Don Croce came at twilight in a large Alfa Romeo touring car which parked in front of the house of Hector Adonis. He came with his brother, Father Beniamino, and two armed guards who remained in the car with the chauffeur. Hector Adonis was waiting for them at the door attired even more elegantly than usual in his specially London-tailored gray suit and a red and black striped tie on his dazzling white shirt. He made a startling contrast to the Don, who seemed to be attired even more carelessly than usual, his huge girth girdled by a pair of trousers that made him look like a huge goose waddling, his shirt, collarless and unbuttoned at the neck, and a heavy black jacket that did not even come together at the front, so that you could see the simple white suspenders, an inch wide, that held up the trousers. His shoes were thin slippers.

Father Beniamino was in his clerical garb and wore his usual dusty black hat shaped like a round pan. He blessed the house before he entered, making the sign of the cross and murmuring a benediction.

Hector Adonis owned the finest house in Montelepre and was proud of it. The furniture was from France and the paintings had been bought carefully from minor living artists of Italy. His dinnerplate was from Germany and his house servant was a middle-aged Italian woman who had been trained in England before the war. She served them coffee as the three men sat in the drawing room waiting for Guiliano.

Don Croce felt absolutely secure. He knew that Guiliano would not dishonor his godfather by betraying his word. The Don was filled with a pleasurable anticipation. He would now meet and judge for himself the true greatness of this rising star. And yet even he was a little startled at how quietly Guiliano slipped into the house. There was no sound out in the cobbled street, no sound of a door opening or being shut. But suddenly Guiliano was standing in the archway that led to the dining room. Don Croce was struck by his handsomeness.

Life in the mountains had broadened his chest and slimmed down his face. It was still oval and yet the cheeks were lean, the chin pointed. There were the statuelike eyes, golden brown with their curious circle of silver that seemed to embed the eyeballs into their sockets. His clothes too set him off to advantage – the moleskin trousers snug, a white shirt freshly washed and ironed. He wore a hunting jacket of russet velvet, loose, underneath which was slung a machine pistol he always carried. Above all he looked incredibly young, no more than a boy, though his age was twenty-four.

Could such a boy have defied Rome, outwitted the Friends of the Friends, inspired devotion in the murderous Andolini, kept in check the brutishness of Passatempo, conquered a quarter of Sicily and the love of the people of the whole island? Don Croce knew that Guiliano was incredibly brave, but Sicily was full of brave men who had gone to early graves, easy prey to treacheries.

And then even as Don Croce doubted him, Turi Guiliano did something that gladdened the Don's heart and reassured him that he was right to make this boy his ally. He came into the room and advanced directly to Don Croce and said, "Bacio tua mano."

It was the traditional Sicilian peasant greeting to a man of higher rank – a priest, a landowner or a noble. "I kiss your hand." And Guiliano had a cheerful grin on his face. But Don Croce knew exactly why he had said it. It was not to show his subservience to the Don or even in respect for his age. It was said because the Don had put himself in Guiliano's power and Guiliano was showing respect for the trust. Don Croce rose slowly, his heavy cheeks becoming darker with the effort of rising. He took Guiliano in his arms. This was a noble young man and he wanted to show his affection. As he did so he could see the face of Hector Adonis beaming proudly – his godson had shown himself a gentleman.

Pisciotta came through the archway and watched this with a small smile on his saturnine face. His handsomeness too was remarkable but in direct contrast to Guiliano. The illness of his lungs had thinned his body and his features. The bones of his face seemed to press outward against his olive skin. His hair was carefully combed and sleekly black whereas Guiliano wore his tawny hair closely cropped as if it were a helmet.

As for Turi Guiliano, he had expected to take the Don by surprise with his greeting and had been surprised in his turn by the Don's complete understanding and graceful affectionate acceptance. He studied the huge hulk of Don Croce and became even more alert. This was a dangerous man. Not only by reputation but by the aura of power around him. The bulk of his body, which should have been grotesque, seemed to give off a heated energy; it filled the room. And when the Don spoke, the voice coming from that massive head had almost the magic of choral music. There was an extraordinary fascination about him when he set out to convince that was a combination of sincerity, forcefulness and exquisite courtesy which was strange in a man who seemed so uncouth in everything else he did.

"I've watched you for years and waited long for this day. Now that it has arrived, you fulfill every expectation."

Guiliano said, "I am flattered." He measured his next words, knowing what was expected of him. "I have always hoped we would be friends."

Don Croce nodded and proceeded to explain the agreement that he had come to with Minister Trezza. That if Guiliano helped "educate" the populace of Sicily to vote properly in the next elections, then a way would be found for a pardon. Guiliano could return to his family as an ordinary citizen and no longer be a bandit. As evidence of the reality of this agreement, Minister Trezza had given the plans for the fight against Guiliano to the Don. The Don raised a hand in the air to emphasize his next point. "If you agree, these plans will be vetoed by the Minister. There would be no army expedition or extra thousand carabinieri sent to Sicily."

Don Croce saw that Guiliano was listening attentively but did not seem surprised by all this. He went on. "Everyone in Sicily knows your concern for the poor. One might think that you would support the leftist parties. But I know of your belief in God, you are after all a Sicilian. And who does not know of your devotion to your mother? Do you really want Communists running Italy? What would happen to the Church? What would happen to the family? The young men of Italy and Sicily who fought in the war are infected by foreign beliefs, political doctrines that have no place in Sicily. Sicilians can find their own way to a better fate. And do you really want an all-powerful state that would brook no rebelliousness from its citizens? A left-wing government would surely mount a major campaign against both of us, for are we not the true rulers of Sicily? If the leftist parties win the next election, the day might come when there are Russians in the villages of Sicily deciding who might go to church. Our children would be made to go to schools that would teach them that the state comes before the sacred mother and father. What is worth that? No. Now is the time for every true Sicilian to defend his family and his honor against the state."

There was an unexpected interruption. Pisciotta was still leaning against the wall of the archway. He said sardonically, "Maybe the Russians will give us our pardon."

A cold wind blew through the Don's mind. But he in no way showed the anger he felt at this insolent mustachioed little dandy. He studied the man. Why had he called attention to himself at this moment? Why had he wanted the Don to notice him? Don Croce wondered if this man might be put to some use. With his unerring instinct he smelled a rottenness in this most trusted lieutenant of Guiliano. Perhaps it was the lung disease, perhaps the cynicism of mind. Pisciotta was a man who could never trust anyone completely and was therefore a man who by definition could not be trusted by anyone completely. Don Croce turned all this over before he spoke to answer.