At the time, Malcolm had been convinced that this racial discomfort he felt was a temporary thing, a purely contextual sensation that was awakened in everyone in college but then evaporated the further from it you moved. He had never felt any particular agita about or pride in being black, except in the most remote ways: he knew he was supposed to have certain feelings about certain things in life (taxicab drivers, for one), but somehow that knowledge was only theoretical, not anything he had experienced himself. And yet blackness was an essential part of his family’s narrative, which had been told and retold until it was worn to a shine: how his father had been the third black managing director at his investment firm, the third black trustee at the very white boys’ preparatory school that Malcolm had attended, the second black CFO of a major commercial bank. (Malcolm’s father had been born too late to be the first black anything, but in the corridor in which he moved—south of Ninety-sixth Street and north of Fifty-seventh; east of Fifth and west of Lexington—he was still as rare as the red-tailed hawk that sometimes nested in the crenellations of one of the buildings opposite theirs on Park Avenue.) Growing up, the fact of his father’s blackness (and, he supposed, his own), had been trumped by other, more significant matters, factors that counted for more in their slice of New York City than his father’s race: his wife’s prominence in the Manhattan literary scene, for example, and, most important, his wealth. The New York that Malcolm and his family occupied was one divided not along racial lines but rather tax brackets, and Malcolm had grown up insulated from everything that money could protect him from, including bigotry itself—or so it in retrospect seemed. In fact, it wasn’t until college that he was made to truly confront the different ways in which blackness had been experienced by other people, and, perhaps more stunningly, how apart his family’s money had set him from the rest of the country (although this assumed you could consider his classmates representative of the rest of the country, which you of course couldn’t). Even today, almost a decade after meeting him, he still had trouble comprehending the sort of poverty that Jude had been raised in—his disbelief when he finally realized that the backpack Jude had arrived to college with had contained, literally, everything on earth in his possession had been so intense that it had been almost physical, so profound that he had mentioned it to his father, and he was not in the habit of revealing to his father evidence of his naïveté, for fear of provoking a lecture about his naïveté. But even his father, who had grown up poor in Queens—albeit with two working parents and a new set of clothes every year—had been shocked, Malcolm sensed, although he had endeavored to conceal it by sharing a story of his own childhood deprivation (something about a Christmas tree that had to be bought the day after Christmas), as if lack of privilege were a competition that he was still determined to win, even in the face of another’s clear and inarguable triumph.

However, race seemed less and less a defining characteristic when one was six years out of college, and those people who still nursed it as the core of their identity came across as somehow childish and faintly pathetic, as if clinging to a youthful fascination with Amnesty International or the tuba: an outdated and embarrassing preoccupation with something that reached its potent apotheosis in college applications. At his age, the only truly important aspects of one’s identity were sexual prowess; professional accomplishments; and money. And in all three of these aspects, Malcolm was also failing.

Money he set aside. He would someday inherit a huge amount. He didn’t know how huge, and he had never felt the need to ask, and no one had ever felt the need to tell him, which is how he knew it was huge indeed. Not Ezra huge, of course, but—well, maybe it was Ezra huge. Malcolm’s parents lived much more modestly than they might, thanks to his mother’s aversions to garish displays of wealth, so he never knew if they lived between Lexington and Park because they couldn’t afford to live between Madison and Fifth, or whether they lived between Lexington and Park because his mother would find it too ostentatious to live between Madison and Fifth. He would like to make his own money, he would. But he wasn’t one of those rich kids who tortured himself about it. He would try to earn his way, but it wasn’t wholly up to him.

Sex, and sexual fulfillment, however, was something he did have to take responsibility for. He couldn’t blame his lack of a sex life on the fact that he’d chosen a low-paying field, or on his parents for not properly motivating him. (Or could he? As a child, Malcolm had had to endure his parents’ long groping sessions—often conducted in front of him and Flora—and he now wondered whether their show-offy competence had dulled some competitive spirit within him.) His last real relationship had been more than three years ago, with a woman named Imogene who dumped him to become a lesbian. It was unclear to him, even now, whether he had actually been physically attracted to Imogene or had simply been relieved to have someone else make decisions that he had been happy to follow. Recently, he had seen Imogene (also an architect, although at a public interest group that built experimental low-income housing—exactly the sort of job Malcolm felt he should want to have, even if he secretly didn’t) and had teasingly told her—he had been joking!—that he couldn’t help but feel that he had driven her to lesbianism. But Imogene had bristled and told him that she had always been a lesbian and had stayed with him because he had seemed so sexually confused that she thought she might be able to help educate him.

But since Imogene, there had been no one. Oh, what was wrong with him? Sex; sexuality: these too were things he should have sorted out in college, the last place where such insecurity was not just tolerated but encouraged. In his early twenties, he had tried falling in and out of love with various people—friends of Flora’s, classmates, one of his mother’s clients, a debut novelist who had written a literary roman à clef about being a sexually confused firefighter—and yet still didn’t know to whom he might be attracted. He often thought that being gay (as much as he also couldn’t stand the thought of it; somehow it, like race, seemed the province of college, an identity to inhabit for a period before maturing to more proper and practical realms) was attractive mostly for its accompanying accessories, its collection of political opinions and causes and its embrace of aesthetics. He was missing, it seemed, the sense of victimization and woundedness and perpetual anger it took to be black, but he was certain he possessed the interests that would be required if he were gay.

He fancied himself already half in love with Willem, and at various points in love with Jude too, and at work he would sometimes find himself staring at Eduard. Sometimes he noticed Dominick Cheung staring at Eduard as well, and then he would stop himself, because the last person he wanted to be was sad, forty-five-year-old Dominick, leering at an associate in a firm that he would never inherit. A few weekends ago, he had been at Willem and Jude’s, ostensibly to take some measurements so he could design them a bookcase, and Willem had leaned in front of him to grab the measuring tape from the sofa, and the very nearness of him had been suddenly unbearable, and he had made an excuse about needing to get into the office and had abruptly left, Willem calling after him.

He had in fact gone to the office, ignoring Willem’s texts, and had sat there at his computer, staring without seeing the file before him and wondering yet again why he had joined Ratstar. The worst thing was that the answer was so obvious that he didn’t even need to ask it: he had joined Ratstar to impress his parents. His last year of architecture school, Malcolm had had a choice—he could have chosen to work with two classmates, Jason Kim and Sonal Mars, who were starting their own firm with money from Sonal’s grandparents, or he could have joined Ratstar.