Изменить стиль страницы

There were two long golden feathers at the young man’s feet, beneath the ash that had once been a wooden table, and he gathered them up, and brushed the white ash from them and placed them, reverently, inside his jacket. Then he removed his apron, and he went upon his way.

Hollyberry TwoFeathers McCoy is a grown woman, with children of her own. There are silver hairs on her head, in there with the black, beneath the golden feathers in the bun at the back. You can see that once the feathers must have looked pretty special, but that would have been a long time ago. She is the president of the Epicurean Club-a rich and rowdy bunch-having inherited the position, many long years ago, from her father.

I hear that the Epicureans are beginning to grumble once again. They are saying that they have eaten everything.

(FOR HMG-A BELATED BIRTHDAY PRESENT)

INVENTING ALADDIN

In bed with him that night, like every night,
her sister at their feet, she ends her tale,
then waits. Her sister quickly takes her cue,
and says, “I cannot sleep. Another, please?”
Scheherazade takes one small nervous breath
and she begins, “In faraway Peking
there lived a lazy youth with his mama.
His name? Aladdin. His papa was dead…”
She tells them how a dark magician came,
claiming to be his uncle, with a plan:
He took the boy out to a lonely place,
gave him a ring he said would keep him safe,
dropped in a cavern filled with precious stones,
“Bring me the lamp!” and when Aladdin won’t,
in darkness he’s abandoned and entombed…
There now.
Aladdin locked beneath the earth,
she stops, her husband hooked for one more night.
Next day
she cooks
she feeds her kids
she dreams…
Knowing Aladdin’s trapped,
and that her tale
has bought her just one day.
What happens now?
She wishes that she knew.
It’s only when that evening comes around
and husband says, just as he always says,
“Tomorrow morning, I shall have your head,”
when Dunyazade, her sister, asks, “But please,
what of Aladdin?” only then, she knows…
And in a cavern hung about with jewels
Aladdin rubs his lamp. The Genie comes.
The story tumbles on. Aladdin gets
the princess and a palace made of pearls.
Watch now, the dark magician’s coming back:
“New lamps for old,” he’s singing in the street.
Just when Aladdin has lost everything,
she stops.
He’ll let her live another night.
Her sister and her husband fall asleep.
She lies awake and stares up in the dark
Playing the variations in her mind:
the ways to give Aladdin back his world,
his palace, his princess, his everything.
And then she sleeps. The tale will need an end,
but now it melts to dreams inside her head.
She wakes,
She feeds the kids
She combs her hair
She goes down to the market
Buys some oil
The oil-seller pours it out for her,
decanting it
from an enormous jar.
She thinks,
What if you hid a man in there?
She buys some sesame as well, that day.
Her sister says, “He hasn’t killed you yet.”
“Not yet.” Unspoken waits the phrase, “He will.”
In bed she tells them of the magic ring
Aladdin rubs. Slave of the Ring appears…
Magician dead, Aladdin saved, she stops.
But once the story’s done, the teller’s dead,
her only hope’s to start another tale.
Scheherazade inspects her store of words,
half-built, half-baked ideas and dreams combine
with jars just big enough to hide a man,
and she thinks, Open Sesame, and smiles.
“Now, Ali Baba was a righteous man,
but he was poor…” she starts,
and she’s away, and so her life is safe for one more night,
until she bores him, or invention fails.
She does not know where any tale waits
before it’s told. (No more do I.)
But forty thieves sounds good, so forty
thieves it is. She prays she’s bought another clutch of days.
We save our lives in such unlikely ways.

THE MONARCH OF THE GLEN

An American Gods Novella

“She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening.”

ANGELA CARTER, “The Lady of the House of Love”

I

“If you ask me,” said the little man to Shadow, “you’re something of a monster. Am I right?”

They were the only two people, apart from the barmaid, in the bar of a hotel in a town on the north coast of Scotland. Shadow had been sitting there on his own, drinking a lager, when the man came over and sat at his table. It was late summer, and it seemed to Shadow that everything was cold and small and damp. He had a small book of Pleasant Local Walks in front of him, and was studying the walk he planned to do tomorrow, along the coast, toward Cape Wrath.

He closed the book.

“I’m American,” said Shadow, “if that’s what you mean.”

The little man cocked his head to one side, and he winked, theatrically. He had steel gray hair, and a gray face, and a gray coat, and he looked like a small-town lawyer. “Well, perhaps that is what I mean, at that,” he said. Shadow had had problems understanding Scottish accents in his short time in the country, all rich burrs and strange words and trills, but he had no trouble understanding this man. Everything the little man said was small and crisp, each word so perfectly enunciated that it made Shadow feel like he himself was talking with a mouthful of oatmeal.

The little man sipped his drink and said, “So you’re American. Oversexed, overpaid, and over here. Eh? D’you work on the rigs?”

“Sorry?”

“An oilman? Out on the big metal platforms. We get oil people up here, from time to time.”

“No. I’m not from the rigs.”

The little man took out a pipe from his pocket, and a small penknife, and began to remove the dottle from the bowl. Then he tapped it out into the ashtray. “They have oil in Texas, you know,” he said, after a while, as if he were confiding a great secret. “That’s in America.”