They drove down the right-hand path and eventually came to an open space. The lake was visible through the trunks of white birches. There was a small pier and a mustard-colored boat tied up to it, a simple fishing boat. Next to it was a cozy wooden cabin surrounded by a stand of trees, with a square brick chimney jutting out of the cabin roof. A white Renault van was parked next to the cabin.

“That’s the Haatainens’ cottage,” the old man intoned solemnly. Like a person about to step out into a snowstorm he made sure his cap was on tight, then spit a gob of phlegm onto the ground. Hard-looking phlegm, like a rock.

Tsukuru thanked him. “Let me drive you back to where you left your bicycle. I know how to get here now.”

“No, no need. I’ll walk back,” the old man said, sounding angry. At least that’s what Tsukuru imagined he said. He couldn’t understand the words. From the sound of it, though, it didn’t seem like Finnish. Before Tsukuru could even shake his hand, the man had gotten out of the car and strode away. Like the Grim Reaper having shown a dead person the road to Hades, he never looked back.

Tsukuru sat in the Golf, parked in the grass next to the path, and watched the old man walk away. He then got out of the car and took a deep breath. The air felt purer here than in Helsinki, like it was freshly made. A gentle breeze rustled the leaves of the white birches, and the boat made an occasional clatter as it slapped against the pier. Birds cried out somewhere, with clear, concise calls.

Tsukuru glanced at his watch. Had they finished lunch? He hesitated, but with nothing else to do, he decided it was time to visit the Haatainens. He walked straight toward the cottage, trampling the summer grass as he went. On the porch, a napping dog stood up and stared at him. A little long-haired brown dog. It let out a few barks. It wasn’t tied up, but the barks didn’t seem menacing, so Tsukuru continued his approach.

Probably alerted by the dog, a man opened the door and looked out before Tsukuru arrived. The man had a full, dark blond beard and looked to be in his mid-forties. He was of medium height, with a long neck and shoulders that jutted straight out, like an oversized hanger. His hair was the same dark blond and rose from his head in a tangled brush, and his ears stuck out. He had on a checked short-sleeved shirt and work jeans. With his left hand resting on the doorknob, he looked at Tsukuru as he approached. He called out the dog’s name to make it stop barking.

“Hello,” Tsukuru said in English.

“Konnichi wa,” the man replied.

“Konnichi wa,” Tsukuru replied. “Is this the Haatainens’ house?”

“It is. I’m Haatainen. Edvard Haatainen,” the man replied, in fluent Japanese.

Tsukuru reached the porch steps and held out his hand. The man held his out, and they shook hands.

“My name is Tsukuru Tazaki.”

“Is that the tsukuru that means to make things?”

“It is. The same.”

The man smiled. “I make things too.”

“That’s good,” Tsukuru replied. “I do too.”

The dog trotted over and rubbed its head against the man’s leg, and then, as if it had nothing to lose, did the same to Tsukuru’s leg. Its way of greeting people, no doubt. Tsukuru reached out and patted the dog’s head.

“What kind of things do you make, Mr. Tazaki?”

“I make railroad stations,” Tsukuru said.

“I see. Did you know that the first railway line in Finland ran between Helsinki and Hдmeenlinna? That’s why the people here are so proud of their station. As proud as they are that it’s the birthplace of Jean Sibelius. You’ve come to the right place.”

“Really? I wasn’t aware of that. What do you make, Edvard?”

“Pottery,” Edvard replied. “Pretty small scale compared to railroad stations. Why don’t you come in, Mr. Tazaki.”

“Aren’t I bothering you?”

“Not at all,” Edvard said. He held his hands wide apart. “We welcome anyone here. People who make things are all my colleagues. They’re especially welcome.”

No one else was in the cabin. On the table sat a coffee cup and a Finnish-language paperback left open. He seemed to have been enjoying an after-lunch cup of coffee while he read. He motioned Tsukuru to a chair and sat down across from him. He slid a bookmark into his book, closed it, and pushed it aside.

“Would you care for some coffee?”

“Thank you, I would,” Tsukuru said.

Edvard went over to the coffee maker, poured steaming coffee into a mug, and placed it in front of Tsukuru.

“Would you like some sugar or cream?”

“No, black is fine,” Tsukuru said.

The cream-colored mug was handmade. It was a strange shape, with a distorted handle, but was easy to hold, with a familiar, intimate feel to it, like a family’s warm inside joke.

“My oldest daughter made that mug,” Edvard said, smiling broadly. “Of course, I’m the one who fired it in the kiln.”

His eyes were a gentle light gray, well matched to his dark blond hair and beard. Tsukuru took an immediate liking to him. Edvard looked more suited to the forest and lakeside than to life in the city.

“I’m sure you came here because you needed to see Eri?” Edvard asked.

“That’s right, I came to see Eri,” Tsukuru said. “Is she here now?”

Edvard nodded. “She took the girls for a walk after lunch, probably along the lake. There’s a wonderful walking path there. The dog always beats them home, so they should be back soon.”

“Your Japanese is really good,” Tsukuru said.

“I lived in Japan for five years, in Gifu and Nagoya, studying Japanese pottery. If you don’t learn Japanese, you can’t do anything.”

“And that’s where you met Eri?”

Edvard laughed cheerfully. “That’s right. I fell in love with her right away. We had a wedding ceremony eight years ago in Nagoya, and then moved back to Finland. I’m making pottery full time now. After we got back to Finland, I worked for a while for the Arabia Company as a designer, but I really wanted to work on my own, so two years ago I decided to go freelance. I also teach at a college in Helsinki twice a week.”

“Do you spend all your summers here?”

“Yes, we live here from the beginning of July to the middle of August. There’s a studio nearby I share with some friends. I work there from early morning, but always come back here for lunch. Most afternoons I spend with my family. Taking walks, reading. Sometimes we go fishing.”

“It’s beautiful here.”

Edvard smiled happily. “Thank you. It’s very quiet, and I can get a lot of work done. We live a simple life. The kids love it here too. They enjoy the outdoors.” Along one of the white stucco walls was a floor-to-ceiling wooden shelf lined with pottery he’d apparently made himself, the only decoration in the room. On another wall hung a plain round clock, a compact audio set and a pile of CDs, and an old, solid-looking wooden cabinet.

“About 30 percent of the pottery on those shelves was made by Eri,” Edvard said. He sounded proud. “She has a natural talent. Something innate. It shows up in her pottery. We sell our work in some shops in Helsinki, and in some of them, her pottery’s more popular than mine.”

Tsukuru was a little surprised. This was the first he had ever heard that Kuro was interested in pottery. “I had no idea she was into pottery,” he said.

“She got interested in it after she turned twenty, and after she graduated from college she went back to school, at the Aichi Arts College, in the industrial arts department.”

“Is that right? I mostly knew her when she was a teenager.”

“You’re a friend from high school?”

“Yes.”

“Tsukuru Tazaki.” Edvard repeated the name, and frowned, searching his memory. “You know, I do remember Eri talking about you. You were a member of that really good group of five friends. Is that right?”

“Yes, that’s correct. We all belonged to a group.”