In the distance a golf cart rolls toward them, kicking up a plume of red dust. The crowd falls silent as it approaches. As it comes to a stop, the driver steps out. He's a man with serious scars over half of his face. The man speaks quietly for a moment with Hayden, then addresses the crowd.
It's then that the young Unwind realizes this is not a man but just another kid, one not much older than himself. Perhaps it's the scars on his face that make him look older— or maybe it's just the way he carries himself.
"Let me be the first to welcome you all to the Graveyard," he says. "Officially, my name is E. Robert Milliard. . . ." He smiles. "But everyone calls me Connor."
* * *
The Admiral never returned to the Graveyard. His health would not allow it. Instead, he's at his family's Texas ranch, in the care of a wife who left him years before. Although he's weak and can't get around well anymore, he hasn't changed much. "The doctors say only 25 percent of my heart is still alive," he tells anyone who asks. "It'll do."
What has kept him alive more than anything else is the prospect of Harlan's big party. You could say that those terrifying stories about "Humphrey Dunfee" are true. At last, all his parts have been found, all the recipients have been gathered. But there will be no surgeries here—in spite of the rumors, rebuilding Harlan piece by piece was never the plan. But the Dunfees are putting their son together in the only meaningful way they can.
He's here even now, as the Admiral and his wife step into their garden. He's in the voices of their many party guests, talking and laughing. There are men and women of all ages. Each wears a name tag, but there are no names on those tags. Today, names are unimportant.
RIGHT HAND reads the sticker on one young man's lapel. He couldn't be any older than twenty-five.
"Let me see," says the Admiral.
The man holds out his hand. The Admiral looks it over until he finds a sear between the thumb and forefinger. "I took Harlan fishing when he was nine. He got that sear trying to gut a trout."
And then there's a voice from behind him—another man, a little bit older than the first.
"I remember!" he says. The Admiral smiles. Perhaps the memories are spread out, but they're here—every one of them.
He catches that boy who insists on calling himself Emby milling around at the edge of the garden by himself, wheezing less now that he's finally been put on the proper asthma medication. "What are you doing over here?" the Admiral asks. "You should be over with the others."
"I don't know anybody."
"Yes, you do," says the Admiral. 'You just don't realize it yet." And he leads Emby toward the crowd.
* * *
Meanwhile, in the airplane graveyard, Connor speaks to the new arrivals as they stand outside the jet that brought them here. Connor is amazed that they listen to him. He's amazed that he actually commands their respect. He'll never get used to that.
"You're all here because you were marked for unwinding but managed to escape, and, thanks to the efforts of many people, you've found your way here. This will be your home until you turn seventeen and become a legal adult. That's the good news. The bad news is that they know all about us. They know where we are and what we're doing. They let us stay here because they don't see us as a threat."
And then Connor smiles.
"Well, we're going to change that."
As Connor talks, he makes eye contact with every one of them, making sure he remembers each of their faces. Making sure each of them feels recognized. Unique. Important.
"Some of you have been through enough and just want to survive to seventeen," he tells them. "I don't blame you. But I know that some of you are ready to risk everything to end unwinding once and for all."
"Yeah," screams a kid from the back, and pumping his fist in the air he begins chanting, "Happy Jack! Happy Jack!" A few kids join in, until everyone realizes this is not what Connor wants. The chants quickly die down.
"We will not be blowing up chop shops," he says. "We're not going to feed into their image of us as violent kids who are better off unwound. We will think before we act—and that's going to make it difficult for them. We'll infiltrate harvest camps and unite Unwinds across the country. We'll free kids from buses, before they even arrive. We will have a voice, and we will use it. We will make ourselves heard." Now the crowd can't hold back their cheers, and this time Connor allows it. These kids have been beaten down by life, but there's an energy now in the Graveyard that's beginning to fill each and even' one of them. Connor remembers that feeling. He had it when he first arrived here.
"I don't know what happens to our consciousness when we're unwound," says Connor. "I don't even know when that consciousness starts. But I do know this." He pauses to make sure all of them are listening. "We have a right to our lives!"
The kids go wild.
"We have a right to choose what happens to our bodies!"
The cheers reach fever pitch.
"We deserve a world where both those things are possible— and it's our job to help make that world."
* * *
Meanwhile, excitement is also building at the Dunfee ranch. The buzz of conversations around the garden grows to a roar as more and more people connect. Emby shares his experiences with a girl who has the left match to his right lung. A woman talks about a movie she never saw, with a man who remembers the friends he never saw it with. And as the Admiral and his wife watch, something amazing happens.
The conversations begin to converge!
Like water vapor crystallizing into the magnificent, unique form of a snowflake, the babble of voices coalesces into a single conversation.
"Look over there! He fell off that wall when he was—"
"—six! Yes—I remember!"
"He had to wear a wrist brace for months."
"The wrist still hurts when it rains."
"He shouldn't have climbed the wall."
"I had to—I was being chased by a bull."
"I was so scared!"
"The flowers in that field—do you smell them?"
"They remind me of that one summer—"
"—when my asthma wasn't so bad—"
"—and I felt like I could do anything."
"Anything!"
"And the world was just waiting for me!"
The Admiral grips his wife's arm. Neither can hold back their tears—not tears of sorrow but of awe. If the rest of his heart were to stop now, in this moment, the Admiral would die more content than any man on Earth.
He looks at the crowd and says weakly, "H-Harlan?"
Every eye in the garden turns toward him. A man raises his hand to his throat, touching it gently, and says in a voice that is most definitely Harlan Dunfee's, just a bit older, "Dad?"
The Admiral is so overwhelmed by emotion he cannot speak, and so his wife looks at the man before her, at the people beside her, at the crowd all around her, and she says:
"Welcome home."
* * *
Six hundred miles away, in the airplane graveyard, a girl plays a grand piano sheltered beneath the wing of a battered jet that was once Air Force One. She plays with a rare sort of joy in defiance of her wheelchair, and her sonata lifts the spirits of all the new arrivals. She smiles at them as they go by and continues to play, making it clear that this furnace of a place, full of planes that cannot fly, is more than it seems. It is a womb of redemption for every Unwind, and for all those who fought the Heartland War and lost—which was everybody.