The girl, who sits in the middle, must read her feelings, because she smiles and says, "Don't worry, this isn't a test—we just want to help you find where you'll fit in here." It's an odd thing to say, since not fitting in is every Unwinds problem.

Risa takes a deep breath. "I was a music student at StaHo," she says, then immediately regrets telling them she's from a state home. Even among Unwinds there's prejudice and pecking orders. Sure enough, Starboard leans back, crossing his arms in clear disapproval, but the port-side boy says: "I'm a Ward too. Florida StaHo 18."

"Ohio 23."

"What instrument do you play?" the girl asks.

"Classical piano."

"Sorry," says Starboard. "We've got enough musicians, and none of the planes came with a piano."

"'Survival has earned me the right to be respected,'" Risa says. "Isn't that one of the Admiral's rules? I don't think he'd like your attitude."

Starboard squirms. "Can we just get on with this?"

The girl offers an apologetic grin. "As much as I hate to admit it, in the here and now, there are other things we need before a virtuoso. What else can you do?"

"Just give me a job and I'll do it," Risa says, trying to get this over with. "That's what you're going to do anyway, right?"

"Well, they always need help in the galley," says Starboard. "Especially after meals."

The girl gives Risa a long, pleading look, perhaps hoping that Risa will come up with something better for herself, but all Risa says is "Fine. Dishwasher. Am I done here?"

She turns to leave, doing her best to douse her disgust. The next kid comes in as she's heading out. He looks awful. His nose is swollen and purple. His shirt is caked with dried blood, and both his nostrils have started bleeding fresh.

"What happened to you?"

He looks at her, sees who it is, and says, "Your boyfriend— that's what happened to me. And he's gonna pay."

Risa could ask him a dozen questions about that, but the kid's bleeding all over his shirt, and the first priority is to stop it. He tips his head back.

"No," Risa tells him. "Lean forward, otherwise you'll gag on your own blood."

The kid listens. The tribunal of three come out from behind their desk to see what they can do, but Risa has it under control.

"Pinch it like this," she tells him. "You need to be patient with this kind of thing." She shows the kid exactly how to pinch his nose to stem the flow of blood. Then, once the bleeding stops, Port-side comes over to her and says, "Nice work."

She's immediately promoted from dishwasher to medic. Funny, but it's indirectly Connor's doing, since he's the one who broke that kid's nose in the first place.

As for the kid with the bloody nose, he gets assigned to dish washing.

* * *

The first few days, actually trying to act like a medic without any real training is terrifying. There are other kids in the medical jet who seem to know a lot more, but she quickly comes to realize they were thrown into this just like she was, when they first arrived.

"You'll do fine. You're a natural," the senior medic, who is all of seventeen, tells her. He's right. Once she gets used to the idea, handling first aid, standard illnesses, and even suturing simple wounds becomes as familiar to her as playing the piano. The days begin to pass quickly, and before she realizes it, she's been there a month. Each day that goes by adds to her sense of security. The Admiral was an odd bird, but he'd done something no one else had been able to do for her since she'd left StaHo. He'd given her back her right to exist.

34 Connor

Like Risa, Connor finds his niche by accident. Connor never considered himself mechanically capable, but there are few things he can stand less than a bunch of morons standing around looking at something that doesn't work and wondering who's going to fix it. During that first week, while Risa's off learning how to be an exceptionally good fake doctor, Connor decides to figure out the workings of a fried air-conditioning unit, then find replacement parts from one of the junk piles and get it working again.

He soon comes to realize it's the same way with every other broken thing he comes across. Sure, it began with trial and error, but the errors become fewer and fewer as the days go by. There are plenty of other kids who claim to be mechanics, and are really good at explaining why things won't work. Connor, on the other hand, actually fixes them.

It quickly gets him reassigned from trash duty to the repair crew, and since there are endless things to repair, it keeps his mind off of other things . . . such as how little he gets to see Risa in the Admiral's tightly structured world . . . and how quickly Roland is advancing through the social ranks of the place.

Roland has managed to get himself one of the best assignments in the Graveyard. By working the angles and applying plenty of flattery, he's been taken on as the pilot's assistant. Mostly, he just keeps the helicopter cleaned and fueled, but the assignment reeks of an apprenticeship.

"He's teaching me how to fly it," he overhears Roland tell a bunch of other kids one day. Connor shudders to think of Roland behind the controls of a helicopter, but many kids are impressed by Roland. His age gives him seniority, and his manipulations gain him either fear or respect from a surprising number of others. Roland draws his negative energy from the kids around him, and there are a lot of kids here for him to draw from.

Social manipulation is not one of Connor's strengths. Even among his own team, he's a bit of a mystery. Kids know not to tread on him, because he has a low tolerance for irritation and idiocy. But there's no one they'd rather have on their side than Connor.

"People like you because you've got integrity," Hayden tells him. "Even when you're being an ass."

Connor has to laugh at that. Him? Integrity? There have been plenty of people in Connor's life who would think differently. But on the other hand, he's changing. He's been getting into fewer fights. Maybe it's because there's more room to breathe here than in the warehouse. Or maybe he's been working out his brain enough for it to successfully muscle his impulses into line. A lot of that has to do with Risa, because every time he forces himself to think before acting, it's her voice in his head telling him to slow down. He wants to tell her, but she's always so busy in the medical jet—and you don't just go to somebody and say, "I'm a better person because you're in my head."

She's also still in Roland's head, and that worries Connor. At first Risa had been a tool to provoke Connor into a fight, but now Roland sees her as a prize. Now, instead of using brute strength against her he tries to charm her at every turn.

"You're not actually falling for him, are you?" he asks her one day, on one of the rare occasions he can get her alone.

"I'll pretend you didn't just ask that," she tells him in disgust. Rut Connor has reasons to wonder.

"On that first night here, he offered you his blanket, and you accepted it," he points out.

"Only because I knew it would make him cold."

"And when he offers you his food, you take it."

"Because it means he goes hungry."

It's coolly logical. Connor finds it amazing that she can put her emotions aside and be as calculating as Roland, beating him at his own game. Another reason for Connor to admire her.

* * *

"Work call!"

It happens about once a week beneath the meeting canopy—the only structure in the entire graveyard that isn't part of a plane, and the only place large enough to gather all 423 kids. Work call. A chance to get out into the real world. A chance to have a life. Sort of.