He took the direction that he knew the old man always took. He had the impression that his ancient neighbor, on his daily walks, went to the town square and the deserted business section, but he did not know. At no other time had it ever seemed important where he might have gone on his walks.

When he emerged into the square, he saw, immediately, the dark object lying on the pavement and recognized it as the old man's hat. There was no sign of the old man himself.

Rand walked out into the square and picked up the hat. He gently reshaped and creased it and after that was done held it carefully by the brim so that it would come to no further damage.

The business section drowsed in the moonlight. The statue of the unknown man stood starkly on its base in the center of the square. When he first had come here, Rand recalled, he had tried to unravel the identity of the statue and had failed. There was no legend carved into the granite base, no bronze plate affixed. The face was undistinguished, the stony costume gave no hint as to identity or period. There was nothing in the posture or the attitude of the carven body to provide a clue. The statue stood, a forgotten tribute to some unknown mediocrity.

As he gazed about the square at the business houses. Rand was struck again, as he always was, by the carefully unmodern make-up of the establishments. A barber shop, a hotel, a livery barn, a bicycle shop, a harness shop, a grocery store, a meat market, a blacksmith shop — no garage, no service station, no pizza parlor, no hamburger joint. The houses along the quiet streets told the story; here it was emphasized. This was an old town, forgotten and by-passed by the sweep of time, a place of another century. But there was about it all what seemed to be a disturbing sense of unreality, as if it were no old town at all, but a place deliberately fashioned in such a manner as to represent a segment of the past.

Rand shook his head. What was wrong with him tonight? Most of the time he was quite willing to accept the village for what it seemed to be, but tonight he was assailed with uneasy doubt.

Across the square he found the old man's cane. If his neighbor had come in this direction, he reasoned, he must have crossed the square and gone on down the street nearest to the place where he had dropped the cane. But why had he dropped the cane? First his hat and then his cane. What had happened here?

Rand glanced around, expecting that he might catch some movement, some furtive lurker on the margin of the square. There was nothing. If there had been something earlier, there was nothing now.

Following the street toward which his neighbor might have been heading, he walked carefully and alert, watching the shadows closely. The shadows played tricks on him, conjuring up lumpy objects that could have been a fallen man, but weren't. A half a dozen times he froze when he thought he detected something moving, but it was, in each case, only an illusion of the shadows.

When the village ended, the street continued as a path. Rand hesitated, trying to plan his action. The old man had lost his hat and cane, and the points where he had dropped them argued that he had intended going down the Street that Rand had followed. If he had come down the Street, he might have continued down the path, out of the village and away from it, perhaps fleeing from something in the village.

There was no way one could be sure, Rand knew. But he was here and might as well go on for at least a ways. The old man might be out there somewhere, exhausted, perhaps terribly frightened, perhaps fallen beside the path and needing help.

Rand forged ahead. The path, rather well-defined at first, became fainter as it wound its way across the rolling moonlit countryside. A flushed rabbit went bobbing through the grass. Far off an owl chortled wickedly. A faint chill wind came out of the west. And with the wind came a sense of loneliness, of open empty space untenanted by anything other than rabbit, owl and wind.

The path came to an end, its faintness finally pinching out to nothing. The groves of trees and thickets of low-growing shrubs gave way to a level plain of blowing grass, bleached to whiteness by the moon, a faceless prairie land. Staring out across it, Rand knew that this wilderness of grass would run on and on forever. It had in it the scent and taste of foreverness. He shuddered at the sight of it and wondered why a man should shudder at a thing so simple. But even as he wondered, he knew — the grass was staring back at him; it knew him and waited patiently for him, for in time he would come to it. He would wander into it and be lost in it, swallowed by its immensity and anonymity.

He turned and ran, unashamedly, chill of blood and brain, shaken to the core. When he reached the outskirts of the village, he finally stopped the running and turned to look back into the wasteland. He had left the grass behind, but he sensed illogically that it was stalking him, flowing forward, still out of sight, but soon to appear, with the wind blowing billows in its whiteness.

He ran again, but not so fast and hard this time, jogging down the street. He came into the square and crossed it, and when he reached his house, he saw that the house across the street was dark. He did not hesitate, but went on down the street he'd walked when he first came to the village. For he knew now that he must leave this magic place with its strange and quiet old village, its forever autumn and eternal harvest moon, its faceless sea of grass, its children who receded in the distance when one went to look for them, its old man who walked into oblivion, dropping hat and cane — that he must somehow find his way back to that other world where few jobs existed and men walked the road to find them, where nasty little wars flared in forgotten corners and a camera caught on film the doom that was to come.

He left the village behind him and knew that he had not far to go to reach the place where the path swerved to the right and down a broken slope into the little valley to the magic starting point he'd found again after many years. He went slowly and carefully so that he would not wander off the path, for as he remembered it the path was very faint. It took much longer than he had thought to reach the point where the path swerved to the right into the broken ground, and the realization grew upon him that the path did not swing to right and there was no broken ground.

In front of him he saw the grass again and there was no path leading into it. He knew that he was trapped, that he would never leave the village until he left it as the old man had, walking out of it and into nothingness. He did not move closer to the grass, for he knew there was terror there and he'd had enough of terror. You're a coward, he told himself.

Retracing the path back to the village, he kept a sharp lookout, going slowly so that he'd not miss the turnoff if it should be there. It was not, however. It once had been, he told himself, bemused, and he'd come walking up it, out of that other world he'd fled.

The village street was dappled by the moonlight shining through the rustling leaves. The house across the street still was dark, and there was an empty loneliness about it. Rand remembered that he had not eaten since the sandwich he had made that noon. There'd be something in the milkbox — he'd not looked in it that morning, or had he? He could not remember.

He went around the house to the back porch where the milkbox stood. The Milkman was standing there. He was more shadowy than ever, less well defined, with the moonlight shining on him, and his face was deeply shaded by the wide-brimmed hat he wore.

Rand halted abruptly and stood looking at him, astounded that the Milkman should he there. For he was out of place in the autumn moonlight. He was a creature of the early morning hours and of no other times.