He never smoked again; nor did the boys—in his presence!

Three lads, young, handsome, brilliant, and eminently social as were the Wards, could not be kept out of society. They were popular, and would fain have had Julia, the only one of the three girls who was old enough, share in their pleasures; but this might not be. Mr. Ward had money and sympathy to spare for every benevolent enterprise, but he disliked and distrusted "society"; he would neither entertain it nor be entertained by it. Our mother quotes an argument between him and his eldest son on this point:—

"'Sir,' said my brother, 'you do not keep in view the importance of the social tie.'

"'The social what?' asked my father.

"'The social tie, sir.'

"'I make small account of that,' said the elder gentleman.

"'I will die in defence of it!' impetuously rejoined the younger.

"My father was so amused at this sally that he spoke of it to an intimate friend: 'He will die in defence of the social tie, indeed!'"

Julia's girlhood evenings were mostly spent at home, with books, needlework, and music, varied by an occasional lecture or concert, or a visit to some one of the uncles' houses in the street, which ought, one would think, to have been called "Ward Street," since at this time almost the whole family connection lived there.

Much as Julia loved her home, her books and music, she longed for some of the gayety which her brothers were enjoying. "I seemed to myself," she says, "like a young damsel of olden times, shut up within an enchanted castle. And I must say, that my dear father, with all his noble generosity and overweening affection, sometimes appeared to me as my jailer."

Once she expostulated with him, begging to be allowed more freedom in going out, and in receiving visits from the friends of her brothers. It may have been on the occasion when he refused to allow the late Louis Rutherford, of venerated memory, to be invited to the house, "because he belonged to the fashionable world."

Her father told her that he had early recognized in her a temperament and imagination over-sensitive to impressions from without, and that his wish had been to guard her from exciting influences until she should appear to him fully able to guard and guide herself.

Alas! the tender father meant to cherish a vestal flame in a vase of alabaster; in reality, he was trying to imprison the lightning in the cloud. When our mother wrote the words above quoted, on the power of music over sensitive natures, she was recalling these days, and perhaps remembering how, denied the society of her natural mates, her sixteen-year-old heart went out in sympathy and compassion to the young harper who came to take part in the trios and quartets, and who fell desperately in love with her and was summarily dismissed in consequence.

Yet who shall say that the father's austere régime did not after all meet a need of her nature deeper than she could possibly have realized at the time; that the long, lonely hours, the study often to weariness,—though never to satiety,—the very fires of longing and of regret, were not necessary to give her mind that temper which was to make it an instrument as strong as it was keen?

The result of this system was not precisely what Mr. Ward had expected. One evening (it was probably after the marriage of his eldest son to Emily Astor, when he joined perforce in the festivities of the time) he did actually take Julia to an evening party. She did not dance, but she was surrounded by eager youths all the evening, and when her father summoned her to go home, she was deep in talk with one of them. There was no disobeying the summons; as she turned to take her father's arm, Miss Julia made a little gesture of farewell, fluttering the fingers of her right hand over her shoulder, to cheer the disconsolate swain. Mr. Ward appeared unconscious of this, but a day or two later, on leaving the room where Julia was sitting, he said: "My daughter,—" and fluttered his fingers over his shoulder in precise mimicry of her gesture.

Another anecdote describes an occasion singularly characteristic of both father and daughter.

Julia was nineteen years old, a woman grown, feeling her womanhood in every vein. She had never been allowed to choose the persons who should be invited to the house: she had never had a party of her own. The different strains in her blood were singularly diverse. All through her life Saxon and Gaul kept house together as peaceably as they might, but sometimes the French blood boiled over.

Calling her brothers in council, she told them that she was going to give a party; that she desired their help in making out lists, etc., but that the occasion and the responsibility were to be all her own. The brothers demurred, even Sam being somewhat appalled by the prospect; but finding her firm, they made out a list of desirable guests, of all ages. It was characteristic of her that the plan once made, the resolve taken, it became an obsession, a thing that must be done at whatever cost.

She asked her father if she might invite a few friends for a certain evening: he assented. She engaged the best caterer in New York; the most fashionable musicians; she even hired a splendid cut-glass chandelier to supplement the sober lighting of the yellow drawing-room.

The evening came: Mr. Ward, coming downstairs, found assembled as brilliant a gathering as could have been found in any other of the great houses of New York. He betrayed no surprise, but welcomed his guests with charming courtesy, as if they had come at his special desire; the music sounded, the young people danced, the evening passed off delightfully, to all save the young hostess. She, from the moment when the thing was inevitable, became as possessed with terror as she had been with desire. She could think of nothing but her father's displeasure, of the words he might speak, the glances he might cast upon her. During the whole evening, the cup of trembling was at her lips.

The moment the last guest had departed, the three brothers gathered round her. "We will speak to him!" they cried. "Let us speak to him for you!"

"No!" said Julia, "I must go myself."

She went at once to the room where her father sat alone. For a moment she could find no words; but none were needed. Gravely but kindly Mr. Ward said he was surprised to find that her idea of "a few friends" differed so widely from his own; he was sorry she had not consulted him more freely, and begged that in the future she would do so. Then he kissed her good-night with his usual tenderness, and it was over. The matter was never mentioned again.

The Wards continued to pass the summers at Newport, but no longer at good Jacob Bailey's farmhouse. Mr. Ward had bought a house in town, which a later generation was to know as "The Ashurst Cottage," on the corner of Bellevue Avenue and Catherine Street.

Here the severity of his rule relaxed somewhat, and the pretty house became the centre of a sober hospitality. Indeed, Newport was a sober place in those days. There were one or two houses where dancing was allowed, but these were viewed askance by many people.

One evening, a dancing party was given by a couple on Bellevue Avenue. They had a manservant named Salathiel, a person of rigid piety. When supper-time came, Salathiel was not to be found. The other servants, being questioned, said that he had rushed suddenly out of the house, crying, "I won't stay to see those people dancing themselves to hell!"

Though Julia might not dance, except at home, she might and did ride; first, with great contentment, on a Narragansett pacer, "Jeanie Deans," later on a thoroughbred mare, a golden bay named Cora. Cora was beautiful but "very pranky." After being several times run away with and once thrown off, it was observed by her sisters that Julia generally read her Bible and said her prayers before her ride: she has herself told us how, after being thrown off and obliged to make her way home on foot, she would creep in at the back door so that no one might see her.