Spruce Harbor, Maine, 2011

Walking back to the car, Molly sees Jack through the windshield, eyes closed, grooving out to a song she can’t hear.

“Hey,” she says loudly, opening the passenger door.

He opens his eyes and yanks the buds out of his ears. “How’d it go?”

She shakes her head and climbs in. Hard to believe she was only in there for twenty minutes. “Vivian’s an odd one. Fifty hours! My God.”

“But it’s going to work out?”

“I guess so. We made a plan to start on Monday.”

Jack pats her leg. “Awesome. You’ll knock out those hours in no time.”

“Let’s not count our chickens.”

She’s always doing this, crabbily countering his enthusiasm, but it’s become something of a routine. She’ll tell him, “I’m nothing like you, Jack. I’m bitchy and spiteful,” but is secretly relieved when he laughs it off. He has an optimistic certainty that she’s a good person at her core. And if he has this faith in her, then she must be all right, right?

“Just keep telling yourself—better than juvie,” he says.

“Are you sure about that? It’d probably be easier to serve my time and get it over with.”

“Except for that small problem of having a record.”

She shrugs. “That’d be kind of badass, though, don’t you think?”

“Really, Moll?” he says with a sigh, turning the ignition key.

She smiles to let him know she’s kidding. Sort of. “‘Better than juvie.’ That would make a good tattoo.” She points to her arm. “Right here across my bicep, in twenty-point script.”

“Don’t even joke,” he says.

DINA PLUNKS THE SKILLET OF HAMBURGER HELPER ON THE TRIVET in the middle of the table and sits heavily in her chair. “Oof. I’m exhausted.”

“Tough day at work, huh, babe?” Ralph says, as he always does, though Dina never asks him about his day. Maybe plumbing isn’t as exciting as being a police dispatcher in thrill-a-minute Spruce Harbor. “Molly, hand me your plate.”

“My back is killing me from that crappy chair they make me sit in,” Dina says. “I swear if I went to a chiropractor, I’d have a lawsuit.”

Molly gives her plate to Ralph and he drops some casserole on it. Molly has learned to pick around the meat—even in a dish like this, where you can hardly tell what’s what and it’s all mixed together—because Dina refuses to acknowledge that she’s a vegetarian.

Dina listens to conservative talk radio, belongs to a fundamentalist Christian church, and has a “Guns don’t kill people—abortion clinics do” bumper sticker on her car. She and Molly are about as opposite as it is possible to be, which would be fine if Dina didn’t take Molly’s choices as a personal affront. Dina is constantly rolling her eyes, muttering under her breath about Molly’s various infractions—didn’t put away her laundry, left a bowl in the sink, can’t be bothered to make her bed—all of which are part and parcel of the liberal agenda that’s ruining this country. Molly knows she should ignore these comments—“water off a duck’s back,” Ralph says—but they irk her. She’s overly sensitive to them, like a tuning fork pitched too high. It’s all part of Dina’s unwavering message: Be grateful. Dress like a normal person. Don’t have opinions. Eat the food that’s put in front of you.

Molly can’t quite figure out how Ralph fits into all of this. She knows he and Dina met in high school, followed a predictable football player/ cheerleader story arc, and have been together ever since, but she can’t tell if Ralph actually buys Dina’s party line or just toes it to make his life easier. Sometimes she sees a glimmer of independence—a raised eyebrow, a carefully worded, possibly ironic observation, like, “Well, we can’t make a decision on that till the boss gets home.”

Still—all things considered, Molly knows she has it pretty good: her own room in a tidy house, employed and sober foster parents, a decent high school, a nice boyfriend. She isn’t expected to take care of a passel of kids, as she was at one of the places she lived, or clean up after fifteen dirty cats, as she was at another. In the past nine years she’s been in over a dozen foster homes, some for as little as a week. She’s been spanked with a spatula, slapped across the face, made to sleep on an unheated sun porch in the winter, taught to roll a joint by a foster father, fed lies for the social worker. She got her tatt illegally at sixteen from a twenty-three-year-old friend of the Bangor family, an “ink expert-in-training,” as he called himself, who was just starting out and did it for free—or, well . . . sort of. She wasn’t so attached to her virginity anyway.

With the tines of her fork, Molly mashes the hamburger into her plate, hoping to grind it into oblivion. She takes a bite and smiles at Dina. “Good. Thanks.”

Dina purses her lips and cocks her head, clearly trying to gauge whether Molly’s praise is sincere. Well, Dina, Molly thinks, it is and it isn’t. Thank you for taking me in and feeding me. But if you think you can quash my ideals, force me to eat meat when I told you I don’t, expect me to care about your aching back when you don’t seem the slightest bit interested in my life, you can forget it. I’ll play your fucking game. But I don’t have to play by your rules.

Spruce Harbor, Maine, 2011

Terry leads the way to the third floor, bustling up the stairs, with Vivian moving more slowly behind her and Molly taking up the rear. The house is large and drafty—much too large, Molly thinks, for an old woman who lives alone. It has fourteen rooms, most of which are shuttered during the winter months. During the Terry-narrated tour on the way to the attic, Molly gets the story: Vivian and her husband owned and ran a department store in Minnesota, and when they sold it twenty years ago, they took a sailing trip up the East Coast to celebrate their retirement. They spied this house, a former ship captain’s estate, from the harbor, and on an impulse decided to buy it. And that was it: they packed up and moved to Maine. Ever since Jim died, eight years ago, Vivian has lived here by herself.

In a clearing at the top of the stairs, Terry, panting a bit, puts her hand on her hip and looks around. “Yikes! Where to start, Vivi?”

Vivian reaches the top step, clutching the banister. She is wearing another cashmere sweater, gray this time, and a silver necklace with an odd little charm on it.

“Well, let’s see.”

Glancing around, Molly can see that the third floor of the house consists of a finished section—two bedrooms tucked under the slope of the roof and an old-fashioned bathroom with a claw-foot tub—and a large, open attic part with a rough-planked floor half covered in patches of ancient linoleum. It has visible rafters with insulation packed between the beams. Though the rafters and floor are dark, the space is surprisingly light. Levered windows nestle in each dormer, providing a clear view of the bay and the marina beyond.

The attic is filled with boxes and furniture packed so tightly it’s hard to move around. In one corner is a long clothes rack covered with a plastic zippered case. Several cedar chests, so large that Molly wonders how they got up here in the first place, are lined up against a wall next to a stack of steamer trunks. Overhead, several bare bulbs glow like tiny moons.

Wandering among the cardboard boxes, Vivian trails her fingertips across the tops of them, peering at their cryptic labels: The store, 1960–. The Nielsens. Valuables. “I suppose this is why people have children, isn’t it?” she muses. “So somebody will care about the stuff they leave behind.”

Molly looks over at Terry, who is shaking her head with grim resignation. It occurs to her that maybe Terry’s reluctance to take on this project has as much to do with avoiding this kind of maudlin moment as avoiding the work itself.

Glancing surreptitiously at her phone, Molly sees it’s 4:15—only fifteen minutes since she arrived. She’s supposed to stay until six today, and then come for two hours four days a week, and four hours every weekend until—well, until she finishes her time or Vivian drops dead, whichever comes first. According to her calculations, it should take about a month. To finish the hours, not to kill Vivian.