They were, somehow, fact. The camera saw what it saw and could not lie about it; it did not fantasize, it did not rationalize, and it had no faulty memory, which was more than could be said of the human mind.

He had gone back to the camera shop where he had left the film and the clerk had picked out the envelope from the box behind the counter.

"That will be three ninety-five." he said.

Rand took a five-dollar bill out of his wallet and laid it on the counter.

"If you don't mind my asking," said the clerk, "where did you get these pictures?"

"It is trick photography," said Rand.

The clerk shook his head. "If that is what they are, they're the best I've ever seen."

The clerk rang up the sale and, leaving the register open, stepped back and picked up the envelope.

"What do you want?" asked Rand.

The man shook the prints out of the envelope, shuffled through them.

"This one," he said.

Rand stared at him levelly. "What about it?" he asked.

"The people. I know some of them. The one in front. That is Bob Gentry. He is my best friend."

"You must be mistaken," Rand said coldly.

He took the prints from the clerk's fingers, put them back in the envelope.

The clerk made the change. He still was shaking his head, confused, perhaps a little frightened, when Rand left the shop.

He drove carefully, but with no loss of time, through the city and across the bridge. When he hit open country beyond the river, he built up his speed, keeping an eye on the rear-vision mirror. The clerk had been upset, perhaps enough to phone the police. Others would have seen the pictures and been upset as well. Although, he told himself, it was silly to think of the police. In taking the photos, he had broken no regulations, violated no laws. He had had a perfect right to take them.

Across the river and twenty miles down the highway, he turned off into a small, dusty country road and followed it until he found a place to pull off, where the road widened at the approach to a bridge that crossed a small stream. There was evidence that the pull-off was much used, fishermen more than likely parking their cars there while they tried their luck. But now the place was empty.

He was disturbed to find that his hands were shaking when he pulled the envelope from his pocket and shook out the prints.

And there it was — as he no longer could remember it.

He was surprised that he had taken as many pictures as he had. He could not remember having taken half that many. But they were there, and as he looked at them, his memory, reinforced, came back again, although the photos were much sharper than his memory. The world, he recalled, had seemed to be hazed and indistinct so far as his eyes had been concerned; in the photos it lay cruel and merciless and clear. The blackened stumps stood up, stark and desolate, and there could be no doubt that the imprint that lay upon the photos was the actuality of a bombed-out city. The photos of the bluff showed the barren rock no longer masked by trees, with only here and there the skeletons of trees that by some accidental miracle had not been utterly reduced by the storm of fire. There was only one photo of the band of people who had come charging down the hill toward him; and that was understandable, for once having seen them, he had been in a hurry to get back to the car. Studying the photo, he saw they were much closer than he'd thought. Apparently they had been there all the time, just a little way off, and he had not noticed them in his astonishment at what had happened to the city. If they had been quieter about it, they could have been on top of him and overwhelmed him before he discovered them. He looked closely at the picture and saw that they had been close enough that some of the faces were fairly well defined. He wondered which one of them was the man the clerk back at the camera shop had recognized.

He shuffled the photographs together and slid them back into the envelope and put it in his pocket. He got out of the car and walked down to the edge of the stream. The stream, he saw, was no more than ten feet or so across; but here, below the bridge, it had gathered itself into a pool, and the bank had been trampled bare of vegetation, and there were places where fishermen had sat. Rand sat down in one of these places and inspected the pool. The current came in close against the bank and probably had undercut it, and lying there, in the undercut, would be the fish that the now-absent anglers sought, dangling their worms at the end of a long cane pole and waiting for a bite.

The place was pleasant and cool, shaded by a great oak that grew on the bank just below the bridge. From some far-off field came the subdued clatter of a mower. The water dimpled as a fish came up to suck in a floating insect. A good place to stay, thought Rand. A place to sit and rest awhile. He tried to blank his mind, to wipe out the memory and the photos, to pretend that nothing at all had happened, that there was nothing he must think about.

But there was, he found, something that he must think about. Not about the photos, but something that Sterling had said just the day before. "I got to wondering." he had said, "if a man should walk far enough, could he leave it all behind."

How desperate must a man get, Rand wondered, before he would be driven to asking such a question. Perhaps not desperate at all — just worried and alone and tired and not being able to see the end of it. Either that, or afraid of what lay up ahead. Like knowing, perhaps, that in a few years time (and not too many years, for in that photo of the people the clerk had seen a man he knew) a warhead would hit a little Iowa town and wipe it out. Not that there was any reason for it being hit; it was no Los Angeles, no New York, no Washington, no busy port, no center of transportation or communication, held no great industrial complex, was no seat of government. Simply hit because it had been there, hit by blunder, by malfunction, or by miscalculation. Although it probably didn't matter greatly, for by the time it had been hit, the nation and perhaps the world might have been gone. A few years, Rand told himself, and it would come to that. After all the labor, all the hopes and dreams, the world would come to just that.

It was the sort of thing that a man might want to walk away from, hoping that in time be might forget it ever had been there. But to walk away, he thought, rather idly, one would have to find a starting point. You could not walk away from everything by just starting anywhere.

It was an idle thought, sparked by the memory of his talk with Sterling; and he sat there, idly, on the stream bank; and because it had a sense of attractive wonder, he held it in his mind, not letting go at once as one did with idle thoughts. And as he sat there, still holding it in mind, another thought, another time and place crept in to keep it company; and suddenly he knew, with no doubt at all, without really thinking, without searching for an answer, that he knew the place where he could start.

He stiffened and sat rigid, momentarily frightened, feeling like a fool trapped by his own unconscious fantasy. For that, said common sense, was all that it could be. The bitter wondering of a beaten man as he tramped the endless road looking for a job, the shock of what the photos showed, some strange, mesmeric quality of this shaded pool that seemed a place apart from a rock-hard world — all of these put together had produced the fantasy.

Rand hauled himself erect and turned back toward the car, but as he did he could see within his mind this special starting place. He had been a boy — how old? he wondered, maybe nine or ten — and he had found the little valley (not quite a glen, yet not quite a valley, either) running below his uncle's farm down toward the river. He had never been there before and he had never gone again; on his uncle's farm there had been too many chores, too many things to do to allow the time to go anywhere at all. He tried to recall the circumstances of his being there and found that he could not. All that he could remember was a single magic moment, as if he had been looking at a single frame of a movie film — a single frame impressed upon his memory because of what? Because of some peculiar angle at which the light had struck the landscape? Because for an instant he had seen with different eyes than he'd ever used before or since? Because for the fractional part of a second he had sensed a simple truth behind the facade of the ordinary world? No matter what, he knew, he had seen magic in that moment.