‘It’s crap,’ she said flatly, nodding her head at the Olivetti. ‘But it pays the bills.’
She nodded in the direction of a bookcase where a series of books displayed their titles on their spines – The Poisoned Postwoman, The Faithless Fiancé. Red Blood Press were the publishers, their logo a drawing of a fountain pen dripping with blood. Marilyn Nettles removed a book from the line-up and handed it to Jackson. The Slaughtered Seamstress was the title, raised and embossed in a metallic red on a lurid cover that depicted a half-naked, bug-eyed woman in the foreground, her mouth open in a scream as she tried to escape from a shadowy male figure who was wielding a huge knife. On the back page there was a soft-focus photograph of ‘Stephanie Dawson’ that looked as if it had been taken decades ago. There had been a lot of cigarettes and alcohol on the road between that photograph and the woman who stood before Jackson now.
‘The Butchered Bride. They call it “True Noir”,’ Marilyn Nettles said. ‘Basically they’re books for people who can’t read.’ She contemplated the screaming woman on the jacket. ‘Women in jeopardy,’ she said, handing Jackson a mug of coffee. ‘Very popular. You have to wonder.’
‘You do,’ he agreed. The mug looked as if it was some time since it had made the acquaintance of any washing-up liquid. Oiled by her alcohol-infused Nescafé, Marilyn Nettles seemed more inclined to talk, albeit reluctantly. She lit a cigarette without offering one to Jackson and said, ‘So what do you want?’
‘What can you tell me about Carol Braithwaite?’
‘Not a lot. Not much more than was in that original newspaper report. Why? What’s your interest in her?’
‘I’m working on behalf of a client,’ Jackson said. ‘Someone who I think may have some connection to Carol Braithwaite.’
‘Who?’
‘That’s confidential information, I’m afraid.’
‘You’re not a sodding priest. We’re not talking secrets of the confessional.’
Jackson pressed on. ‘There was your piece in the newspaper and then the whole case seems to disappear. Did you interview anyone at the time, did you find out anything about Carol Braithwaite?’
She stared quizzically at the tip of her cigarette as if it was going to provide the answers. ‘So many questions and such a long time ago,’ she murmured.
‘But you must remember,’ Jackson said.
‘Must I?’
‘Have you ever heard the names Linda Pallister or Tracy Waterhouse? A social worker and a policewoman, in 1975? Ring a bell?’ A little flicker of something in Marilyn Nettles’s eyes. ‘Hope McMaster? Dr Ian Winfield? Kitty Winfield?’ Jackson persisted.
‘For heaven’s sake, all these names,’ she said irritably. ‘I knew next to nothing. I was encouraged not to know anything, as you might say. I was warned off.’
‘Warned off?’
‘Yes, warned off. I didn’t believe that they were idle threats either. No more articles, don’t report the inquest, forget it happened.’
‘So someone threatened you?’ Jackson said. ‘Who?’
‘Oh, names, names,’ Marilyn Nettles said dismissively. ‘Everyone always wanting to name names. It doesn’t matter now. Most of us are dead anyway, even the ones that are alive.’ She seemed to drift off to some place in her head. She came back after a while and tapped the manuscript on the table in front of her. ‘I went down to London, wanted to make it big on the broadsheets, but it never really happened. Ended up back here, covering local stories for the Whitby Gazette and writing this stuff to keep my head above water.’
‘Well,’ Jackson said, ‘none of us end up where we expect to.’
‘I don’t know why the woman can’t be left dead and buried, I don’t know why everyone’s so intent on digging her up.’
‘Everyone?’
‘There was a man here earlier. He said he was a private detective as well. The pair of you look like brush salesmen if you ask me.’
‘Did he give you a card?’
Marilyn Nettles rooted around amongst the pages of The Butchered Bride, and handed over the cheap card. ‘Brian Jackson,’ Jackson sighed. They had obviously been dogging each other’s footsteps all week. He had been driving away from Whitby when he offered Jackson a lift. His had been the name, hadn’t it, that was written in Linda Pallister’s diary for the morning of Jackson’s original appointment with her. Jackson had read the name ‘B. Jackson’ and thought Linda Pallister might have been confused. Was it Brian Jackson’s questions that had spooked Linda Pallister into disappearing?
Marilyn Nettles sighed, seemed to gather herself and continued, ‘And anyway a lot of what happened had to be kept out of the public domain, had to be censored “to protect the innocent”, as they say. Restraining orders all over the place. I was allowed to write hardly anything about Carol Braithwaite and nothing whatsoever about the child.’
‘The child?’ Jackson said, almost leaping off the dusty sofa with eagerness. This had to be Hope McMaster, surely? ‘You didn’t say anything about a child.’
‘You didn’t ask. He was called Michael,’ Marilyn Nettles said. ‘A boy, four years old.’
Jackson sagged back on to the sofa, deflated by disappointment. ‘Carol Braithwaite had a son?’
‘Yes. They said they were protecting him from the press, from public curiosity. It was a sensationalist kind of story.’
‘Why?’
‘Well, he was locked inside the flat with the body of his dead mother. They estimated it was about three weeks. But you know, he witnessed a murder . . . and then he disappeared.’
‘Do you think someone killed him?’
‘As good as. He disappeared into the system, wretched life in care, et cetera,’ she said wearily. ‘I’m growing tired of this interrogation, I have work to do,’ Marilyn Nettles said. ‘It’s time you went.’ She stood up suddenly and swayed a little and hung on to the table for support and Jackson jumped up from the sofa, intending to shore her up if necessary. In doing so he dislodged the manuscript on her desk, sending the pages of The Butchered Bride fluttering like disembodied birds on to the floor. The cat, startled awake, narrowed its mean marble eyes and went from nought to sixty in two seconds, hissing and spitting at Jackson.
Exit Jackson stage right, pursued by a cat.
Escaped by a whisker. He threw the dog a dog treat, casting the tiny bone high in the air. The dog jumped and caught it neatly.
Perhaps, after all, then, the girl in the photograph was not Hope McMaster. But it did rather beg the question, if this Brian Jackson bloke was mining the same mysterious seam as Jackson himself – Linda Pallister, Marilyn Nettles, Tracy Waterhouse – then what – or who – was he looking for?
![Started Early, Took My Dog _2.jpg](https://litlife.club/books/269804/read/images/_2.jpg)
As soon as he pulled up outside Linda Pallister’s house Barry could sense the lace curtains twitching all around. Nosy neighbours, a policeman’s best friend. Barry climbed out of the car and tried the doorbell but it didn’t look like a house where anyone was home. The curtains were closed and it had an abandoned air. He banged loudly on the door and shouted ‘Linda!’ through the letterbox.
A Hyacinth Bucket type, one-woman Neighbourhood Watch, popped up out of nowhere as if she’d been crouched behind the privet ready to spring.
‘Janice Potter,’ she said. ‘I live next door. Can I help you?’
‘I don’t know,’ Barry said. ‘Have you got a runner for the three thirty at Lingfield Park?’ He flourished his warrant card and said, ‘I’m looking for Mrs Pallister, Linda Pallister?’
‘Someone else was looking for her yesterday. He said he was a private detective.’
‘Can you tell me when you last saw Linda?’ Barry asked.
‘Last night,’ she said promptly. ‘Just after Collier finished. She was getting into a car. She didn’t come back.’
‘What kind of car?’Who needed CCTV, Barry thought, when you had twitchers?