I did not even see him leave the room, because Hui-sheng and the two maids came back just then, and I was briefly occupied in showing them where to stow her little stock of clothes and belongings. Then, during another little while, I managed totally to forget the evil Achmad and my pitifully decayed Uncle Mafìo and all the other cares that weighed upon me and all the hazards that waited for me beyond this place and this moment—for I was happily engaged in giving to Hui-sheng the deed to herself.
I motioned for her to sit down at a table, which had on it the brushes and arm rest and ink block that the Han use for writing. I unfolded the title paper and laid it before her. I wetted the block to make ink, and brushed some of that onto the engraved surface of my yin, then pressed that firmly on a clear space on the paper, and showed her the mark. She looked at it and then at me, her lovely eyes striving to comprehend what I meant by those actions. I pointed to her, to the mark on the paper, to myself, then made dismissing gestures—the paper is no longer mine, you are no longer mine—and thrust the paper at her.
A great light came into her face. She imitated my gestures of dismissal, and looked questioningly at me, and I nodded definitely. She held the paper, still gazing at me, and made as if to tear it up—though she did not—and I nodded even more definitely, to assure her: that is correct, the slave deed no longer exists, you are a free woman. Tears came into her eyes, and she stood up and let go the paper and let it flutter to the floor, and gave me one last questioning look: there is no mistake? I made a wide, sweeping motion to indicate: the world is yours, you are free to go. There ensued one frozen moment, during which I held my breath, and we simply stood and regarded each other, and it seemed an interminably long moment. All she had to do was gather up her belongings again and take her leave; I could not have prevented her. But then the frozen moment fractured. She made two gestures that I hoped I understood—putting one hand to her heart, the other to her lips, then extending both to me. I smiled uncertainly, and then I gave a happy laugh, for she threw her small self against me, and we were embracing as we had done the night before—not passionately or even amorously, but gladly.
I silently thanked and blessed the Khan Kubilai for having given me that yin seal. This was the first time I had ever used it, and behold, it had put this darling girl in my arms. It was truly amazing, I thought, what the simple impress of a mere carved stone on a piece of paper could accomplish … .
And then, abruptly, I let go of Hui-sheng and turned away from her and threw myself on the floor.
On the way down, I had a flashing glimpse of her startled little face, but there was no time to explain or apologize for my rudeness. I had been suddenly possessed of an idea—an outrageous and maybe even a lunatic idea, but a most enthralling one. It might have been Hui-sheng’s own refreshing touch that had stimulated my wits to think of it. If it was, I would thank her later. Right now, sprawled on the floor, I ignored what must have been her great astonishment, and anxiously began pawing through the litter of oddments I had emptied from my packs. I found the pai-tzu plaque I had decided to return to Kubilai, and the list of engineers’ names I wanted to give him, and—yes! there it was!—the yin seal engraved Pao Nei-ho, which I had taken from the Minister of Lesser Races just before his execution, and kept ever since. I seized upon it and gleefully regarded it and stood up clutching it, and I think I sang some song words and danced a few steps. I desisted when I realized that Hui-sheng and my two new servants were staring at me with wonder and dubiety.
One of the maids waved toward the door and said hesitantly, “Master Marco, a caller asking to see you.”
I sobered immediately, for it was Ali Babar. I felt ashamed that he had found me capering, as if I were light of heart when he was bereaved and grieving. But it could have been worse; I should have felt more guilty if he had entered while I was embracing Hui-sheng. I strode to him and clasped his hand and drew him in, murmuring words of greeting and condolence and friendship. He looked terrible. His eyes were red from weeping, his great nose seemed to droop even more than usual, and he was wringing his hands, but that did not keep them from trembling.
“Marco,” he said in a quaver. “I have just been to the Court Funeralmaster, seeking to look one last time at my dear Mar-Janah. But he says he has, among his store of the departed, not any such person!”
I should have anticipated that, and averted his going, and saved him the bewilderment of that announcement. I knew that executed felons did not go to the Funeralmaster; the Fondler disposed of them himself, without sacrament or ceremony. But I said nothing of that, only said soothingly, “Doubtless some confusion caused by the turmoil of the court’s return from Xan-du.”
“Confusion,” mumbled Ali. “I am much confused.”
“Leave everything to me, old friend. I will make all straight. I was just this moment about to do that. I am on my way to make various arrangements pertaining to this matter.”
“But wait, Marco. You said you would tell me … all the how and the why of her dying … .”
“I will, Ali. As soon as I return from this errand. It is urgent, but it will not take long. Do you rest here, and let my ladies attend you.” To the maids I said, “Prepare for him a hot bath. Rub him with balms. Fetch for him food and drink. Every kind of drink, and as much as he will take.” I started out, but then thought of something else, and commanded most strictly, “Admit no one else to these chambers until I am back again.”
I went, almost running, to call upon the Minister of War, the artist Master Chao, and by good fortune found him not occupied with either war or art so early in the day. I commenced by saying that I had heard of the accident which had taken his lady, and that I was sorry for it.
“Why?” he said languidly. “Were you among her stable of stallions?”
“No. I am merely observing the decencies.”
“I must thank you. It is more than she ever did. But I imagine you did not come visiting for that only.”
“No,” I said again. “And if you prefer bluntness, so do I. Are you aware that the Lady Chao died by no accident? That it was so arranged by the Chief Minister Achmad?”
“I must thank him. It is more than he ever did for me before. Have you any notion why he took such an abrupt interest in tidying up the disarray of my small household?”
“He did not, Master Chao. It was purely in his own interest.” I went on to tell of Achmad’s use of the Lady Chao’s official yin for the disposal of Mar-Janah, and the several preceding and subsequent events. I did not mention Mafìo Polo, but I did conclude by saying, “Achmad has threatened also to make public certain paintings done by you. I thought you might be averse to that.”
“It would be embarrassing, yes,” he murmured, still languidly, but his keen glance told me that he knew what paintings I referred to, and that they would be embarrassing to the Famiglia Polo as well. “I take it that you would like to interrupt the Jing-siang Achmad’s suddenly headlong career of destruction.”
“Yes, and I believe I know how. It occurred to me that if he could employ someone else’s signature to covert purpose, so could I. And I also happen to be in possession of another courtier’s yin.”
I handed the stone to him, and I did not have to tell him whose it was, for he was able to read the name from it. “Pao Nei-ho. The former and impostor Minister of Lesser Races.” He looked up at me and grinned. “Are you suggesting what I think you are?”
“The Minister Pao is dead. No one really knows why he had insinuated himself into this court, or whether he ever really used his office to the subversion of the Khanate. But if, all at once, a letter or a memorandum were found, bearing his signature, concerning some nefarious intention—say, a conspiracy somehow to defame the Khan and upraise the Chief Minister—well, Pao is not around to disown it, and Achmad might have a hard time refuting it.”