—‘Shakespeare’, in D. C. Greetham (ed.), Scholarly Editing: A Guide to Research (New York: MLA, 1995)

West, Anthony James, The Shakespeare First Folio: The History of the Book, Vols I- (Oxford: Oxford University Press, z oo r-)

Wilson, F. P., Shakespeare and the New Bibliography, rev. and ed. Helen Gardner (Oxford: Clarendon Press, 1970)

Performance

Bate, Jonathan, and Russell Jackson (eds.), Shakespeare: An Illustrated Stage History (Oxford: Oxford University Press, I996)

Bevington, David M., Action is Eloquence: Shakespeare’s Language of Gesture (Cambridge MA: Harvard University Press, 1984)

Bulman, James C., Shakespeare, Theory and Performance (London: Routledge, 1996)

Hill, Errol, Shakespeare in Sable: A History of Black Shakespearean Actors (Amherst MA: University of Massachusetts Press, 1984)

Hodgdon, Barbara, The Shakespeare Trade: Performances and Appropriations (Philadelphia PA: University of Pennsylvania Press, 1998)

Howard, Jean E., Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (Urbana IL: University of Illinois Press, 1984)

Joseph, Bertram, Acting Shakespeare, 2nd rev. edn. (New York: Theatre Arts Books, 1969)

Salgado, Gamini, Eyewitnesses of Shakespeare: First-Hand Accounts of Performances 1590-1890 (London: University of Sussex Press for Chatto & Windus, 1975)

Shattuck, Charles H., The Shakespeare Promptbooks: A Descriptive Catalogue (Urbana IL: University of Illinois Press, 1965)

Shaughnessy, Robert (ed.), Shakespeare in Performance, New Casebooks (Basingstoke: Macmillan, 2000)

Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearian Performance (London: Collins, 1973)

Sprague, A. C., The Doubling of Parts in Shakespeare’s Plays (London: Society for Theatre Research, 1966)

Stern, Tiffany, Making Shakespeare from Stage to Page (London: Routledge, 2004)

Styan, J. L., Shakespeare’s Stagecraft (Cambridge: Cambridge University Press, 1967)

Wells, Stanley (ed.), Shakespeare in the Theatre: An Anthology of Criticism (Oxford: Clarendon Press, 1997)

—and Sarah Stanton (eds.), The Cambridge Companion to Shakespeare on Stage (Cambridge: Cambridge University Press, 2002)

Williams, Simon, Shakespeare on the German Stage, Vol. I: 1586-1914 (Cambridge: Cambridge University Press, 1990)

Shakespeare’s playhouse

Baldwin, T. W., The Organisation and Personnel of the Company (Princeton NJ: Princeton University Press, 1927; repr. New York: Russell and Russell, 1961)

Barroll, J. Leeds, Politics, Plague and Shakespeare’s Theater: The Stuart Years (Ithaca NY: Cornell University Press, rpp r)

Beckerman, Bernard, Shakespeare at the Globe, 1599-1609 (New York: Macmillan, 1962)

Bentley, G. E., The Jacobean and Caroline Stage, 7 vols (Oxford: Clarendon Press, 1941-68)

—The Profession of Dramatist in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1971)

—The Profession of Player in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1984)

Berry, Herbert, Shakespeare’s Playhouses (New York: AMS, 1987)

Chambers, E. K., The Elizabethan Stage, 4 vols (Oxford: Clarendon Press, 1923)

Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576-1642 (Princeton NJ: Princeton University Press, 1981)

Dessen, Alan C., Recovering Shakespeare’s Theatrical Vocabulary (Cambridge: Cambridge University Press, 1995)

—and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580-1642 (Cambridge: Cambridge University Press, 1999)

Gurr, Andrew, The Shakespearean Stage 1574-1642, 3rd edn. (Cambridge: Cambridge University Press, 1992)

—Playgoing in Shakespeare’s London, 3rd edn. (Cambridge: Cambridge University Press, 2004)

—The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)

—The Shakespeare Company 1594-1642 (Cambridge: Cambridge University Press, 2004)

—with John Orrell, Rebuilding Shakespeare’s Globe (London: Weidenfeld & Nicolson, 1989)

Hodges, C. Walter, Shakespeare’s Second Globe, the Missing Monument (London: Oxford University Press, 1973)

King, T. J., Shakespearian Staging, 1599-1642 (Cambridge MA: Harvard University Press, 1971)

—Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642 (Cambridge: Cambridge University Press, 1992)

Knutson, Roslyn Lander, The Repertory of Shakespeare’s Company 1594-1613 (Fayetteville AR: University of Arkansas Press, 1991)

Linthicum, M. Channing, Costume in the Drama of Shakespeare and His Contemporaries (Oxford: Clarendon Press, I936)

Montrose, Louis Adrian, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre (Chicago IL: University of Chicago Press, 1996)

Mulryne, J. R., and Margaret Shewring (eds.), Shakespeare’s Globe Rebuilt (Cambridge: Cambridge University Press, 1997)

Nungezer, Edwin, A Dictionary of Actors and Other Persons Associated with the Public Presentation of Plays in England before 1642 (New Haven CT: Yale University Press, 1929)

Orrell, John, The Quest for Shakespeare’s Globe (Cambridge: Cambridge University Press, 1983)

Thomson, Peter, Shakespeare’s Professional Career (Cambridge: Cambridge University Press, 1992)

—Shakespeare’s Theatre, 2nd edn. (London: Routledge, 1992)

Wiles, David, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge: Cambridge University Press, 1987)

1700-1900

Foulkes, Richard (ed.), Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986)

Hogan, Charles Beecher, Shakespeare in the Theatre, 1701- 1800, 2 vols (Oxford: Clarendon Press, 1952-7)

Hughes, Alan, Henry Irving, Shakespearean (Cambridge: Cambridge University Press, 1981)