She calls the "cottage" a "delightful house," and speaks with special pleasure of its garden planted with roses and gooseberry bushes by Billy Bottomore, a quaint old Newport sportsman, who took the boys shooting, and showed them where to find plover, woodcock, and snipe. Billy Bottomore passed for an adopted son of old Father Corné, another Newport "character" of those days. This gentleman had come from Naples to Boston, toward the end of the eighteenth century, as a decorative artist, and had made a modest fortune by painting the walls of the fine houses of Summer Street, Temple Place, and Beacon Hill. He chose Newport as his final home, because, as he told Mr. Ward, he had found that the climate was favorable to the growth of the tomato, "that most wholesome of vegetables." The Ward boys delighted in visiting Father Corné, and in hearing him sing his old songs, French and Italian, some of which are sung to-day by our grandchildren.

Father Corné lived to a great age. When past his ninetieth year, a friend asked him if he would not like to revisit Naples. "Ah, sir," replied the old man, "my father is dead!"

Our mother loved to linger over these old-time figures. The name of Billy Bottomore always brought a twinkle to her eye, and we never tired of hearing how he told her, "There is a single sister in Newport, a sempstress, to whom I have offered matrimony, but she says, 'No.'" The single sister finally yielded (perhaps when Billy inherited old Corné's money) and he became a proud and happy husband. "She keeps my house as neat as a nunnery!" he said. "When Miss E., the housekeeper, died, she nursed her and laid her out, and when Father Corné died, she nursed him and laid him out—"

"Yes, Billy," broke in our Aunt Annie, "and she'll lay you out too!"—which in due time she did.

He congratulated Julia on having girl-children only.

"Give me daughters!" he cried. "As my good old Spanish grandfather used to say, give me daughters!"

"Of this Spanish ancestor," our mother says, "no one ever heard before. His descendant died, without daughter or son, of cholera in 185-."

We forget the name of another quaint personage, a retired sea-captain, who once gave a party to which she was allowed to go; but she remembered the party, and the unction with which the kindly host, rubbing his hands over the supper table, exclaimed: "Now, ladies and gentlemen, help yourselves sang froidy!"

The roses and gooseberry bushes of the Newport garden once witnessed a serio-comic scene. There was another sea-captain, Glover by name, who had business connections with Prime, Ward & King, and who came to the house sometimes on business, sometimes for a friendly call. He was a worthy man of middle age and unromantic appearance; probably the eighteen-year-old Julia, dreamy and poetic, took no more notice of him than civility required; but he took notice of her, and one day asked her to walk out in the garden with him. Wondering much, she went. After some desultory remarks, the Captain drew a visiting-card from his pocket, wrote a few words upon it, and handed it to his young hostess. She read:—

"Russell E. Glover's

heart is yours!"

CHAPTER IV

GIRLHOOD

1839-1843; aet. 20-23

The torch that lit these silent halls,

Has now extinguished been;

The windows of the soul are dark,

And all is gloom within.

But lo! it shines, a star in heav'n,

And through death's murky night,

The ruins of the stately pile

Gleam softly in its light.

And it shall be a beacon star

To cheer us, and to guide;

For we would live as thou hast lived,

And die as thou hast died.

Julia Ward, on her father's death, 1839.

In Julia's childhood her brother Sam was her ideal and her idol. She describes him as a "handsome youth, quick of wit and tender of heart, brilliant in promise, and with a great and versatile power of work in him." He had early shown special proficiency in mathematics, and to the end of his life rejoiced in being one of the few persons who clearly understood the function called "Gamma." His masters expected great things from him; but his brilliant and effervescent spirit was forced into the Wall Street mould, with kindly intent but disastrous effect. His life was checkered, sun and shadow; but from first to last, he remained the delight of all who knew him. Sam Ward; Uncle Sam to three generations, his was a name to conjure with: the soul of generosity, the essence of wit, the spirit of kindliness. No one ever looked in his face, ever met the kindling glance of his dark eyes, ever saw the sunshine break in his smile, without forgetting all else in love and admiration of one of the most enchanting personalities that ever brightened the world.

Sam Ward returned from Europe in 1835, and took up his residence under his father's roof. In 1838 he married Emily, daughter of William B. Astor. The wedding was a grand one. Julia was first bridesmaid, and wore a dress of white moiré, then a material of the newest fashion. Those were the days of the ferronière, an ornament then so popular that "evening dress was scarcely considered complete without it."[11] Julia begged for one, and her father gave her a charming string of pearls, which she wore with great contentment at the wedding.

The young couple took up their residence with the family at "The Corner," the Francises having by this time moved to a house of their own.

With all these changes, little by little, the discipline relaxed, the doors opened wider. The bridal pair, fêted everywhere, must, in their turn, entertain their friends; and in these entertainments the daughters of the house must have their share.

Julia Ward was now nineteen, in the fulness of her early bloom. Her red-gold hair was no longer regarded as a misfortune; her gray eyes were large and well opened; her complexion of dazzling purity. Her finely chiselled features, and the beauty of her hands and arms, made an ensemble which could not fail to impress all who saw her. Add to this her singing, her wit, and the charm which was all and always her own, and we have the Diva Julia, as she was called by some who loved her. Her sisters, also, were growing up, each exquisitely attractive in her way: they became known as the "Three Graces of Bond Street." Louisa was like a damask rose, Annie like a dark lily; dark, too, of eyes and hair were Sam and Marion, while Henry was fair and blue-eyed.

At this distance of time, it may not be unpardonable to touch briefly on another aspect of our mother's youth; indeed, it would hardly be candid to avoid it. From the first she seems to have stirred the hearts of men. Her masters, old and young, fell in love with her almost as a matter of course. Gilded youth and sober middle-age fared no better; her girlhood passed to the sound of sighing.

"My dear," said an intimate friend of the three, speaking of these days, "Louisa had her admirers, and Annie had hers; but when the men saw your mother, they just flopped!"