Eric handed her the camera. Edie fiddled with the lens, focusing. "He looks so funny," she said. "He looks so stupid."

Later, Edie wrote in her diary: I bet that's how we look to angels and devils. They see everything bad we do, they see all our weaknesses. We lie there totally oblivious, dreaming our sweet dreams, and all the time these supernatural beings are hovering over the bed, laughing at us, waiting for just the right moment to prick our balloons. He doesn't know it yet, but I'm going to see that boy bleed.

21

PERHAPS because he had been raised a Catholic, the idea of having an address on Madonna Road had always appealed to Cardinal; the word held rich associations of mercy, purity, and love. The Madonna was the mother who had survived the sorrow of her Son's murder, the woman who had been received physically into heaven, the saint who interceded for sinners with a God who could be, let's face it, something of a hard-ass.

The associations were muddied now- a pop star had come along and replaced mercy with commerce, purity with camp, and love with lust- but Madonna Road was still a peaceful address, a curved narrow lane along the western edge of Trout Lake, where the birches creaked in the cold, and the snow slipped from their branches in silent clumps.

Cardinal had long ago stopped going to Mass, but the habit of continual self-examination and self-blame stayed with him. He was also honest enough to admit that most days these habits only served to make him neurotic, not good. He had reason to be thinking this way at the moment: His tiny house on Madonna Road, far from being a comfort, was freezing. "Winterized lakefront cottage," the ad had said. But when the temperature dropped out of sight, the only way to keep the place warm enough was to get both the fireplace and the woodstove going full blast. Cardinal was wearing lined corduroys and a flannel workshirt over long underwear. Still cold, he had wrapped himself in a terrycloth bathrobe. He was sipping from a steaming cup of coffee, but his hands were frigid. It had taken ten minutes to fill the kettle from his frozen pipes. On this less-than-merciful stretch of Madonna Road, the wind whipped off the lake and pressed right through his windows with their very expensive and completely futile triple glazing.

The surface of the lake was so white it made Cardinal's eyes water to look at it. He drew the curtains closed in an attempt at insulation. Somewhere out there across the frozen lake, somewhere in the middle of town perhaps, the killer was going about his normal day. He, too, might be enjoying a cup of coffee while Katie Pine lay dead and her mother sat grieving, while Billy LaBelle lay buried god-knows-where, and Todd Curry was on a coroner's slab in Toronto. The killer might be listening to records- Anne Murray, anyone?- or hiking through the dazzling snow with his camera slung over his shoulder. Cardinal made a mental note to check the local camera club, if there was one. If the killer took pictures of Katie Pine, he could hardly risk taking them to the drugstore; he would have to develop them himself. Such a person might belong to a camera club.

Thinking of cameras made him think of Catherine. One of the worst things about her illness was how it robbed her of all creative energy. When she was well, the house was always full of photographs in various stages of completion. She would be in and out, cameras hanging from both shoulders, excited about some project or other. Then the illness came and the cameras were the first thing to go, jettisoned like dead weight from a sinking ship. He had called her before breakfast, and she had sounded pretty good; he even allowed himself to think she might be home sometime soon.

BUT now the telephone waited for him with the implacable silence of an executioner. Cardinal had resolved after a long sleepless night that he would call Kelly this morning and tell her she would have to find another, cheaper grad school next term; her Yale days were over. She'd done her BFA at York, no reason why she couldn't go back. From the moment he first took that money, guilt had begun to drip inside him. It was not just the prospect of being exposed by Delorme; there was not much chance of that. But month by month, year by year, the acid of guilt had eaten through the layers of denial, and he couldn't stand it anymore.

The worst thing was knowing that he was not the husband that Catherine loved, the father that Kelly loved. They both had this misconception about him: They thought he was good. Although his crime might be victimless- who was going to care in the long scheme of things whether Cardinal in a moment of weakness had relieved a criminal of a large sum of money?- for years, now, he had been an unknown quantity to the people he loved, an utter stranger. Kelly respected the father and cop he used to be. The loneliness of being unknowable was becoming unbearable.

And so he had resolved to call her and explain what he had done and that he could not afford to keep her at Yale. Christ, the girl has an IQ of 140, can't she figure it out? How does a small-town Canadian cop send his kid to Yale? Did she really buy the story about the money coming from the long-ago sale of his grandparents' house? Did Catherine? Self-delusion must run in the family. All right, he would tell her, let her complete the semester, and then, having wrapped up the little matter of nailing the killer of Katie Pine and Billy LaBelle and Todd Curry, he would confess to Dyson and the chief. He would lose his job, but jail time would be unlikely.

He picked up the phone and dialed Kelly's number in the States. One of her roommates answered- Cleo? Barbara? he couldn't tell them apart- and shouted for Kelly to pick up.

"Hi, Daddy." When did she start calling me that again? Cardinal wondered. They had gone through a brief "Pop" phase, which Cardinal had barely tolerated, then back to the usual "Dad," but lately it was "Daddy." It must be an American thing, he decided, like saying "real good" for "really good" and pronouncing "probably" with the accent on the last syllable, but this was one American mannerism he enjoyed.

"Hi, Kelly. How's school going?" So plain, so flat. Why can't I call her princess or sweetheart, the way fathers do on TV? Why can't I say the place is colder without you? Without Catherine? Why not tell her this tiny house is suddenly the size of an airport?

"I'm working on a humongous project for my painting class, Daddy. Dale's taught me that I work best on a monumental scale, not on the crabbed little canvases I always stuck with before. It's like being set free. I can't tell you how good it feels. My work is a hundred times better."

"Sounds good, Kelly. Sounds like you're enjoying it." That's what he said. What he thought was: God, it moves me so to hear you're happy, to hear that you're growing, that your life is full and good.

Kelly chattered on about learning at last how to wield paint, and normally Cardinal would have basked in her enthusiasm. In the course of his sleepless night he had stood in the doorway of her bedroom and stared at the narrow bed she had slept in for a week, picked up the paperback she had been reading, just to touch something his daughter had touched.

He stood in the doorway now, the cordless phone tucked under his chin. The room was a pretty pale yellow, with a wide window looking out on birch trees, but it had never really been Kelly's room. Cardinal and Catherine had moved to Madonna Road after Kelly had gone to university, and the room was just a place she inhabited when she visited.

A TV father would tell her how he had touched her book just to touch something she had touched, but Cardinal could never say such a thing.

"One thing, though, Daddy. A bunch of us are planning a trip to New York next week. It's the last week of the Francis Bacon exhibition and it's really something I should see. But you know I didn't budget for any trips, and this would cost about two hundred dollars by the time you factor in meals and gas and everything."