They were both quiet for a while. “But he was sick,” Willem said, at last.
“Not then,” Jude reminded him. “Not actively, at least.”
“No, maybe not,” he said. “But he was dying.”
Jude had smiled at him. “Oh, dying,” he said dismissively. “We’re all dying. He just knew his death would come sooner than he had planned. But that doesn’t mean they weren’t happy years, that it wasn’t a happy life.”
He had looked at Jude, then, and had felt that same sensation he sometimes did when he thought, really thought of Jude and what his life had been: a sadness, he might have called it, but it wasn’t a pitying sadness; it was a larger sadness, one that seemed to encompass all the poor striving people, the billions he didn’t know, all living their lives, a sadness that mingled with a wonder and awe at how hard humans everywhere tried to live, even when their days were so very difficult, even when their circumstances were so wretched. Life is so sad, he would think in those moments. It’s so sad, and yet we all do it. We all cling to it; we all search for something to give us solace.
But he didn’t say this, of course, just sat up and grabbed Jude’s face and kissed him and then fell back against the pillows. “How’d you get so smart?” he asked Jude, and Jude grinned at him.
“Too hard?” he asked in response, still kneading Willem’s foot.
“Not hard enough.”
Now he turned Jude around to face him in bed. “I think we have to stick with The Happy Years,” he told him. “We’ll just have to risk your arms falling off,” and Jude laughed.
The next week, he left for Paris. It was one of the most difficult shoots he’d ever done; he had a double, an actual dancer, for the more elaborate sequences, but he did some of his own dancing as well, and there were days—days spent lifting real ballerinas into the air, marveling at how dense, how ropy with muscle they were—that were so exhausting that by the evening he had only the energy to drop himself into the bathtub and then lift himself out of it. In the past few years, he had found himself subconsciously drawn to ever-more physical roles, and he was always astonished by, and appreciative of, how heroically his body met its every demand. He had been given a new awareness of it, and now, as he stretched his arms behind him as he leaped, he could feel how every sore muscle came alive for him, how it allowed him to do whatever he wanted, how nothing within him ever broke, how it indulged him every time. He knew he wasn’t alone in feeling this, this gratitude: when they visited Cambridge, he and Harold would play tennis every day, and he knew without them ever discussing it how grateful they had both become for their own bodies, how much the act of smacking heavily, unthinkingly across the court to lunge for a ball had come to mean to them both.
Jude came to visit him in Paris at the end of April, and although Willem had promised him that he wouldn’t do anything elaborate for his fiftieth birthday, he had arranged a surprise dinner anyway, and in addition to JB and Malcolm and Sophie, Richard and Elijah and Rhodes and Andy and Black Henry Young and Harold and Julia had all come over, along with Phaedra and Citizen, who had helped him with the planning. The next day Jude had come to watch him on set, one of the very few times he had ever done so. The scene they were working on that morning was one in which Nureyev was trying to correct a young dancer’s cabriole, and after instructing him again and again, finally demonstrates how to do it; but in an earlier scene, one they hadn’t yet shot but that would directly precede this one, he has just been diagnosed with HIV, and as he jumps, scissoring his legs, he falls, and the studio goes quiet around him. The scene ended on his face, a moment in which he had to convey Nureyev’s sudden recognition that he understood how he would die and then, just a second later, his decision to ignore that understanding.
They shot take after take of this scene, and after each take, Willem would have to step away and wait until he could breathe normally again, and hair and makeup would flutter around him, blotting the sweat from his face and neck, and when he was ready, back to his mark he would step. By the time the director was satisfied, he was panting but satisfied as well.
“Sorry,” he apologized, going over to Jude at last. “The tedium of filmmaking.”
“No, Willem,” Jude said. “It was amazing. You were so beautiful out there.” He looked tentative for a moment. “I almost couldn’t believe it was you.”
He took Jude’s hand and clasped it in his, which he knew was the most affection Jude would tolerate in public. But he never knew how Jude felt about witnessing such displays of physicality. The previous spring, during one of his breakups with Fredrik, JB had dated a principal in a well-known modern dance company, and they had all gone to see his performance. During Josiah’s solo, he had glanced over at Jude and had seen that he was leaning forward slightly, resting his chin in his hand, and watching the stage so intently that when Willem put his hand on his back, he startled. “Sorry,” Willem had whispered. Later, in bed, Jude had been very quiet, and he had wondered what he was thinking: Was he upset? Wistful? Sorrowful? But it had seemed unkind to ask Jude to say aloud what he might not have been able to articulate to himself, and so he hadn’t.
It was the middle of June by the time he returned to New York, and in bed Jude had looked at him, closely. “You have a ballet dancer’s body now,” he said, and the next day, he’d examined himself in the mirror and realized that Jude was correct. Later that week, they had dinner on the roof, which they and Richard and India had finally renovated, and which Richard and Jude had planted with grasses and fruit trees, and he had shown them some of what he’d learned, feeling his self-consciousness change to giddiness as he jetéed across the decked surface, his friends applauding behind him, the sun bleeding into nighttime above them.
“Another hidden talent,” Richard had said afterward, and had smiled at him.
“I know,” Jude had said, smiling at him, too. “Willem is full of surprises, even all these years later.”
But they were all full of surprises, he had come to learn. When they were young, they had only their secrets to give one another: confessions were currency, and divulgences were a form of intimacy. Withholding the details of your life from your friends was considered first a sort of mystery and then a kind of stinginess, one that it was understood would preclude true friendship. “There’s something you’re not telling me, Willem,” JB would occasionally accuse him, and, “Are you keeping secrets from me? Don’t you trust me? I thought we were close.”
“We are, JB,” he’d said. “And I’m not keeping anything from you.” And he hadn’t been: there was nothing to keep. Of all of them, only Jude had secrets, real secrets, and while Willem had in the past been frustrated by what had seemed his unwillingness to reveal them, he had never felt that they weren’t close because of that; it had never impaired his ability to love him. It had been a difficult lesson for him to accept, this idea that he would never fully possess Jude, that he would love someone who would remain unknowable and inaccessible to him in fundamental ways.
And yet Jude was still being discovered by him, even thirty-four years after they had met, and he was still fascinated by what he saw. That July, for the first time, he invited him to Rosen Pritchard’s annual summer barbeque. “You don’t have to come, Willem,” Jude had added immediately after asking him. “It’s going to be really, really boring.”
“I doubt that,” he said. “And I’m coming.”
The picnic was held on the grounds of a large old mansion on the Hudson, a more polished cousin of the house in which he had shot Uncle Vanya, and the entire firm—partners, associates, staff, and their families—had been invited. As they walked down the clover-thick back lawn toward the gathering, he had felt abruptly and unusually shy, keenly aware that he was an interloper, and when Jude was just minutes later plucked away from him by the firm’s chairman, who said he had some business he needed to discuss, quickly but urgently, he had to resist actually reaching out for Jude, who turned and gave him an apologetic smile and held up his hand—Five minutes—as he left.