At Oak Glen, too, she had her novel and her whist, bézique or dominoes, as the family was larger or smaller. She never stooped to solitaire; a game must be an affair of companionship, of the "social tie" in defence of which "Bro' Sam," in his youth, had professed himself ready to die. Instead of the "Victor" concert, she now made music herself, playing four-hand pieces with Florence, the "music daughter," trained in childhood by Otto Dresel. This was another great pleasure. (Did any one, we wonder, ever enjoy pleasures as she did?) These duets were for the afternoon; she almost never used her eyes in the evening. They were perfectly good, strong eyes; in the latter years she rarely used glasses; but the habit dated back to the early fifties, and might not be shaken.

We see her, therefore, in the summer afternoons, sitting at the piano with Florence, playing, "Galatea, dry thy tears!" "Handel's old tie-wig music," as she called his operas. Or, if her son were there, she would play accompaniments from the "Messiah" or "Elijah"; rippling through the difficult music, transposing it, if necessary to suit the singer's voice, with ease and accuracy. Musicians said that she was the ideal accompanist, never asserting herself, but giving perfect sympathy and support to the singer.

We return to the Journal.

"January, 1908. I had prayed the dear Father to give me this one more poem, a verse for this year's Decoration Day, asked for by Amos Wells, of Christian Endeavor belonging. I took my pen and the poem came quite spontaneously. It seemed an answer to my prayer, but I hold fast the thought that the great Christ asked no sign from God and needed none, so deeply did he enter into life divine. I also thought, regarding Christ and Moses, that we must be content that a certain mystery should envelop these heroic figures of human history. Our small measuring tape or rod is not for them. If they were not exactly in fact what we take them to be, let us deeply reverence the human mind which has conceived and built up such splendid and immortal ideals. Was not Christ thinking of something like this when he made the sin against the Holy Ghost and its manifestations the only unpardonable error? He surely did not mean to say that it was beyond the repentance which is the earnest of forgiveness to every sin."

A day or two after this she met at luncheon "a young Reverend Mr. Fitch.... He is earnest and clear-minded, and should do much good. I spoke of the cup [of life], but advised him to use the spoon for stirring up his congregation."

She was asked for a "long and exhaustive paper on Marion Crawford in about a week. I wrote, saying that I could furnish an interesting paper on the elder and younger Crawford, but without any literary estimate of Marion's work, saying that family praise was too much akin to self-praise; also the time allotted much too short."

One night she woke "suddenly and something seemed to say, 'They are on the right tack now.' This microscopic and detailed study of the causes of evil on society will be much forwarded by the direct agency of women. They too will supply that inexhaustible element of hopefulness, without which reforms are a mere working back and forth of machinery. These two things will overcome the evil of the world by prevention first, and then by the optimistic anticipation of good. This is a great work given to Woman now to do. Then I caught at various couplets of a possible millennial poem, but feared I should not write it. Have scrawled these on a large pad. This line kept coming back to me, 'Living, not dying, Christ redeemed mankind.'... This my first day at my desk since Saturday, March 28. I may try some prose about the present patient analysis of the evil of society, the patient intelligent women associated in all this work. To reclaim waste earth is a glory. Why not a greater to reclaim the moral wastes of humanity?"

This midnight vision impressed her deeply, and through the succeeding days she wrote it out in full, bit by bit. On the envelope containing it is written, "An account of my vision of the world regenerated by the combined labor and love of Men and Women." In it she saw "men and women of every clime working like bees to unwrap the evils of society and to discover the whole web of vice and misery and to apply the remedies, and also to find the influences that should best counteract the evil and its attendant suffering.

"There seemed to be a new, a wondrous, ever-permeating light, the glory of which I cannot attempt to put into human words—the light of the newborn hope and sympathy—blazing. The source of this light was born of human endeavor...."

She saw "the men and the women, standing side by side, shoulder to shoulder, a common lofty and indomitable purpose lighting every face with a glory not of this earth. All were advancing with one end in view, one foe to trample, one everlasting goal to gain....

"And then I saw the victory. All of evil was gone from the earth. Misery was blotted out. Mankind was emancipated and ready to march forward in a new Era of human understanding, all-encompassing sympathy and ever-present help, the Era of perfect love, of peace passing understanding."

Mrs. Humphry Ward was in Boston this spring, and there were many pleasant festivities in her honor.

A "luncheon with Mrs. Humphry Ward at Annie Fields'; very pleasant. Edward Emerson there, easy and delightful...."

A fine reception at the Vendôme, where she and Mrs. Ward stood under "a beautiful arch of roses" and exchanged greetings.

"A delightful call from Mrs. Humphry Ward. We had much talk of persons admired in England and America. She has great personal attraction, is not handsome, but very 'simpatica' and is evidently whole-souled and sincere, with much 'good-fellowship.' We embraced at parting."

In strong contrast to this is her comment on a writer whose work did not appeal to her. "But she has merit; yes, she certainly has merit. In fact—" with a flash—"she is meret-ricious!"

May brought the Free Religious Banquet, at which she "compared the difference of sect to the rainbow which divides into its beauty the white light of truth"; and the State Federation of Women's Clubs, where another apt comparison occurred to her.

"I compared the old order among women to the juxtaposition of squares set cornerwise to each other; the intensity of personal feeling and interest infusing an insensible antagonism into our relations with each other. 'Now,' I said, 'the comparison being removed, we no longer stand cornerwise to each other, but so that we can fit into line, and stand and act in concert.'..."

"Newport. I begin to feel something of the 'labor and sorrow' of living so long. I don't even enjoy my books as I used to. My efforts to find a fit word for the Biennial [of the General Federation of Women's Clubs, to meet in Boston, June 22 and 23] are not successful...."

She soon revived under her green trees, and enjoyed her books as much as ever: "got hold of" her screed, wrote it, went up to Boston to deliver it, came back to meet an excursion party of "Biennial" ladies visiting Newport. (N.B. She was late for the reception, and her neighbor, Bradford Norman, drove her into Newport in his automobile "at a terrific clip." On alighting, "Braddie," she said, "if I were ten years younger, I would set up one of these hell-wagons myself!")

She enjoyed all this hugely, but the fatigue was followed by distress so great that the next morning she "thought she should die with her door locked." (She would lock her door: no prayers of ours availed against this. In Boston, an elaborate arrangement of keys made it possible for her room to be entered; at Oak Glen there was but the one stout door. On this occasion, after lying helpless and despairing for some time, she managed to unlock the door and call the faithful maid.)