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The Sign of the Psychopath

He stood by the stolen Mercedes as the women loaded the ambassador’s body into the trunk. Heller was watching from the elevator doors, the heavy machine-pistol held in both hands. The terrorist’s swarthy face had closed in on itself, exposing the loosening sutures around his temples. During the hours of violence in the apartment he had gripped his pistol as if masturbating himself to a continuous orgasm. The torment inflicted upon this elderly diplomat had clearly served a purpose known only to Renata and her companions. They had watched the murder with an almost dreamlike calm, as if Heller’s deranged cruelty revealed the secret formulas of a new logic, a conceptualized violence that would transform the air disaster and the car crash into events of loving gentleness. Already they planned an ever-more psychotic series of spectacular adventures — the assassination of the visiting party leader, the hijacking of the plutonium convoy, the reprogramming of ULTRAC to destroy the entire commercial and banking system of the West. These women dreamed of World War III like young mothers crooning over their first pregnancies.

The Sign of the Hypodermic

He watched Dr Vanessa’s reflection in the window of the control room as she adjusted the electrodes on his scalp. Her uncertain hands, with their tremor of guilt and affection, summed up all the uncertainties of this dangerous experiment conducted in the converted television studios. Despite Professor Rotblat’s disapproval, she had become a willing conspirator, perhaps out of some confused hope that he would make his escape, embark from the causeways of his own spinal column and fly away across some interior sky. The television director’s face swam through the heavy glass of the control room. During the previous days, as they set up the experiment in the studio laboratory, Tarrant had begun to hide behind these transparent mirrors, as if uncertain of his own reality. Yet he seemed to sympathize with the need to come to terms with this nightmare world of terrorists and cruise missiles, objects seen in a deformed mirror that might one day be reunited in a more meaningful sequence. Multiplied by the ULTRAC computer, the wave-functions of his hallucinating brain would be transmitted on the nationwide channels and provide a new set of operating formulae for their passage through consciousness. He touched Dr Vanessa’s knee reassuringly as she held the hypodermic to the light.

The Sign of the Vibrator

He listened to the monotonous, insect-like buzz of the elegant machine in Renata’s hand. She lay on her back, muttering some complex masturbatory fantasy to herself, for once unaware of his presence. Was she really convinced by these shudders and gasps of her own sexual fulfilment? Since his return to her apartment he had often reflected that sex offered to any would-be tyrant the easiest and most effective means of political take-over. However, he had made his own choice elsewhere. Within a few days the terrorist groups would attempt to start World War III, and the psychological year would move to its climax. Already the subliminal films were ready to be transmitted through the emergency news bulletins. Relaxed now, he looked down at Renata’s straining thighs and pelvis. By the time the television transmission of this exhausting sex act had reached the nearest stars any curious observers there would assume that she was giving birth to this unpleasant machine, offspring of her marriage with the ULTRAC print-outs.

The Sign of the Cruise Missile

He knelt in front of the television set, waiting for the overdue emergency bulletins. By now the skies over central London should have been filled with helicopters, the streets deafened by the treads of armoured troop carriers, the whole panoply of nuclear alert. Waiting patiently, confident that the logic of the new zodiac would be fulfilled, he stared at the silent screen as Renata lay asleep on the bed. Deep in his mind he dreamed of cruise missiles, launched from the surfacing submarines and heading out across the lonely tundra, following the contours of remote arctic fjords. Soon he would be leaving, glad to abandon this planet to its nightmare games. He had played only a small part in this reductive drama. The true zodiac of these people, the constellations of their mental skies, constituted nothing more than a huge self-destructive machine. Leaving the set, he looked down at the young woman. As he placed his hands around her neck, ready to satisfy the faultless logic of the psychological round, he was thinking only of the cruise missiles.

The Sign of the Astronaut

Through the glass window of the isolation ward he watched Dr Vanessa speaking quietly to Professor Rotblat. Her nervous anxiety when the police returned him to the hospital had given way to no more than a neutral and professional concern. He pressed his elbows against the restraining sheet, thinking of Renata’s bloodied body, with its strangely resistant anatomy that he had tried to arrange into a happier and more meaningful geometry. He knew now that he had been tricked by them all, that there had been no nuclear crisis, and that the subliminal messages had been intended only for himself. Had it all been no more than a fantasy, and was the search for the zodiac imposed upon him unintentionally by his too-sudden release from the hospital? However, Renata’s body remained more than a small clinical embarrassment. One day the murder of this intellectual woman gangster might really seed their society’s destruction. He had been trapped by the zodiac they had urged him to construct, but he had escaped through the side door of this young woman’s death. The great round had come full circle, raised him on its shoulder and returned him to the institution. However, they had made no allowance for a wholly unexpected contingency- his recovery of his sanity, a treasure abducted from the twelve mansions. Now he would leave them, and take the lefthanded staircase to the roof above his mind, and fly away across the free skies of his inner space.

1978

Motel Architecture

Pangborn’s suspicion that someone was hiding in the solarium coincided with the arrival of the young repairwoman. The presence of this smartly uniformed but bored girl rattling her metal valise around his wheelchair so frayed his nerves that at first he made no attempt to find the intruder. Her aggressive manner, the interminable whistling she kept up as she wiped the television screens, and her growing interest in Pangborn were unlike anything he had previously had to deal with.

The uniformed women sent by the company to maintain the services within the solarium had been noted for their silence and efficiency. Looking back at the twelve years he had spent in the solarium, Pangborn could hardly recall a single face. In fact, the absence of any kind of personal identity allowed the young women to carry out their intimate chores. Yet even within the hour of her first visit this new recruit had managed to damage the tuning control of the master screen and unsettle Pangborn with her moody gaze. But for this vague and unsettling criticism of him Pangborn would have identified the intruder far earlier and avoided the strange consequences that were to follow.

At the time he had been sitting in his chair in the centre of the solarium, bathing in the warm artificial light that flowed through the ceiling vents and watching the shower sequence from Psycho on the master screen. The brilliance of this tour de force never ceased to astonish Pangborn. He had played the sequence to himself hundreds of times, frozen every frame and explored it in close-up, separately recorded sections of the action and displayed them on the dozen smaller screens around the master display. The extraordinary relationship between the geometry of the shower stall and the anatomy of the murdered woman’s body seemed to hold the clue to the real meaning of everything in Pangborn’s world, to the unstated connections between his own musculature and the immaculate glass and chromium universe of the solarium. In his headier moments Pangborn was convinced that the secret formulas of his tenancy of time and space were contained somewhere within this endlessly repeated clip of film.