Grimacing, Painter pointed down the slope. “We’ll proceed as a group to the bottom of the valley. Then I’ll need ten minutes to get in position. After that time, everyone will slowly climb the road toward the tomb. Make lots of noise. Once you reach that last switchback, stop and settle in, like you’re going to overnight there. Set up a fire. It’ll blind their night vision. Let the camels graze. The movement will make it easier to get yourselves into sniping positions. Then wait for my signal.”
Captain al-Haffi nodded and passed on the instructions as he slowly worked down the line.
Coral took the captain’s place at Painter’s side. She leaned forward a bit in her saddle, her face tight. It seemed his partner was not any happier about their mode of transportation than he was.
She crossed her arms atop her saddle. “Perhaps I should be the one to take the lead on this op. I’ve more experience with infiltration than you.” She lowered her voice. “And I’m less personally involved.”
Painter tightened his grip as the camel shifted under him. “My feelings for Safia will not interfere with my abilities.”
“I meant Cassandra, your ex-partner.” She lifted one eyebrow. “Are you trying to prove something? Is any of that energy going into this operation?”
Painter glanced to the tomb blazing atop the neighboring hill. When he had been searching the complex, noting terrain and manpower, a part of him had also been watching for some sign of Cassandra. She had orchestrated everything since the British Museum. Still, he had yet to see her face. How would he react? She had betrayed, murdered, kidnapped. All in the name of what cause? What could make her turn against Sigma…against him? Just money? Or was it something more?
He had no answers.
He stared at the lights. Was that a part of the reason he insisted on taking point on this mission? To see her for himself? To look in her eyes?
Coral broke the silence. “Don’t give her any leeway. No mercy, no hesitation. Play it cold, or you’ll lose it all.”
He remained silent as the camels continued their slow, painful trek down to the bottom of the valley. The vegetation grew thicker as they descended along the dirt road. Tall baobab trees cast a thick canopy, while massive tamarinds, heavy with yellow flowers, towered like sentinels. Everywhere, ropy liana vines tangled amid wreaths of jasmine.
The party stopped in this patch of dense forest.
Camels began to drop and unload their riders. One of the Bait Kathir approached Painter’s camel, helping him couch the beast.
“Farha, krr, krr…” the man said as he stepped before the animal. Farha was the camel’s name, meaning “joy.” To Painter, nothing could be further from the truth. The only joy he could imagine would be getting off her hump.
The camel dropped under him, swaying backward and settling to her hindquarters. Painter held tightly, legs clenching. She then sank to her hocks in front, shuffling her knees down, and came to a rest on the ground.
With the camel couched, Painter slid from the saddle. His legs were rubbery, his thighs knotted. He stumbled a few steps away as the tribesman cooed at the camel and kissed her on the nose, earning a soft burble from the beast. It was said the Bait Kathir loved their camels more than their wives. It certainly seemed that way with this fellow.
Shaking his head, Painter crossed to join the others. Captain al-Haffi sat on his haunches beside Sheikh Emir, drawing in the dirt of the road, holding a penlight, outlining how to best distribute the men. Sharif and Barak watched over Omaha and Coral as the two Americans prepped their Kalashnikov rifles. Each of them had an Israeli Desert Eagle pistol as a backup weapon.
Painter took the moment to check his own guns, a pair of Heckler amp; Koch pistols. In the dark, he slipped out and checked the 9mm magazines, seven rounds apiece. He had two additional magazines loaded and ready in his belt. Satisfied, he holstered the weapons, one at the shoulder, one at the waist.
Omaha and Coral approached him as he cinched the small ditty bag to his belly. He didn’t check its contents, having inventoried it all back in Salalah.
“When does the ten-minute clock start running?” Omaha asked, exposing his wristwatch as he stopped, pushing a button to illuminate its face.
Painter coordinated his own watch with Coral’s Breitlinger. “Now.”
Coral caught his gaze, concern in her blue eyes. “Stay cold, Commander.”
“As ice,” he whispered.
Omaha blocked him as he turned to the road leading up to the hilltop tomb. “Don’t come back without her.” This was as much a plea as a threat.
Painter nodded, acknowledging both, and headed out.
Ten minutes.
8:05 P.M.
WORKING UNDERthe glow of a pair of floodlights, Safia used a pick and brush to loosen the artifact from the sandstone’s embrace. The winds had kicked up, stirring the sand and dust, trapped by the four walls of the roofless prayer room. Safia felt caked in it, a living statue of sandstone.
With the fall of night, the temperature dropped precipitously. Heat lightning flickered to the south, getting closer, accompanied by the occasional bass rumble, a clear promise of rain.
Wearing gloves, Safia brushed grit from the artifact, afraid of scratching it. The life-size iron bust of a woman shone in the sharp lights, eyes open, staring back at her. Safia feared that gaze and concentrated on the work at hand.
Cassandra and Kane whispered behind her. Cassandra had wanted to use her laser gun to finish freeing the iron artifact, but Safia had urged caution, lest it be damaged. She feared the laser might etch the metal, erasing details.
Safia picked away the last of the stone. She attempted not to stare at the features, but found herself glancing at it from the corner of her eye. The face was remarkably similar to her own. It could have been a younger version of herself. Perhaps at eighteen. But this was impossible. It had to be just a racial coincidence. It merely depicted a southern Arabian woman, and as a native of the region, Safia would, of course, bear some resemblance, even with her mixed-blood heritage.
Still, it did unnerve her. It was like staring at her own funereal mask.
Especially as the bust was impaled atop an iron spear, four feet long.
Safia leaned back. The artifact occupied the center of the chalked rectangle on the wall of the prayer niche. The red iron spear stood upright, the bust impaled atop it. All one object. Though the sight disturbed her, Safia was not totally surprised. It made a certain historical sense.
“If this takes any longer,” Cassandra interrupted her thoughts, “I’m going to pull out the goddamn ULS laser again.”
Safia reached forward and tested the rock’s hold on the iron object. It wobbled with her touch. “Another minute.” She set to work.
Kane shifted, his shadow dancing on the wall. “Do we need to remove it? Maybe it’s facing the right direction already.”
“It’s facing southeast,” Safia answered him. “Back to the coast. That can’t be the way. There’s another riddle to solve.”
With her words, the top-heavy artifact broke free of the rock and fell face forward. Safia caught it on her shoulder.
“About time,” Cassandra mumbled.
Safia stood, cradling the bust. She held the spear haft in both of her gloved hands. It was heavy. With the iron head resting near her ear, she heard the slight sloshing sound coming from inside. Like the heart. A molten heaviness lay at its core.
Kane took the artifact from her, lifting it like it was a stalk of corn. “So what do we do with it?”
Cassandra pointed a flashlight. “Back to the tomb, like in Salalah.”
“No,” Safia said. “Not this time.”
She slipped past Cassandra and led the way. She thought about delaying the search, dragging it out. But she had heard the jingle of camel bells, echoing up from the valley. There was an encampment of bedouin nearby. If any of them should wander up here…