Изменить стиль страницы

Ogden crouched against the wall, only too ready to let the German take command. The young soldier’s recovery in the space of a few days had been remarkable. Though his hands and face retained their albino-like whiteness, he seemed almost to have put on weight. He moved easily around the fire-sill, in complete control of his heavy weapon. The bolt was cocked back, trigger set for automatic fire. A kind of wan smile, an ironic grimace, hung about his cold mouth, as if he too knew that his long wait was about to come to an end.

Ogden nodded encouragingly, holding his shotgun in as military a grip as he could muster. Its fire-power was nothing by comparison with the German’s machine-gun, but it was all he could offer. In some obscure way he felt obligated to this young soldier, and guilty at implicating him in what would in a sense be the last war crime committed during World War II.

‘They’re — Look!’ Ogden ducked behind the parapet, gesturing frantically. The boathouse door had opened, a cracked glass pane throwing a blade of sunlight at them. Ogden lifted himself on to his knees, the flare-pistol in both hands. The German had come to life, moving with professional command, all trace of his injuries forgotten. He adjusted his rear sight, his bandaged shoulder traversing the heavy weapon. Angela and Richard Foster stepped through the door of the boathouse. They paused in the sunlight, Foster casually inspecting the nearby dunes. The shotgun rested on his shoulder, trigger guard clasped around two fingers.

Unnerved for a moment by this aggressive stance, Ogden raised the flare-pistol, cocked the trigger and fired the fat shell into the air over Foster’s head. The pilot looked up at its weak parabola, then ran forward, shouting to Angela as the shell lost height and fell like a dead bird into the calm sea. ‘A dud Angry with himself, Ogden stood up in the embrasure, his head and chest exposed. Raising the shotgun, he fired the left barrel at Foster, who was darting through the dunes little more than a hundred yards from the blockhouse. Beside Ogden the young German was taking aim. The long barrel of the machine-gun followed the running figure. At last he opened fire, the violent noise jarring the parapet. Ogden was standing in the embrasure, happily listening to the roar of the machine-gun, when Richard Foster stood up in the long grass ten yards from the blockhouse and shot him through the chest.

‘Is he…?’

Angela waited in the dim light by the stairway, the collar of her fur coat pressed against her cheeks. Avoiding the body on the floor of the barbette, she watched Foster rest his shotgun against the wall and kneel on the floor.

‘Stand back as far as you can.’ Foster waved her back. He examined the body, then touched the flare-pistol with a blood-stained shoe. He was still shaking, both from fear and from the exhaustion of the past week. By contrast, Angela was completely calm. He noticed that with characteristic thoroughness she had insisted on climbing the stairway.

‘It’s a damn lucky thing he fired that first, I might not have had time otherwise… But where the hell did he find it? And all this other equipment?’

‘Let’s leave and call the police.’ Angela waited, but Foster was still searching the floor. ‘Dick! An hour from now I may not sound very convincing.’

‘Look at this gear — World War II webbing, machine-gun ammunition, primus stove, German phrase-book and all these cans of soup…’

‘He was camping here. I told you it would take a lot to provoke him.’

‘Angela!’ Foster stepped back and beckoned her towards him. ‘Look at him… For God’s sake, he’s wearing a German uniform. Boots, tunic, the whole thing.’

‘Dick!’

As they made their way from the blockhouse, the alarmed figure of Mme Saunier was hurrying along the beach towards them. Foster held Angela’s arm.

‘Now. Are you all right?’

‘Of course.’ With a grimace, Angela picked her way down the grimy concrete steps. ‘You know, he must have thought we were coming ashore. He was always talking about Utah Beach.’

1978

Zodiac 2000

Author’s note

An updating, however modest, of the signs of the zodiac seems long overdue. The houses of our psychological sky are no longer tenanted by rams, goats and crabs but by helicopters, cruise missiles and intra-uterine coils, and by all the spectres of the psychiatric ward. A few correspondences are obvious — the clones and the hypodermic syringe conveniently take the place of the twins and the archer. But there remains the problem of all those farmyard animals so important to the Chaldeans. Perhaps our true counterparts of these workaday creatures are the machines which guard and shape our lives in so many ways — above all, the taurean computer, seeding its limitless possibilities. As for the ram, that tireless guardian of the domestic flock, his counterpart in our own homes seems to be the Polaroid camera, shepherding our smallest memories and emotions, our most tender sexual acts. Here, anyway, is an s-f zodiac, which I assume the next real one will be…

The Sign of the Polaroid

The skies were sliding. Already the first of the television crews had arrived in the hospital’s car park and were scanning the upper floors of the psychiatric wing through their binoculars. He lowered the plastic blind, exhausted by all this attention, the sense of a world both narrowing and expanding around him. He waited as Dr Vanessa adjusted the lens of the cine-camera. Her untidy hair, still uncombed since she first collected him from the patients’ refectory, fell across the view-finder. Was she placing the filter of her own tissues between herself and whatever threatening message the film might reveal? Since Professor Rotblat’s arrival in the Home Office limousine she had done nothing but photograph him obsessively during a range of meaningless activities — studying the tedious Rorschach images, riding the bicycle in the physiology laboratory, squatting across the bidet in her apartment. Why had they suddenly picked him out, an unknown long-term patient whom everyone had ignored since his admission ten years earlier? Throughout his adolescence he had often stood on the roof of the dormitory block and taken the sky into himself, but not even Dr Vanessa had noticed. Pushing back her blonde hair, she looked at him with unexpected concern. ‘One last reel, and then you must pack — the helicopter’s coming for us.’ All night she had sat with him on her bed, projecting the films on to the wall of the apartment.

The Sign of the Computer

He sat at the metal desk beside the podium, staring at the hushed faces of the delegates as Professor Rotbiat gestured with the print-outs. ‘A routine cytoplasmic scan was performed six months ago on the patients of this obscure mental institution, as part of the clinical trials of a new antenatal tranquillizer. Thanks to Dr Vanessa Carrington, the extraordinary and wholly anomalous cell chemistry of the subject was brought to my attention, above all the laevo-rotatory spiral of the DNA helix. The most exhaustive analyses conducted by MIT’s ULTRAC 666, the world’s most powerful computer, confirm that this unknown young man, an orphan of untraceable parentage, seems to have been born from a mirror universe, propelled into our own world by cosmic forces of unlimited power. They also indicate that in opting for its original right-hand bias our biological kingdom made the weaker of two choices. All the ULTRAC predictions suggest that the combinative possibilities of laevo-rotatory DNA exceed those of our own cell chemistry by a factor of 1027. I may add that the ULTRAC programmers have constructed a total information model of this alternative universe, with implications that are both exalting and terrifying for us all..