“Noble? They lied to me. Said I was a pioneer.”

“And would you have been happier if you knew you were a slave?” Mickey asks. “No. None of the billion lowReds beneath Mars would be happy if they knew what the highReds knew—that they are slaves. So is it not better to lie?”

“It is better to not make slaves.”

When I am ready, he inserts a forceGenerator into my sleeping tube to simulate increased gravity on my frame. I’ve never known pain like this. My body aches. My bones and skin and muscles scream against the pressure and the change till I’m on medication that turns the scream into a dull forever-moan.

I sleep for days. I dream of home and family. Every night I wake after seeing Eo hang yet again. She sways across my mind. I miss her warmth in bed beside me, even though they give me an HC immersion mask for distraction.

Gradually, I am weaned from the pain medication. My muscles still aren’t used to the density of my bones, so my existence becomes a melodic ache. They begin to feed me real food. Mickey sits on the edge of my cot stroking my hair well into the nights. I don’t care that his fingers feel like spider legs. I don’t care that he thinks I am some piece of art, his art. He gives me something called a hamburger. I love it. Red meats and thick creams and breads and fruits and vegetables make my diet. I have never eaten so well.

“You need the calories,” Mickey coos. “You have been so strong for me; eat well. You deserve this food.”

“How am I doing?” I ask.

“Oh, the hard parts are over, my darling. You are a brilliant boy, you know. They have shown me the tapes from the other procedures where other Carvers tried this. Oh, how clumsy the other Carvers were, how weak the other subjects. But you are strong and I am brilliant.” He taps my chest. “Your heart is like that of a stallion’s. I’ve never glimpsed one like it before. You were bitten by a pitviper when you were young, I assume?”

“I was. Yes.”

“I thought so. Your heart had to adjust to counteract the effects of the poison.”

“My uncle sucked most of the poison out when I was bitten,” I say.

“No,” Mickey laughs. “That’s a myth. The poison cannot be sucked out. It still runs through your veins, forcing your heart to be strong if you want to continue to live. You are something special, just like me.”

“Then I will not die in here?” I manage.

Mickey laughs. “No! No! We are beyond that now. There will be pain. But we are past the threat of mortality. Soon we will have made man into god. Red into Gold. Even your wife would not recognize you.”

That is all I’ve ever feared.

When they take my eyes and give me ones of gold, I feel dead inside. It’s a simple matter of reconnecting the optic nerve to the “donor’s” eyes, Mickey says. A simple thing he’s done a dozen times for cosmetic purposes; the hard part was the frontal lobe surgery, he says. I disagree. There is the pain, yes. But with the new eyes, I see things I once could not. Elements are clearer, sharper, and more painful to bear. I hate this process. All it is is a confirmation of the superiority of the Golds. It takes all this to make me their physical equal. No wonder we serve them.

It’s not mine. None of this is mine. My skin is too soft, too lustrous, too faultless. I don’t know my body without scars. I don’t know the back of my own hands. Eo would not know me.

Mickey takes my hair next. Everything is changed.

It is weeks of physical therapy. Walking slowly around the room with Evey, the winged girl, I’m left to my own thoughts. Neither one of us cares much to speak. She has her demons and I have mine, so we are quiet and calm except when Mickey comes to coo about what pretty children we would make together.

One day, Mickey even brings an antique zither for me, with a soundboard of wood instead of plastic. It is the kindest thing he’s ever done. I do not sing, but I play the solemn songs of Lykos. The traditional ones of my clan that no one beyond the mine will ever have heard. He and Evey sit with me sometimes, and though I think Mickey a wretched sort of creature, I feel as though he understands the music. Its beauty. Its importance. And afterward, he says nothing. I like him then, too. At peace.

“Well, you’re a bit sterner than I first measured,” Harmony says to me one morning as I wake.

“Where have you been?” I ask, opening my eyes.

“Finding donors.” She flinches as she sees my irises. “The world does not stop because you are here,” she says. “We had work to do. Mickey says you can walk?”

“I am growing stronger.”

“Not strong enough,” she surmises, looking me over. “You look like a baby giraffe. I’ll fix that.”

Harmony takes me beneath Mickey’s club to a grungy gymnasium lit by sulfurous bulbs. I like the feel of the cold stone on my bare feet. My balance has returned, and it is a good thing, because Harmony does not offer me her arm; instead, she waves to the center of the dark gymnasium.

“We bought these for you,” Harmony says.

She points to two devices in the center of the dark space. The contraptions are silver and remind me of the suits knights wore in past centuries. The armor hangs suspended between two metal wires. “They are concentraction machines.”

I slide my body into the machine. Dry gel hugs my feet, my legs, my torso and arms and neck, till only my head is free. The machine is built to resist my movements, yet it responds even to the tiniest stimuli. The idea of building muscle is to exercise it, which is nothing more than using the muscle intensely enough to create microscopic tears in the tissue fiber. This is the pain one feels in the days after an intense workout—torn tissue—not lactic acid. When the muscle repairs the tears, it builds on itself. This is the process the concentraction machine is built to facilitate. It is the devil’s own invention.

Harmony slides the device’s faceplate over my eyes.

My body is still in the gym, but I see myself moving across the rugged landscape of Mars. I’m running, pumping my legs against the concentraction machine’s resistance, which increases according to Harmony’s mood or the location of the simulation. Sometimes I venture to the jungles of Earth, where I race panthers through the underbrush, or I take to the pocked surface of Luna before it was populated. But always I return home to Mars to run across its red soil and jump over its violent ravines. Harmony sometimes accompanies me in the other machine so I have someone to race.

She pushes me hard, and sometimes I wonder if she’s trying to break me. I don’t let her.

“If you’re not vomiting during a workout, you’re not trying,” she says.

The days are excruciating. My body is a misery of aches from the arches of my feet to the back of my neck. Mickey’s Pinks massage me every day. There is no better pleasure in the world, but three days after beginning my training with Harmony, I wake up vomiting in my bed. I shiver and shake and hear cursing.

“There’s a science to this, you wicked little witch,” Mickey is shouting. “He will be a work of art, but not if you pour water on the paint before it’s set. Do not ruin him!”

“He must be perfect,” Harmony says. “Dancer, if he is weak in any way, the other children will butcher him like a freshmade drillBoy.”

“You are butchering him!” Mickey whines. “You are ruining him! His body cannot handle the muscle breakdown.”

“He has not objected to the treatment,” Harmony reminds him.

“Because he does not know he can object!” Mickey says. “Dancer, she has no understanding of the biomechanics involved in this. Do not let her ruin my boy.”

“He is not your boy!” Harmony sneers.

Mickey’s voice becomes softer. “Dancer, Darrow is like a stallion, one of the old stallions of Earth. Beautiful beasts that will run as hard as you push them. They will run. And run. And run. Until they don’t. Until their hearts explode.”