness, then turned away just as a sudden soft cry of pain came from below me.
I paused on the first step, and waited. Around me the rain fell and water dripped. There was the sound of a shoe softly scuffing on the wood below and then a man drifted into view on the right-hand stairway, wearing a tan raincoat from which a bald head emerged like a toadstool. Stritch raised his strange, melted-wax features and his strange, colorless eyes regarded me for a moment. Then his too-wide mouth broke into a smile from which all humor was absent and he withdrew back beneath the mezzanine. I wondered if he knew yet that Abel was dead, or how much of a threat he considered me.
The answer came within seconds as the rounds tore through the soft damp wood of the stair rail, splinters spearing the gloom. I sprang up the remaining steps, the bullets following me as Stritch tried to gauge my position from the sounds I made. I felt something tug at the tail of my coat as I reached the top of the steps and knew that he had come close, very close, with at least one of his shots.
I got to the second floor and headed the same way Louis had gone. There was in a kind of lobby inside the door, with an old raised receiving desk to my right behind which lay another storage bay, part of a succession of small bays that led to the back of the building, each connected by a single doorway so that, if the light had permitted, I could have seen straight through to the far wall of the warehouse. Even from where I was standing, I could see that the bays still contained battered desks and broken chairs, rolls of rotting matting and boxes of discarded paperwork. Two corridors stretched away on either side, one directly in front of me and one to the right. I guessed that Louis was already making his way down the right-hand corridor so I moved quickly down the other, casting anxious glances over my shoulder to see if Stritch had appeared yet.
A burst of gunfire came from ahead of me and to my right, answered by two softer shots fired in close succession. I heard voices shouting and running footsteps, the noises echoing around the old building. At a doorway to my right, a figure in a black leather jacket lay slumped on the floor, blood pooling around its head. Louis was already making his mark but he didn't know that Stritch was somewhere behind us, and it was important that he was told. I moved back into the corridor in time to see a flash of tan move behind the receiving desk. I stepped sideways, moving past the prone form of Tony Celli's man until I could see beyond the top of the desk, but there was no sign of Stritch. I stepped quickly to the doorway of the next bay and peered around the door frame in time to receive the muzzle of a silenced pistol in my right temple.
"Shit, Bird, I almost blew your head off," said Louis. In the semidarkness he was almost invisible in his dark clothes, with only his teeth and the whites of his eyes showing.
"Stritch is here," I said.
"I know. Caught a glimpse of him, then got distracted by you."
Our discussion was interrupted by the sound of more firing ahead of us, the same gun shooting each time, loosing off three shots with no return of fire. There was more shouting and then a burst of automatic fire, followed by footsteps running up a flight of stairs. Louis and I exchanged a nod and began to make our way toward the back of the building, one of us at each side of every door frame to give us a clear view of the room beyond and the section of corridor at either side. We kept moving until we reached an open service elevator, in which another of Tony Celli's men lay dead. Alongside the elevator, a single flight of stairs wound up to the top level, where Stritch had presumably gone ahead of us. We were on the second step when I heard a sound behind me that was chillingly familiar: the twin clicks of a cartridge being jacked into a pump-action shotgun. Louis and I turned slowly, our guns held up and away to our sides, to find Billy Purdue standing before us. His face was streaked with dirt, his clothes soaked through, and on his back was a black knapsack.
"Put your guns down," he said. Somehow, he had found a way to hide from his pursuers, and from us, among the old furniture and office waste. We did as we were told, casting cautious looks both at Billy's gun and the staircase above us.
"You brought them here," he said, his voice shaking with anger. "You sold me out." There were tears running down his cheeks.
"No, Billy," I said. "We came to get you to safety. You're in a lot of trouble here. Put the gun down and we'll try to get you out of it."
"No. Fuck you. There's nobody here for me now." With that, he fired two bursts from the shotgun, spraying the wood and plaster behind us and forcing us to dive to the ground. When we looked up again, splinters and grit in our hair, Billy was nowhere to be seen but I could hear his running footfalls as he headed back in the direction in which we had come. Louis immediately sprang to his feet and moved after him.
More shots came from the floor above as I rose, automatic fire followed by a single shot. I took the steps slowly, my neck craned to one side, my hands slick with sweat. At the top of the stairs, beside the elevator, another of Celli's men lay huddled in a corner. Blood flowed from the bullet wound in his neck. There was something else about him too, something I almost did not see.
His trousers were opened, the zipper pulled down, and his genitals partially exposed.
Before me was a doorway, and beyond the doorway was total darkness. In that darkness, I knew that Stritch waited. I could smell his cheap, sickly cologne and the dark, earthy odor he used it to conceal. I could sense his watchfulness, the tendrils he sent out to test the air around him for prey. And I could feel his desire, the sexual charge he took from hurting and bringing lives to an end, the aberrant sexuality that had led him to touch and expose the young man in the corner as he lay dying.