In his mind, Estha said, “Bow.”

“Hello, Ladies,” Chacko said in his Reading Aloud voice (last night’s voice in which he said, Love. Madness. Hope. Infinnate joy). “And how was your journey?”

And the Air was full Of Thoughts and Things to Say. But at times like these, only the Small Things are ever said. The Big Things lurk unsaid inside.

“Say Hello and How d’you do?” Margaret Kochamma said to Sophie Mol.

“Hello and How d’you do?” Sophie Mol said through the iron railing, to everyone in particular.

“One for you and one for you,” Chacko said with his roses.

“And Thank you?” Margaret Kochamma said to Sophie Mol.

“And Thank you?” Sophie Mol said to Chacko, mimicking her mother’s question mark. Margaret Kochamma shook her a little for her impertinence.

“You’re welcome,” Chacko said. “Now let me introduce everybody.” Then, more for the benefit of onlookers and eavesdroppers, because Margaret Kochamma needed no introduction really: “My wife- Margaret”

Margaret Kochamma smiled and wagged her rose at him. “Ex-wife, Chacko!” Her lips formed the words, though her voice never spoke them.

Anybody could see that Chacko was a proud and happy man to have had a wife like Margaret. White. In a flowered, printed frock with legs underneath. And brown back-freckles on her back. And arm-freckles on her arms.

But around her, the Air was sad, somehow. And behind the smile in her eyes, the was a fresh, shining blue. Because of a calamitous car crash. Because of a Joe-shaped Hole in the Universe.

“Hello, all,” she said. “I feel I’ve known you for years.”

Hello wall.

“My daughter, Sophie,” Chacko said, and laughed a small, nervous laugh that was worried, in case Margaret Kochamma said “exdaughter.” But she didn’t. It was an easy-to-understand laugh. Not like the Orangedrink Lemondrink Man’s laugh that Estha hadn’t understood.

“`ho,” Sophie. Mol said.

She was taller than Estha. And bigger. Her eyes were bluegrayblue. Her pale skin was the color of beach sand. But her hatted hair was beautiful, deep red-brown. And yes (oh yes!) she had Pappachi’s nose waiting inside hers. An Imperial Entomologist’s nose-within-a-nose. A moth-lover’s nose. She carried her Made-in-England go-go bag that she loved.

“Ammu, my sister,” Chacko said.

Ammu said a grown-up’s Hello to Margaret Kochamma and a children’s Hell-oh to Sophie Mol. Rahel watched hawk-eyed to try and gauge how much Ammu loved Sophie Mol, but couldn’t.

Laughter rambled through the Arrivals Lounge like a sudden breeze. Adoor Basi, the most popular, best-loved comedian in Malayalam cinema, had just arrived (Bombay-Cochin). Burdened with a number of small unmanageable packages and unabashed public adulation, he felt obliged to perform. He kept dropping his packages and saying, “Ende Deivoinay! Lee sadhanangal! ”

Estha laughed a high, delighted laugh.

“Ammu look! Adoor Basi’s dropping his things!” Estha said. “He can’t even carry his things!”

“He’s doing it deliberately,” Baby Kochamma said in a strange new British accent. “Just ignore him.”

“He’s a filmactor,” she explained to Margaret Kochamma and Sophie Mol, making Adoor Basi sound like a Mactor who did occasionally Fil.

“Just trying to attract attention,” Baby Kochamma said and resolutely refused to have her attention attracted.

But Baby Kochamma was wrong. Adoor Basi wasn’t trying to attract attention. He was only trying to deserve the attention that he had already attracted.

“My aunt, Baby,” Chacko said.

Sophie Mol was puzzled. She regarded Baby Kochamma with a beady-eyed interest. She knew of cow babies and dog babies. Bear babies-yes. (She would soon point out to Rahel a bat baby.) But aunt babies confounded her.

Baby Kochamma said, “Hello, Margaret,” and “Hello, Sophie Mol.” She said Sophie Mol was so beautiful that she reminded her of a wood-sprite. Of Ariel.

“D’you know who Ariel was?” Baby Kochamma asked Sophie Mol. “Ariel in The Tempest?”

Sophie Mol said she didn’t.

“Where the bee sucks there suck I’?” Baby Kochamma said. Sophie Mol said she didn’t.

“In a cowslip’s bell I lie’?’ Sophie Mol said she didn’t.

“Shakespeare’s The Tempest?” Baby Kochamma persisted.

All this was of course primarily to announce her credentials to Margaret Kochamma. To set herself apart from the Sweeper Class.

“She’s trying to boast;” Ambassador E. Pelvis whispered in Ambassador S. Insect’s ear. Ambassador Rahel’s giggle escaped in a bluegreen bubble (the color of a jackfruit fly) and burst in the hot airport air. Pffot! was the sound it made.

Baby Kochamma saw it, and knew that it was Estha who had started it.

“And now for the VIPs,” Chacko said (still using his Reading Aloud voice).

“My nephew, Esthappen.”

“Elvis Presley,” Baby Kochamma said for revenge. “I’m afraid we’re a little behind the times here.” Everyone looked at Estha and laughed.

From the soles of Ambassador Estha’s beige and pointy shoes an angry feeling rose and stopped around his heart

“How d’you do, Esthappen?” Margaret Kochamma said.

“Finethankyou,” Estha’s voice was sullen.

“Estha,” Ammu said affectionately, “when someone says How d’you do? You’re supposed to say How d’you do? back. Not `Fine, thank you.’ Come on, say How do YOU do?”

Ambassador Estha looked at Ammu.

“Go on,” Ammu said to Estha. “How do YOU do?”

Estha’s sleepy eyes were stubborn.

In Malayalam Ammu said, `Did you hear what I said?”

Ambassador Estha felt bluegrayblue eyes on him, and an Imperial Entomologist’s nose. He didn’t have a How do YOU do? in him.

“Esthappen!” Ammu said. And an angry feeling rose in her and stopped around her heart A Far More Angry Than Necessary feeling. She felt somehow humiliated by this public revolt in her area of jurisdiction. She had wanted a smooth performance. A prize for her children in the Indo-British Behavior Competition.

Chacko said to Ammu in Malayalam, “Please. Later. Not now.”

And Ammu’s angry eyes on Estha said: All right. Later.

And Later became a horrible, menacing, goose-bumpy word.

Lay. Ter.

Like a deep-sounding bell in a mossy well. Shivery, and furred. Like moth’s feet.

The Play had gone bad. Like pickle in the monsoon.

“And my niece,” Chacko said. `Where’s Rahel?” He looked around and couldn’t find her. Ambassador Rahel, unable to cope with seesawing changes in her life, had raveled herself like a sausage into the dirty airport curtain, and wouldn’t unravel. A sausage with Bata sandals.

“Just ignore her,” Ammu said. “She’s just trying to attract attention.”

Ammu too was wrong. Rahel was trying to not attract the attention that she deserved.

“Hello, Rahel,” Margaret Kochamma said to the dirty airport curtain.

“How do YOU do?” The dirty curtain replied in a mumble.

“Aren’t you going to come out and say Hello?” Margaret Kochamma said in a kind-schoolteacher voice. (Like Miss Mitten’s before she saw Satan in their eyes.)

Ambassador Rahel wouldn’t come out of the curtain because she couldn’t She couldn’t because she couldn’t Because Everything was wrong. And soon there would be a Lay Ter for both her and Estha.

Full of furred moths and icy butterflies. And deep-sounding bells. And moss.

And a Nowl.

The dirty airport curtain was a great comfort and a darkness and a shield.

“Just ignore her,” Ammu said and smiled tightly.

Rahel’s mind was full of millstones with bluegrayblue eyes.

Ammu loved her even less now. And it had come down to Brass Tacks with Chacko.

“Here comes the baggage” Chacko said brightly. Glad to get away. “Come, Sophiekins, let’s get your bags.”