P.P.S.: Shame on me: if I am mad, let it not be with jealousy. He has just telephoned (I’m back indoors now), not from his camera obscura but from the county hospital next door. The crisis, it develops, is not alone with Mensch Masonry, Inc. — which however is beset by problems enough — but with Ambrose and Peter’s mother, who underwent mastectomy last year but whose cancer has evidently metastasized and brought her down again, in all likelihood terminally. It is time, he suggests, I met what remains of his family: he has spoken of me to his brother, to l’Abruzzesa, to the D. D’d D. He would have his mother meet the potential mother of a grandchild she will never see (May she live forever and not see it!). Tomorrow, as Apollo-10 takes off to orbit the moon, I am to visit the hospital, then take lunch en famille at Mensch’s Castle! I am nervous as a new bride; they will think me too old for him; it is all madness.
P.P.P.S.: Bent on locking the barn door after the horse is stolen, I go belatedly to douche — and find as it were the barn door stolen too! My pessary of pages past (I believe you call them diaphragms?) is vanished from its perch above the aspirin, nor can I find it anywhere upon the premises. What amorous tyranny is this? And why does it excite (as well as truly annoy) your surely (but not yet entirely) demented
G.?
E: Lady Amherst to the Author. Her introduction to the Menschhaus.
24 L, 24 May
J.,
Even as I imagined this time last week, A.‘s #4 was his ex, present whereabouts unknown, mother of the d. d’d daughter, for whom I gather she shucked responsibility two years past when they shucked their marriage. Who am I to criticise, who did not assume my own responsibility in the first place? Nor shall I presume to judge the marriage: not only is one chap’s meat another’s poison, but what nourishes at twenty may nauseate at forty, and vice versa.
It was her name, Ambrose now maintains, most drew him to her twenty years ago, when he was an undergraduate apprentice and she a young typist at his university. Marsha Blank, mind and character to match, descended from a presumably endless line of Blanks going back to nowhere. So declares our not entirely reliable narrator, adding that she was possessed of a fetching figure and a face with the peculiar virtue of being so regularly, generally pretty as to defy particular description, even by a young writer whose then ambition it was to render the entire quotidian into prose. A. claims he cannot so much as summon her features to memory; never could in their seventeen years together; that her comeliness was at once considerable and, precisely, nondescript. And her personality matched her face; and there she sat, nine-to-fiving those reams of empty paper through her machine day after day, like a stenographic Echo, giving back the words of others at 25¢ the page plus 5¢ the carbon. Thither strayed my lover, who claims to have set himself even then the grand objective, since receipt of that wordless message nine years previously, of filling in the whole world’s blanks. In hand—longhand — was his virgin effort in the fiction way: the tale of a latter-day Bellerophon lost in the Dorchester marshes, “far from the paths of men, devouring his own soul,” who receives a cryptic message washed up in a bottle…
Voilà: a marriage made in the heaven of self-reflexion. Our Narcissus claims to have glimpsed at first sight of her the centre of this typist’s soul, unconscious counterpart of his conscious own: what nature abhors and “Arthur Morton King” finds irresistible. But we remember too that this was 1949: my lover has wound up — better, has been wound down by — his sexual calisthenics with young Jeannine Mack and is endeavouring to curb, for his brother’s sake, his reawakened love for l’Abruzzesa, now wed to Peter Mensch and big with the twins she will give birth to ere the year is out. Harry Truman is back in the White House (and Jane Mack is misbehaving with my Jeffrey in Paris, whilst I finish my edition of Germaine de Staël’s correspondence and am flirted with by Evelyn Waugh); American college campuses are burgeoning with married veterans of the Second War, educating themselves and supporting their families in prefab villages on the G.I. Bill of Rights: they set the style, for younger male undergraduates like Ambrose, of marrying very early, at eighteen and nineteen and twenty, and promptly engendering children upon their late-adolescent brides…
But why am I telling you this, who not only were there then but had been my lover’s fellow labourer upon the Lighthouse project that same sexual summer? Because, of course, it’s all news to me, disclosed since Sunday last, when I met the Mensch ménage “on location”: i.e., in that same Lighthouse — now cracked as the House of Usher and out of plumb like the Pisan campanile — and the adjacent county hospital, where the last of the pre-Ambrosian generation of Mensches lies a-wasting of the family cancer.
To deal first and lightly with that pitiable person, whom nature is dealing with so hardly: Andrea King was her maiden name; she descends from the King family of nearby Somerset County, whose ancestors a century and a half ago conspired on behalf of their friend Jérôme Bonaparte to spirit Napoleon from St Helena to Maryland. From her (and the possibly fancied ambiguity of his siring) Ambrose takes his fanciful nom de plume, as well as his love for word games. From her the surgeons last summer took the seventy-year-old breast my lover once suckled beneath a swarm of golden bees. Andrea herself made this connexion, remarking further (which delighted Ambrose) that just as all the bees but one had been removed by Grandfather Mensch on that momentous occasion, and the one he’d missed had stung her, so now etc., and here she was: it took only one. Did I happen to know the British word for the terminal character of the alphabet, three letters beginning with z?
That was about the limit of her interest in Yours Truly, for which (limit) I was grateful. She had been something of a beauty, Ambrose told me; several men besides his late father had loved her. A neighbour had driven himself to drink on her account; her husband’s brother — Ambrose’s late Uncle Karl — had perhaps slept with her (intramural adultery seems a family custom!), was not impossibly Ambrose’s begetter, or his brother Peter’s… All dead now: the neighbour by his own hand, the uncle of liver cancer, the father — who on an evil day first proposed the Tower of Truth to Harrison Mack and John Schott — of a brain tumour. And their femme fatale now potbellied, shrunken, half deaf, gone in the teeth — a sweetless hive of swarming cells, not expected to survive the summer. Crude and blasted as she was, I rather liked her: some tough East Anglian country stock showed through. She was in pain; feared she’d need drugging before she finished the puzzle in that day’s Times.
“Zed,” her son suggested.
We then adjourned to Mensch’s Castle, Folly, Leuchtturm, whatever, where I was to meet and lunch with his brother, with his twin niece and nephew, with his dear damaged daughter, and with the first, third, and fifth loves of his life: Magda Giulianova. I was in no great haste, am in none now, to get to her, whom I fancied watching us through that camera obscura as we crossed from the hospital toward the Menschhaus. We toured the grounds, yclept Erdmann’s Cornlot after its former use and owner: a square of zoysia grass landscaped with azaleas, roses, mimosa, weeping willows, and well-tended grapevines, fronting on the Choptank. Where once had been a seawall on the river side is now a brand-new sandy point, whereof here is the sorry history:
Were you aware, when you worked that summer for Mensch Masonry, of the fraud Peter Mensch’s house was being built on? The poor chap had been left a small sum by another uncle (cancer of the skin) and resolved to build a house for the family, whose fortunes were as always parlous. He bought Erdmann’s Cornlot, went off to war, and left the job of construction to the family firm — which is to say, to the liver-cancered uncle and the brain-tumoured father, who (the latter in particular was, it seems, a cranky rascal) proceeded to shortchange their benefactor at every opportunity. The seawall had been protected by riprap of quarried stone: this they removed to complete the repairing of the hospital’s seawall, itself crumbling because some years earlier they’d removed its riprap for other purposes! The footings for Peter’s house were laid to skimpier specifications than he’d called for; the mortar you mixed that summer was systematically overloaded with sand, to save money; the stone used for construction was that same riprap removed from before the hospital wall, still too barnacled and mossed to bond properly with the mortar, especially with that mortar. Ambrose knew of these things (which he now candidly rehearses as we stroll the grounds) and loved his brother, but could not protest—did not protest — because of his own sore culpability: his virgin tryst and subsequent occasional coupling with La Giulianova, which he believed Mensch père to have espied!