Dracula turned, holding his candle aloft, and the light picked out the glow of jewels on his cap-topaz, emerald, pearl. His eyes were very bright. “What do you think of my library?”

“It looks like a-a remarkable collection. A treasure-house,” I said.

A kind of pleasure went over his terrible face. “You are correct,” he said softly. “This library is the finest of its kind in the world. It is the result of centuries of careful selection. But you will have plenty of time to explore the wonders I have assembled here. Now let me show you something else.”

He led the way towards a wall we had not yet approached, and there I saw a very old printing press, such as one comes across in late-mediaeval illustrations-a heavy contraption of black metal and dark wood with a great screw on top. The round plate was obsidian with the polish of ink; it picked up our light like a demonic mirror. There was a sheet of thick paper lying on the shelf of the press. Leaning closer I saw that it was partly printed, a discarded attempt, and that it was in English. “The Ghost in the Amphora,” ran the title. “Vampires from Greek Tragedy to Modern Tragedy.” And the byline: “Bartholomew Rossi.”

Dracula must have been waiting for my gasp of astonishment, and I did not disappoint him. “You see, I keep up with the finest modern research-up to the minute, as they say. When I cannot get a published work, or I want it at once, I sometimes print it myself. But here is something that will interest you easily as much.” He pointed at a table behind the press. It held a row of woodcuts. The largest of them, propped up to view, was the dragon of our books-mine and Paul’s-in reverse, of course. With difficulty, I kept myself from exclaiming aloud. “You are surprised,” Dracula said, holding his light near the dragon. Its lines were so familiar to me that I could have cut them with my own hand. “You know this image very well, I think.”

“Yes.” I held my candle tightly. “Did you print the books yourself? And how many of them are there?”

“My monks printed some of them, and I have continued their work,” he said quietly, looking down at the woodcut. “I have nearly fulfilled my ambition of printing fourteen hundred and fifty three of them, but slowly, so that I have time to distribute them as I work. Does that number mean anything to you?”

“Yes,” I said after a moment. “It is the year of the fall of Constantinople.”

“I thought you would see it,” he said with his bitter smile. “It is the worst date in history.”

“It seems to me there are many contenders for that honor,” I said, but he was shaking his great head above his great shoulders.

“No,” he said. He lifted his candle high and in its light I saw his eyes blaze up, red in their depths like a wolf’s, and full of hatred. It was like seeing a dead gaze suddenly rustle to life; I had thought his eyes bright before, but now they were savage with light. I could not speak; I could not look away. After a second he turned and contemplated the dragon again. “He has been a good messenger,” he said thoughtfully.

“Did you leave mine for me? My book?”

“Let us say that I arranged it.” He reached his battle-scarred fingers out to touch the carved block. “I am very careful about how they are distributed. They go only to the most promising scholars, and to those I think may be persistent enough to follow the dragon to his lair. And you are the first who has actually done it. I congratulate you. My other assistants I leave out in the world, to do my research.”

“I did not follow you,” I ventured to say. “You brought me here.”

“Ah -” Again that curve of the ruby lips, the twitch of the long mustache. “You would not be here if you had not wanted to come. No one else has ever disregarded my warning twice in a lifetime. You have brought yourself.”

I looked at the old, old press and the woodcut of the dragon. “Why do you want me here?” I did not wish to rouse his anger with my questions; tomorrow night he could kill me, if he liked, if I’d found no escape during the daytime hours. But I could not help asking him this.

“I have been waiting a long time for someone to catalogue my library,” he said simply. “Tomorrow you shall look at all of it in freedom. Tonight we shall talk.” He led the way back to our chairs with his powerful, slow step. His words gave me a great deal of hope-apparently he really did not mean to kill me tonight, and besides, my curiosity was rising high in me. I was not dreaming, it seemed; I was speaking with one who had lived through more history than any historian can presume to study in even a rudimentary way in a single career. I followed him, at a careful distance, and we sat down before the fire again. As I settled myself, I noticed that the table with my empty supper dishes was gone, and in its place was a comfortable ottoman, on which I cautiously propped my feet. Dracula sat magnificently upright in his great chair. Although his chair was tall, wooden, and mediaeval, mine was comfortably upholstered, like my ottoman, as if he had thought to provide his guest with something suited to modern weakness.

We sat in silence for long minutes, and I’d just begun to wonder if he meant us to sit this way all night when he began to speak again. “In life, I loved books,” he said. He turned to me a little, so that I could see the glint of his eyes and the lustre of his shaggy hair. “Perhaps you do not know that I was something of a scholar. This seems not widely known.” He spoke dispassionately. “You do know that the books of my day were very limited in scope. In my mortal life, I saw mainly those texts that the church sanctioned-the gospels and the Orthodox commentary on them, for example. These works were of no use to me, in the end. And by the time I first took my rightful throne, the great libraries of Constantinople had been destroyed. What remained of them, in the monasteries, I could never enter to see with my own eyes.” He was looking deeply into the fire. “But I had other resources. Merchants brought me strange and wonderful books from many places-Egypt and the Holy Land, and the great monasteries of the West. From these I learned about the ancient occult. As I knew I could not attain a heavenly paradise”-again that dispassionate tone-“I became an historian in order to preserve my own history forever.”

He fell silent for some time, and I was afraid to ask more. At last, he seemed to rouse himself, tapping his great hand on the arm of his chair. “That was the beginning of my library.”

I was too curious to keep silent, although I found the question bitterly hard to frame. “But after your-death, you continued to collect these books?”

“Oh, yes.” He turned to look at me now, perhaps because I had asked this of my own volition, and smiled grimly. His eyes, hooded in the firelight, were terrible to meet. “I have told you, I am a scholar at heart, as well as a warrior, and these books have kept me company through my long years. There is much of a practical nature to be learned from books, also-statesmanship, for example, and the battle tactics of great generals. But I have many kinds of books. You shall see tomorrow.”

“And what is it you wish me to do for your library?”

“As I said, to catalogue it. I have never made a full record of my holdings, of their origins and condition. This will be your first task, and you will accomplish it more swiftly and brilliantly than anyone else would be able to, with your many languages and the breadth of your knowledge. In the course of this task, you will handle some of the most beautiful books-and the most powerful-ever produced. Many of them do not exist anywhere else anymore. Perhaps you know, Professor, that only about one one-thousandth of the literature ever published is still in existence? I have set myself the task of raising that fraction, over the centuries.” As he spoke, I noticed again the peculiar clarity and coldness of his voice, and that rattling in the depths of it-like the rattle of the snake, or cold water running over stones.