However, he did not hesitate: he was conscious of a veritable compulsion to learn whatever could be learned. The bookcase indicated by the half-senile butler was the one which contained most of the volumes of demonism and magic. It was now removed; and Sir Roderick went over the uncovered wall inch by inch. After much futile fumbling, he located and pressed a hidden spring, and the door of the sealed room swung open.

It was little more than a cupboard, though a man could have concealed himself within it in time of need. Doubtless it had been built primarily for some such purpose. From out its narrow gloom the mouldiness of dead ages rushed upon Sir Roderick, together with the ghosts of queer exotic perfumes such as might have poured from the burning of unholy censers in Satanic rites. It was an effluence of mystery and of evil. Within, there were several ponderous brazen-bound volumes of medieval date, a thin manuscript of yellowing parchment, and two portraits whose faces had been turned to the wall, as if it were unlawful for even the darkness of the sealed closet to behold them.

Sir Roderick brought the volumes, the manuscript and the portraits forth to the light. The pictures, which he examined first, represented a man and woman who were both in the bloom of life. Both were attired in seventeenth century costumes; and the new Sir Roderick did not doubt for a moment that they were the mysterious couple concerning whom the family records were so reticent.

He thrilled with a strange excitement, with a feeling of some momentous revelation that he could not wholly comprehend, as he looked upon them. Even at a glance, he saw the singular resemblance of the first Sir Roderick to himself—a likeness otherwise unduplicated in the family, which tended to an almost antinomian type. There were the same falcon-like features, the same pallor of brow and cheek, the same semi-morbid luster of eyes, the same bloodless lips that seemed to be carven from a marble that had also been chiselled for the long hollow eyelids. The majority of the Hagdons were broad and sanguine and ruddy; but in these two, a darker strain had repeated itself across the centuries. The main difference was in the expression, for the look of the first Sir Roderick was that of a man who has given himself with a passionate devotion to all things evil and corrupt; who has gone down to damnation through some inevitable fatality of his own being.

Sir Roderick gazed on the picture with a fascination that was partly horror, and partly the stirring of emotions which he could not have named. Then he turned to the woman, and a wild agitation overmastered him before the sullen-smiling mouth and the malign oval of the lovely cheeks. She, too, was evil, and her beauty was that of Lilith. She was like some crimson-lipped and honey-scented flower that grows on the brink of hell; but Sir Roderick knew, with the terror and fearful rapture of one who longs to fling himself from a precipice, that here was the one woman he might have loved, if haply he had known her. Then, in a moment of reeling and whirling confusion, it seemed to him that he had known and loved her, though he could not remember when or where.

The feeling of eerie confusion passed; and Sir Roderick began to examine the brass-bound volumes. They were written in a barbarous decadent Latin, and dealt mainly with methods and formulas for the evocation of such demons as Acheront, Amaimon, Asmodi and Ashtoreth, together with innumerable others. Sir Roderick shuddered at the curious drawings with which they were illuminated; but they did not detain him long. With a thrill of actual trepidation, like one who is about to enter some awful and unhallowed place, he took up the manuscript of yellowing parchment.

It was late afternoon when he began to read; and rays of dusty amber were slanting through the low panes of the library windows. As he read on, he gave no heed to the sinking of the light; and the last words were plain as runes of fire when he finished his perusal in the dusk. He closed his eyes, and could still see them:

“And Sir Roderick Hagdonne was now deemed a moste infamous warlocke, and hys Ladye Elinore a nefandous witche… . And both were burned at the stake on Hagdonne Common for their crimes against God and man. And their sorcerous deedes and practices were thought so foule a blotte on ye knighthoode of England, that no man speaks thereof, and no grandam tells the tale to the children at her knee. So, by God Hys mercy, the memorie of thys foulnesse shall haply be forgotten; for surely itte were an ill thing that such should be recalled.”

Then, at the very bottom of the page, there was a brief, mysterious footnote in a finer hand than the rest:

“There be those amid the thronge who deemed that they saw Sir Rodericke vanish when the flames leaped high; and thys, if true, is the moste damnable proof of hys compact and hys commerce with the Evill One.”

Sir Roderick sat for a long while in the thickening twilight. He was unstrung, he was abnormally shaken and distraught by the biographical record he had just read—a record that had been written by some unknown hand in a bygone century. It was not pleasant for any man to find a tale so dreadful amid the archives of his family history. But the fact that the narrative concerned the first Sir Roderick and his Lady Elinor was hardly enough to account for all the spiritual turmoil and horror into which he was plunged. Somehow, in a way that was past analysis, that was more intimate than his regard for the remote blot on the Hagdon name, he felt that the thing concerned himself also. A terrible nervous perturbation possessed him, his very sense of identity was troubled, he was adrift in a sea of abominable confusion, of disoriented thoughts and capsizing memories. In this peculiar state of mind, by an automatic impulse, he lit the floor-lamp beside his chair and began to re-read the manuscript.

Almost in the casual manner of a modern tale, the story opened with an account of Sir Roderick’s first meeting, at the age of twenty-three, with Elinor D’Avenant, who was afterward to become his wife.

This time, as he read, a peculiar hallucination seized the new baronet. It seemed to him that the words of the old writing had begun to waver and change beneath his scrutiny; that, under the black lines of script on yellowing parchment, the picture of an actual place was forming. The page expanded, the letters grew dim and gigantic; they seemed to fade out in mid-air, and the picture behind them was no longer a picture, but the very scene of the narrative. As if the wording were a necromantic spell, the room about him had vanished like the chamber of a dream; and he stood in the open sunlight of a windy moor. Bees were humming around him, and the scent of heather was in his nostrils. His consciousness was indescribably dual; somewhere, he knew, one part of his brain was still reading the ancient record; but the rest of his personality had become identified with that of the first Sir Roderick Hagdon. Inevitably, with no surprise or astonishment, he found himself living in a bygone age, with the perceptions and memories of an ancestor who was long dead.

“Now Sir Roderick Hagdonne, being in the flower of hys youth, became instantlie enamoured of the beauteous Elinore D’Avenant, whenas he mette her of an Aprile morn on Hagdonne heathe.”

Sir Roderick saw that he was not alone on the moor. A woman was coming toward him along the narrow path amid the heather. Though clad in the conventional gown and bodice of the period, she was somehow foreign and exotic to that familiar English landscape. She was the woman of the portrait which, in a later life, as another Sir Roderick, he had found in a sealed room of the manor-house. (But this, like much else, he had now forgotten.) Walking with a languid grace amid the homely blossoms of the heath, her beauty was like that of some opulent and sinister lily from Saracenic lands. He thought that he had never seen anyone half so strange and lovely.