She’s one of them, he told himself. Just another one of them.

He couldn’t.

She had deep dimples when she smiled. Her eyes were always somewhere else.

Madness slunk in through a chink in History. It only took a moment.

An hour into the sandpapering Rahel remembered her Afternoon Gnap. And she was up and running. Tumbling through the green afternoon heat. Followed by her brother and a yellow wasp.

Hoping, praying that Ammu hadn’t woken up and found her gone.

Chapter 11.

That afternoon, Ammu traveled upwards through a dream in which a cheerful man with one arm held her close by the light of an oil lamp. He had no other arm with which to fight the shadows that flickered around him on the floor.

Shadows that only he could see.

Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate.

He held her close, by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish.

He could do only one thing at a time.

If he held her, he couldn’t kiss her. If he kissed her, he couldn’t see her. If he saw her, he couldn’t feel her.

She could have touched his body lightly with her fingers, and felt his smooth skin turn to gooseflesh. She could have let her fingers stray to the base of his flat stomach. Carelessly, over those burnished chocolate ridges. And left patterned trails of bumpy gooseflesh on his body, like flat chalk on a blackboard, like a swathe of breeze in a paddyfield, like jet streaks in a blue church-sky. She could so easily have done that, but she didn’t. He could have touched her too. But he didn’t, because in the gloom beyond the oil lamp, in the shadows, there were metal folding chairs arranged in a ring and on the chairs there were people, with slanting rhinestone sunglasses, watching. They all held polished violins under their chins, the bows poised at identical angles. They all had their legs crossed, left over right, and all their left legs were shivering.

Some of them had newspapers. Some didn’t. Some of them blew spit bubbles. Some didn’t But they all had the flickering reflection of an oil lamp on each lens.

Beyond the circle of folding chairs was a beach littered with broken blue-glass bottles. The silent waves brought new blue bottles to be broken, and dragged the old ones away in the undertow. There were jagged sounds of glass on glass. On a rock, out at sea, in a shaft of purple light, there was a mahogany and wicker rocking chair, smashed.

The sea was black, the spume vomit-green.

Fish fed on shattered glass.

Night’s elbows rested on the water, and falling stars glanced off its brittle shards.

Moths lit up the sky. There wasn’t a moon.

He could swim, with his one arm. She with her two.

His skin was salty. Hers too.

He left no footprints in sand, no ripples in water, no image in mirrors.

She could have touched him with her fingers, but she didn’t. They just stood together.

Still.

Skin to skin.

A powdery, colored breeze lifted her hair and blew it like a rippled shawl around his armless shoulder, that ended abruptly, like a cliff.

A thin red cow with a protruding pelvic bone appeared and swam straight out to sea without wetting her horns, without looking back.

Ammu flew through her dream on heavy, shuddering wings, and stopped to rest, just under the skin of it.

She had pressed roses from the blue cross-stitch counterpane on her cheek.

She sensed her children’s faces hanging over her dream, like two dark, worried moons, waiting to be let in.

“D’you think she’s dying?” she heard Rahel whisper to Estha.

“It’s an afternoon-mare,” Estha-the-Accurate replied. “She dreams a lot.”

If he touched her be couldn’t talk to be, if he loved her be couldn’t leave, if be spoke he couldn’t listen, if he fought he couldn’t win.

Who was he, the one-armed man? Who could he have been? The God of Loss? The God of Small Things? The God of Goosebumps and Sudden Smiles? Of Sourmetal Smells-like steel bus rails and the smell of the bus conductor’s hands from holding them?

“Should we wake her up?’ Estha said.

Chinks of late afternoon light stole into the room through the curtains and fell on Ammu’s tangerine-shaped transistor radio that she always took with her to the rivet (Tangerine-shaped too, was the Thing that Estha carried into The Sound of Music in his sticky Other Hand.)

Bright bars of sunlight brightened Ammu’s tangled hair. She waited, under the skin of her dream, not wanting to let her children in.

“She says you should never wake dreaming people suddenly,” Rahel said. “She says they could easily have a Heart Attack.”

Between them they decided that it would be best to disturb her discreetly rather than wake her suddenly. So they opened drawers, they cleared their throats, they whispered loudly, they hummed a little tune. They moved shoes. And found a cupboard door that creaked.

Ammu, resting under the skin of her dream, observed them and ached with her love for them.

The one-armed man blew out his lamp and walked across the jagged beach, away into the shadows that only he could see.

He left no footprints on the shore.

The folding chairs were folded. The black sea smoothed. The creased waves ironed. The spume re-bottled. The bottle corked.

The night postponed till further notice.

Ammu opened her eyes.

It was a long journey that she made, from the embrace of the one-armed man to her unidentical two-egg twins.

“You were having an afternoon-mare,” her daughter informed her.

“It wasn’t a mare,” Ammu said. “It was a dream.”

“Estha thought you were dying.”

“You looked so sad,” Estha said.

“I was happy,” Ammu said, and realized that she had been.

“If you’re happy in a dream, Ammu, does that count?” Estha asked.

“Does what count?”

“The happiness-does it count?”

She knew exactly what he meant, her son with his spoiled puff.

Because the truth is, that only what counts counts.

The simple, unswerving wisdom of children.

If you eat fish in a dream, does it count? Does it mean you’ve eaten fish?

The cheerful man without footprints-did he count?

Ammu groped for her tangerine transistor, and switched it on. It played a song from a film called Chemmeen.

It was the story of a poor girl who is forced to marry a fisherman from a neighboring beach, though she loves someone else. When the fisherman finds out about his new wife’s old lover, he sets out to sea in his little boat though he knows that a storm is brewing. It’s dark, and the wind rises. A whirlpool spins up from the ocean bed.

There is storm-music, and the fisherman drowns, sucked to the bottom of the sea in the vortex of the whirlpool.

The lovers make a suicide pact, and are found the next morning, washed up on the beach with their arms around each other. So everybody dies. The fisherman, his wife, her lover, and a shark that has no part in the story, but dies anyway. The sea claims them all.

In the blue cross-stitch darkness laced with edges of light, with cross-stitch roses on her sleepy cheek, Ammu and her twins (one on either side of her) sang softly with the tangerine radio. The song that fisherwomen sang to the sad young bride as they braided her hair and prepared her for her wedding to a man she didn’t love.

Pandoru mukkuvan muthinupoyi,

(Once a fisherman went to sea,)