The Glory Hole Two Queen's messengers stood at the desk, their black leather pouches hung like parachute harnesses over their regimental blazers.

'Who's Duty Officer?' Turner snapped.

'I thought you'd gone,' said Gaunt. 'Seven o'clock yesterday, that's what-'

There was a creak of leather as the messengers hastily made room for him.

'I want the keys.'

Gaunt saw the cuts on Turner's face and his eyes opened wide. 'Ring the Duty Officer.' Turner picked up the receiver and offered it to him across the desk. 'Tell him to come down with the keys. Now!'

Gaunt was protesting. The lobby swung a little and held still. Turner heard his silly Welsh bleat, half complaining, half flattering, and he grasped him roughly by the arm and pulled him into the dark corridor.

'If you don't do as I say, I'll see they post the hell out of you for the rest of your natural life.'

'The keys aren't drawn, I tell you.'

'Where are they?'

'I've got them here. In the safe. But you can't have them, not without a signature, you know that very well!'

'I don't want them. I want you to count them, that's all. Count the bloody keys!'

The messengers, ostentatiously discreet, were talking to one another in awkward undertones, but Turner's voice cut through them like an axe: 'How many should there be?'

'Forty-seven.'

Summoning the younger guard, Gaunt unlocked the safe that was built in to the corner and drew out the familiar bunch of bright-cut brass keys. Overcome by curiosity, the two messengers watched while the square, miner's fingers told off each key like a bead on the abacus. He counted them once and he counted them a second time, and he handed them to the boy who counted them again.

'Well?'

'Forty-six,' said Gaunt grudgingly. 'No doubt.'

'Forty-six,' the boy echoed. 'Oneshort.'

'When were they last counted?'

' 'Tisn't hardly possible to say,' Gaunt muttered. 'They'vebeen going in and out for weeks.'

Turner pointed to the shining new grille that cut off the basement stairway.

'How do I get down there?'

'I told you. Bradfield has the key. It's a riot gate, see. Guards don't have the authority.'

'How do the cleaners get down there then? What about the boilermen?'

'The boiler-room's separate access, now, ever since Bremen, see. They've put grilles down there as well. They can use the outside stairs but they can't go no further than the boiler on account of being prevented.'

Gaunt was very scared.

'There's a fire escape... a service lift.' 'Only the back staircase, but that's locked too, see. Locked.' 'And the keys?' 'With Bradfield. Same as for the lift.' 'Where does it lead from?' 'Top floor.' 'Up by your place?' 'What of it then?'

'Up by your place or not?'

'Near.'

'Show me!'

Gaunt looked down, looked at the boy, looked at Turner and then back at the boy again. Reluctantly he dropped the keys into the boy's hand and without a word to the messengers led Turner quickly upstairs.

It might have been daytime. All the lights were on, doors open. Secretaries, clerks and diplomats, hastening down corridors, ignored them as they passed. The talk was of Brussels. The city's name was whispered like a password. It lay on every tongue and was stammered out by every typewriter; it was cut in to the white wax of the stencils and rung on every telephone. They climbed another flight to a short corridor that smelt of a swimming-pool. A draught of fresh air struck them from their left. The door a head of them said 'ChanceryGuard Private' and the label underneath, 'Mr and Mrs J. Gaunt, British Embassy, Bonn.'

'We don't have to go in, do we?'

'This is where he came and saw you? Friday evenings after choir? He came up here?'

Gaunt nodded.

'What happened when he left? Did you see him out?'

'He wouldn't let me. "You stay there, my boy, and watch your telly, I'll see myself off thepremises." '

'And that's the door: the back staircase.'

He was pointing to his left where the draught came from. 'It'slocked though, see. Hasn't been opened for years.'

'That's the only way in?'

'Straight down to the basement it goes. They were going to have a rubbish chute till the money ran out so they put stairs instead.'

The door was solid and unrelieved, with two stout locks that had not been disturbed for a long time. Shining a pencil torch on to the lintels, Turner gently fingered the wooden beading that ran down the two sides, then took a firm grip on the handle.

'Come here. You're his size. You try. Take the handle. Don't turn it. Push. Push hard.'

The door yielded without a sound.

The air was suddenly very cold and stale; American air when the conditioners fail. They stood on a half landing. The stairs under them were very steep. A small window gave on to the Red Cross field. Directly below, the cowl of the canteen chimney puffed floodlit smoke in to the darkness. The plaster was peeling in large blisters. They heard the drip ofwater. On the reverse side of the door post, the wood had been neatly sawn a way. By the thin light of the torch they began their descent. The steps were of stone; a narrow strip of coconut matting ran down the centre. 'Embassy Club this way,' a very old poster ran. 'All welcome.' They caught the sound of a kettle bobbing on a ring and heard a girl's voice reading back a passage of dictation: 'While the official statement of the Federal Government describes the reason for the withdrawal as merely technical, even the most sober commentators...' and instinctively they both stopped, heart in mouth, listening to the clear words precisely spoken in to the stairwell.

'It's the ventilation,' Gaunt whispered. 'It's coming through the shaft, see.'

'Shut up.'

They heard de Lisle's voice languidly correcting her.'Moderate ,' he said. 'Moderate would be much better. Changesober to moderate , will you, my dear? We don't want them to think we're drowning our sorrows in drink.'

The girl giggled.

They must have reached the ground floor, for a bricked doorway stood a head of them, and fragments of wet plaster lay on the linoleum. A makeshift noticeboard advertised vanished entertainments: the Embassy Players would present a Christmas performance of Gogol's Government Inspector. A grand Commonwealth Children's Party would be held in the Residence; names, together with details of any special dietary requirements, should be submitted to the Private Office by 10th December. The year was 1954 and the signature was Harting's.

For a moment Turner fought with his sense of time and place, and almost lost. He heard the barges again and the chink of the glasses, the fall of soot and the creak of the rigging. The same throbbing, the same inner pulse beyond the register of sound.

'What did you say?' Gaunt asked.

'Nothing.'

Giddy and confused, he led the way blindly in to the nearest passageway, his head wildly beating.

'You're not well,' said Gaunt. 'Who did that to you then?' They were in a second chamber occupied by nothing but an old lathe, the filings rusted at its base. There was a door in the further wall. He pushed it open, and for a moment, his composure left him as he drew back with a short cry of disgust, but it was only the iron bars of the new grille reaching from the ceiling to the floor, only the wet overalls hanging from the wire and the moisture pattering on the concrete. There was a stink of washday and half-burnt fuel; the fire had set a red glow trembling on the brickwork; small lights danced on the new steel. Nothing apocalyptic, he told himself, as he moved cautiously a long the gangway towards the next door, just a night train in the war; a crowded compartment and we're all asleep.

It was a steel door, flush against the plaster, a flood door deep below the water line, rusty at the frame and lintel with KEEP OUT done long ago in flaking Government paint. The wall on his left side had been painted white at some time, and he could see the scratches where the trolley had passed. The light above him was shielded with a wire basket and it laid dark fingers on his face. He fought recklessly for consciousness. The lagged water pipes which ran a long the ceiling chugged and gurgled in their housings, and the stove behind the iron grille spat white sparks which turned small shadows on and off. Christ, he thought: it's enough to power the Queen Elizabeth , it's enough to brand an army of prisoners; it's wasted on one lonely dream factory.

He had to fight with the key; he had to shake the lever handle hard before the lock would turn. Suddenly it had snapped like a stick and they heard the echo flyaway and resound in distant rooms. Keep me here; oh God keep me here, he thought. Don't change my nature or my life; don't change the place or move the path that I'm following...

There must have been a piece of grit beneath the door for it shrieked, then stopped and Turner had to force it with his whole body, force it against the water, while Gaunt the Welshman stood back, watching and lusting but not daring to touch. At first, fumbling for the switch, he saw only the darkness; then a single window thick with cobwebs come gloomily forward and it frightened him because he hated prison. It was high in the wall and arched like a brick oven and barred for security. Through its topmost panes he glimpsed the wet gravel of the car park. While he stood there watching and swaying, the beam of a headlight groped slowly a long the ceiling, a prison spotlight searching for escapers, and the whole catacomb filled with the roar of a departing engine. An army blanket lay on the sill and he thought: you remembered to black out the window; you remembered the firewatching in London.

His hand found the light switch; it was domed like a woman's breast, and when he pressed it down it thumped like a punch against his own body and the dust rolled longingly towards him over the black concrete.

'They call it the Glory Hole,' Gaunt whispered.

The trolley was in an alcove beside the desk. Files on top, stationery below, all in varying sizes, nicely crested, with long and standard envelopes to match, all laid out ready to hand. At the centre of the desk, next to the reading light, square on its felt pad and neatly covered with a grey plastic cape, lay the missing typewriter with the long carriage and beside it three or four tins of Dutch cigars. On a separate table, a thermos and a quantity of Naafi cups; the tea machine with the clock; on the floor a small electric fan in two tones of plastic, trained conveniently upon the desk to help dispel the unfortunate effects of damp; on the new chair with the rexine seat, a pink cushion partially embroidered by Miss Aickman. All these he recognised at a glance, dully, greeting them curtly as we greet old friends, while he stared beyond them at the great archive which lined the walls from floor to ceiling; at the slim black files each with a rusted loop and a rounded thumb-hole, some grey with bloom, some wrinkled and bent with damp, column after column in their black uniforms, veterans trained and waiting to be called.