Odell, George C. D., Shakespeare from Betterton to Irving, 2 vols (New York: Scribner, 1920)

Shattuck, Charles H., Shakespeare on the American Stage [Vol. I]: From the Hallams to Edwin Booth (Washington DC: Folger Shakespeare Library, 1976)

—Shakespeare on the American Stage, Vol. 2: From Booth and Barrett to Sothern and Marlowe (London: Associated University Presses, 1987)

Sprague, A. C., Shakespeare and the Actors: The Stage Business in his Plays, 1660-1905 (Cambridge MA: Harvard University Press, 1945; repr. New York: Russell and Russell, 1963)

From 1900

Barton, John, Playing Shakespeare (London: Methuen, 1984)

Berry, Ralph, On Directing Shakespeare: Interviews with Contemporary Directors (London: Hamish Hamilton, 1989)

Brockbank, J. P., Russell Jackson, R. L. Smallwood (eds.), Players of Shakespeare (Cambridge: Cambridge University Press, 1985-)

Brown, John Russell, Shakespeare’s Plays in Performance (London: Edward Arnold, 1966)

—Free Shakespeare (London: Heinemann International, 1974)

—New Sites for Shakespeare: Theatre, the Audience and Asia (London: Routledge, 1999)

Coursen, H. R., Shakespearean Performance as Interpretation (London: Associated University Presses, 1992)

David, Richard, Shakespeare in the Theatre (Cambridge: Cambridge University Press, 1978)

Holland, Peter, English Shakespeares: Shakespeare on the English Stage in the 1990s (Cambridge: Cambridge University Press, 1997)

Hortmann, Wilhelm, Shakespeare on the German Stage: The Twentieth Century (Cambridge: Cambridge University Press, 1998)

Kennedy, Dennis, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, 2nd edn. (Cambridge: Cambridge University Press, 2001)

—(ed.), Foreign Shakespeare: Contemporary Performance (Cambridge: Cambridge University Press, 1993)

Kerr, Heather, Robin Eaden and Madge Mitton (eds.), Shakespeare: World Views (London: Associated University Presses, 1996)

Li, Ruru, Shashibiya: Staging Shakespeare in China (London: Eurospan, 2003)

Mazer, Cary M., Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor MI: UMI Research Press, 1981)

Minami, Ryuta, Ian Carruthers and John Gillies (eds.), Performing Shakespeare in Japan (Cambridge: Cambridge University Press, 2001)

Quince, Rohan, Shakespeare in South Africa: Stage Productions During the Apartheid Era (New York: Peter Lang, 2000)

Rutter, Carol, Clamorous Voices: Shakespeare’s Women Today, ed. Faith Evans (London: The Women’s Press, 1988)

Sasayama, Takashi, J. R. Mulryne and Margaret Shewring (eds.), Shakespeare and the Japanese Stage (Cambridge: Cambridge University Press, 1998)

Sprague, Arthur Colby, and J. C. Trewin, Shakespeare’s Plays Today: Some Customs and Conventions of the Stage (London: Sidgwick & Jackson, 1970)

Styan, J. L., The Shakespeare Revolution: Criticism and Performance in the Twentieth Century (Cambridge: Cambridge University Press, 1977)

Trewin, J. C., Shakespeare on the English Stage 1900-1964 (London: Barrie and Rockliff, 1964)

Worthen, W. B., Shakespeare and the Authority of Performance (Cambridge: Cambridge University Press, 1997)

TV and Film

Ball, Robert Hamilton, Shakespeare on Silent Film: A Strange Eventful History (London: George Allen & Unwin, 1968)

Boose, Lynda E., and Richard Burt (eds.), Shakespeare the Movie: Popularizing the Plays on Film, TV and Video (London: Routledge, 1997)

—Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video and DVD (London: Routledge, 2003)

Buchman, Lorne M., Still in Movement: Shakespeare on Screen (Oxford: Oxford University Press, 1991)

Bulman, J. C., and H. R. Coursen (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (London: University Press of New England, 1988)

Burnett, Mark Thornton, and Ramona Wray (eds.), Shakespeare, Film, Fin de Siècle (Basingstoke: Macmillan, 2000)

Burt, Richard, Unspeakable Shaxxxspeares: Queer Theory and American Kiddie Culture (New York: St Martin’s Press, 1998)

Collick, John, Shakespeare, Cinema and Society (Manchester: Manchester University Press, 1989)

Coursen, H. R., Shakespeare in Production: Whose History? (Athens OH: University of Ohio Press, 1996)

Crowl, Samuel, Shakespeare Observed: Studies in Performance on Stage and Screen (Athens OH: University of Ohio Press, 1992)

Davies, Anthony, Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and (Cambridge: Cambridge University Press, 1988)

—and Stanley Wells (eds.), Shakespeare and the Moving Image: The Plays on Film and Television (Cambridge: Cambridge University Press, 1994)

Donaldson, Peter S., Shakespearean Films/Shakespearean Directors (Boston MA: Unwin Hyman, 1990)

Jackson, Russell (ed.), The Cambridge Companion to Shakespeare on Film (Cambridge: Cambridge University Press, 2000)

Jorgens, Jack J., Shakespeare on Film (Bloomington IN: Indiana University Press, 1977)

McKernan, Luke, and Olwen Terris (eds.), Walking Shadows: Shakespeare in the National Film and Television Archive (London: British Film Institute, 1994)

Manvell, Roger, Shakespeare and the Film (London: Dent, 1971)

Pilkington, Ace G., Screening Shakespeare: From ‘Richard II’ to ‘Henry V’ (London: Associated University Presses, 1991)

Rosenthal, Daniel, Shakespeare on Screen (London: Hamlyn, 2000)

Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television, 2nd edn. (Cambridge: Cambridge University Press, 2004)

—and Annabelle Henkin Melzer (eds.), Shakespeare on Screen: An International Filmography and Videography (London: Mansell, 1990)

Shaughnessy, Robert (ed.), Shakespeare on Film, New Casebooks (Basingstoke: Macmillan, 1998)