“That was why I didn’t think anything when Thompson went away. The family was worried. Not me. I knew it’d come back. They always do.
“Anyway, a few nights later, I heard it. I was trying to sleep, and I couldn’t. It was the middle of the night, and I heard this mewing. Going on, and on, and on. It wasn’t loud, but when you can’t sleep these things just get on your nerves. I thought maybe it was stuck up in the rafters, or out on the roof outside. Wherever it was, there wasn’t any point in trying to sleep through it. I knew that. So I got up, and I got dressed, even put my boots on in case I was going to be climbing out onto the roof, and I went looking for the cat.
“I went out in the corridor. It was coming from Miss Corvier’s room on the other side of the attic. I knocked on her door, but no one answered. Tried the door. It wasn’t locked. So I went in. I thought maybe that the cat was stuck somewhere. Or hurt. I don’t know. I just wanted to help, really.
“Miss Corvier wasn’t there. I mean, you know sometimes if there’s anyone in a room, and that room was empty. Except there’s something on the floor in the corner going Mrie, Mrie… And I turned on the light to see what it was.”
He stopped then for almost a minute, the fingers of his left hand picking at the black goo that had crusted around the neck of the ketchup bottle. It was shaped like a large tomato. Then he said, “What I didn’t understand was how it could still be alive. I mean, it was. And from the chest up, it was alive, and breathing, and fur and everything. But its back legs, its rib cage. Like a chicken carcass. Just bones. And what are they called, sinews? And, it lifted its head, and it looked at me.
“It may have been a cat, but I knew what it wanted. It was in its eyes. I mean.” He stopped. “Well, I just knew. I’d never seen eyes like that. You would have known what it wanted, all it wanted, if you’d seen those eyes. I did what it wanted. You’d have to be a monster not to.”
“What did you do?”
“I used my boots.” Pause. “There wasn’t much blood. Not really. I just stamped, and stamped on its head, until there wasn’t really anything much left that looked like anything. If you’d seen it looking at you like that, you would have done what I did.”
I didn’t say anything.
“And then I heard someone coming up the stairs to the attic, and I thought I ought to do something, I mean, it didn’t look good, I don’t know what it must have looked like really, but I just stood there, feeling stupid, with a stinking mess on my boots, and when the door opens, it’s Miss Corvier.
“And she sees it all. She looks at me. And she says, You killed him. I can hear something funny in her voice, and for a moment I don’t know what it is, and then she comes closer, and I realize that she’s crying.
“That’s something about old people, when they cry like children, you don’t know where to look, do you? And she says, He was all I had to keep me going, and you killed him. After all I’ve done, she says, making it so the meat stays fresh, so the life stays on. After all I’ve done.
“I’m an old woman, she says. I need my meat.
“I didn’t know what to say.
“She’s wiping her eyes with her hand. I don’t want to be a burden on anybody, she says. She’s crying now. And she’s looking at me. She says, I never wanted to be a burden. She says, that was my meat. Now, she says, who’s going to feed me now?”
He stopped, rested his gray face in his left hand, as if he was tired. Tired of talking to me, tired of the story, tired of life. Then he shook his head and looked at me and said, “If you’d seen that cat, you would have done what I did. Anyone would have done.”
He raised his head then, for the first time in his story, looked me in the eyes. I thought I saw an appeal for help in his eyes, something he was too proud to say aloud.
Here it comes, I thought. This is where he asks me for money.
Somebody outside tapped on the window of the cafe. It wasn’t a loud tapping, but Eddie jumped. He said, “I have to go now. That means I have to go.”
I just nodded. He got up from the table. He was still a tall man, which almost surprised me: he’d collapsed in on himself in so many other ways. He pushed the table away as he got up, and as he got up he took his right hand out of his coat pocket. For balance, I suppose. I don’t know.
Maybe he wanted me to see it. But if he wanted me to see it, why did he keep it in his pocket the whole time? No, I don’t think he wanted me to see it. I think it was an accident.
He wasn’t wearing a shirt or a jumper under his coat, so I could see his arm, and his wrist. Nothing wrong with either of them. He had a normal wrist. It was only when you looked below the wrist that you saw most of the flesh had been picked from the bones, chewed like chicken wings, leaving only dried morsels of meat, scraps and crumbs, and little else. He only had three fingers left, and most of a thumb. I suppose the other finger bones must have just fallen right off, with no skin or flesh to hold them on.
That was what I saw. Only for a moment, then he put his hand back in his pocket and pushed out of the door into the chilly night.
I watched him then, through the dirty plate-glass of the cafe window.
It was funny. From everything he’d said, I’d imagined Miss Corvier to be an old woman. But the woman waiting for him, outside, on the pavement, couldn’t have been much over thirty. She had long, long hair, though. The kind of hair you can sit on, as they say, although that always sounds faintly like a line from a dirty joke. She looked a bit like a hippy, I suppose. Sort of pretty, in a hungry kind of way.
She took his arm and looked up into his eyes, and they walked away out of the cafe’s light for all the world like a couple of teenagers who were just beginning to realize that they were in love.
I went back up to the counter and bought another cup of tea and a couple of packets of crisps to see me through until the morning, and I sat and thought about the expression on his face when he’d looked at me that last time.
On the milk train back to the big city I sat opposite a woman carrying a baby. It was floating in formaldehyde, in a heavy glass container. She needed to sell it, rather urgently, and although I was extremely tired we talked about her reasons for selling it, and about other things, for the rest of the journey.
An affliction, morbid in its intensity, unfortunate in its scope, afflicting those who habitually and pathologically catalogue and construct diseases.
Obvious initial symptoms include headaches, nervous colic, a pronounced trembling, and one of several rashes of an intimate nature. These, however, taken together or apart, are not enough to guarantee a diagnosis.
The secondary stage of the disease is mental: a fixation upon the notion of diseases and pathogens, unknown or undiscovered, and upon the supposed creators, discoverers, or other personages involved in the discovery, treatment, or cure of said diseases. Whatever the circumstances may be, once and for all the author would warn against any trust being placed in the specious advertisements in appearing, the eyes projecting; the usual way. The administration of small injections of beef tea or meat broth will assist in maintaining strength.
At these stages the disease may be treatable.
It is the tertiary stage of Diseasemaker’s Croup, though, at which its true nature can be seen and a diagnosis confirmed. It is at this point that certain problems afflicting both speech and thought manifest themselves in the speech and writing of the patient-who, if not placed under immediate care, will rapidly find the condition deteriorating.