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After walking an enormous distance, during which, to my surprise, I felt no fatigue whatever, I came once more to the body I had sought to leave. I think that I went really mad then, for a little while….

Now, after a duration of time—or eternity—which I have no means of computating, I am writing this pencilled account on the leaves of my note-book. I am writing it beside the corpse of Edgar Halpin, from which I have been unable to flee; for a score of excursions into the dim realms on all sides have ended by bringing me back to it after a certain interval. The corpse is still fresh and the blood has not dried. Apparently, the thing we know as time is well-nigh non-existent in this world, or at any rate is seriously disordered in its action; and most of the normal concomitants of time are likewise absent; and space itself has the property of returning always to the same point. The voluntary movements I have performed might be considered as a sort of time-sequence; but in regard to involuntary things there is little or no time-movement. I experience neither physical weariness or hunger; but the horror of my situation is not to be conveyed in human language; and hell itself can hardly have devised a name for it.

When I have finished writing this narration, I shall precipitate the note-book into the levels of mundane life by means of the infra-red vibrator. Some obscure need of confessing my crime and telling my predicament to others has led me to an act of which I shouId never have believed myself capable, for I am the most uncommunicative of men by nature. Apart from the satisfying of this need, the composition of my narrative is something to do, it is a temporary reprieve from the desperate madness that will surge upon me soon, and the grey eternal horror of the limbo to which I have doomed myself beside the undecaying body of my victim.

THE DEVOTEE OF EVIL

The old Larcom house was a mansion of considerable size and dignity, set among cypresses and oaks on the hill behind Auburn’s Chinatown, in what had once been the aristocratic section of the village. At the time of which I write, it had been unoccupied for several years and had begun to present the signs of dilapidation and desolation which untenanted houses so soon display. The place had a tragic history and was believed to be haunted. I had never been able to secure any first-hand or precise accounts of the spectral manifestations that were accredited to it. But certainly it possessed all the necessary antecedents of a haunted house. The first owner, Judge Peter Larcom, had been murdered beneath its roof back in the seventies by a maniacal Chinese cook; one of his daughters had gone insane; and two other members of the family had died accidental deaths. None of them had prospered: their legend was one of sorrow and disaster.

Some later occupants, who had purchased the place from the one surviving son of Peter Larcom, had left under circumstances of inexplicable haste after a few months, moving permanently to San Francisco. They did not return even for the briefest visit; and beyond paying their taxes, they gave no attention whatever to the place. Everyone had grown to think of it as a sort of historic ruin, when the announcement came that it had been sold to Jean Averaud, of New Orleans.

My first meeting with Averaud was strangely significant, for it revealed to me, as years of acquaintance would not necessarily have done, the peculiar bias of his mind. Of course, I had already heard some odd rumors about him: his personality was too signal, his advent too mysterious, to escape the usual fabrication and mongering of village tales. I had been told that he was extravagantly rich, that he was a recluse of the most eccentric type, that he had made certain very singular changes in the inner structure of the old house; and last, but not least, that he lived with a beautiful mulatress, who never spoke to anyone and who was thought to be his mistress as well as his housekeeper. The man himself had been described to me by some as an unusual but harmless lunatic, and by others as an all-round Mephistopheles.

I had seen him several times before our initial meeting. He was a sallow, saturnine Creole, with the marks of race in his hollow cheeks and feverish eyes. I was struck by his air of intellect, and by the fiery fixity of his gaze—the gaze of a man who is dominated by one idea to the exclusion of all else. Some medieval alchemist, who believed himself to be on the point of attaining his objective after years of unrelenting research, might have looked as he did.

I was in the Auburn library one day, when Averaud entered. I had taken a newspaper from one of the tables and was reading the details of an atrocious crime—the murder of a woman and her two infant children by the husband and father, who had locked his victims in a clothes-closet, after saturating their garments with oil. He had left the woman’s apron-string caught in the shut door, with the end protruding, and had set fire to it like a fuse.

Averaud passed the table where I was reading. I looked up, and saw his glance at the headlines of the paper I held. A moment later he returned and sat down beside me, saying in a low voice:

“What interests me in a crime of that sort, is the implication of unhuman forces behind it. Could any man, on his own initiative, have conceived and executed anything so gratuitously fiendish?”

“I don’t know,” I replied, somewhat surprised by the question and by my interrogator. “There are terrifying depths in human nature—gulfs of instinct and impulse more abhorrent than those of the jungle.”

“I agree. But how could such impulses, unknown to the most brutal progenitors of man, have been implanted in his nature, unless through some ulterior agency?”

“You believe, then, in the existence of an evil force or entity—a Satan or an Ahriman?”

“I believe in evil—how can I do otherwise when I see its manifestations everywhere? I regard it as an all-controlling power; but I do not think that the power is personal, in the sense of what we know as personality. A Satan? No. What I conceive is a sort of dark vibration, the radiation of a black sun, of a center of malignant aeons—a radiation that can penetrate like any other ray—and perhaps more deeply. But probably I don’t make my meaning clear at all.”

I protested that I understood him; but, after his burst of communicativeness, he seemed oddly disinclined to pursue the conversation. Evidently he had been prompted to address me; and no less evidently, he regretted having spoken with so much freedom. He arose; but before leaving, he said:

“I am Jean Averaud—perhaps you have heard of me. You are Philip Hastane, the novelist. I have read your books and I admire them. Come and see me some time—we may have certain tastes and ideas in common.”

Averaud’s personality, the conception he had avowed, and the intense interest and value which he so obviously attached to these conceptions, made a singular impression on my mind, and I could not forget him. When, a few days afterward, I met him on the street, and he repeated his invitation with a cordialness that was unfeignedly sincere, I could do no less than accept. I was interested, though not altogether attracted, by his bizarre, well-nigh morbid individuality, and was impelled by a desire to learn more concerning him. I sensed a mystery of no common order—a mystery with elements of the abnormal and the uncanny.

The grounds of the old Larcom place were precisely as I remembered them, though I had not found occasion to pass them for some time. They were a veritable tangle of Cherokee rose-vines, arbutus, lilac, ivy and crepe-myrtle, half-overshadowed by the great cypresses and somber evergreen oaks. There was a wild, half-sinister charm about them—the charm of rampancy and ruin. Nothing had been done to put the place in order, and there were no outward repairs on the house itself, where the white paint of bygone years was being slowly replaced by mosses and lichens that flourished beneath the eternal umbrage of the cypresses. There were signs of decay in the roof and pillars of the front porch; and I wondered why the new owner, who was reputed to be so rich, had not already made the necessary restorations.