Safia hurried forward and crossed to the covered pit near the entrance to the tomb. She knelt down and hauled it open. Cassandra shone her light down into the hole, illuminating the pair of footprints. Safia remembered the story that had made her follow those footsteps: the tale of the brass horseman who had borne a spear in his hand, a spear impaled with a head.

Safia glanced past Cassandra’s shoulder to Kane and the artifact. After untold centuries, she had found that spear.

“What now?” Cassandra asked.

There was only one other feature in the pit, one that had yet to yield a clue: the hole in the center of the pit.

According to the Bible and the Koran, through this hole, a magical spring had gushed forth, one that led to miracles. Safia prayed for her own miracle.

She pointed to the hole. “Plant it there.”

Kane straddled the pit, positioned the haft end of the spear, and settled it into the hole. “Tight fit.”

He stood back. The spear remained standing, firmly rooted. The bust atop it stared out over the valley.

Safia walked around the impaled spear. As she inspected it, rain spattered out of the dark skies, tapping the packed dirt and stone with a sullen beat.

Kane grumbled. “Bloody brilliant.” He pulled out a ball cap and tugged it over his shaved head.

In moments, the rain began to fall more heavily.

Safia circled the spear a second time, frowning now.

Cassandra shared her concern. “Nothing’s happening.”

“We’re simply missing something. Pass me the torch.” Safia took off her dirty work gloves and held out a palm for the flashlight. Cassandra relinquished it with clear reluctance.

Safia shone it over the length of the spear. Its shaft was striated at regular intervals. Was it decoration or something significant? With no idea, Safia straightened from a crouch and stood behind the bust. Kane had planted the spear with the face still pointing south, toward the sea. Clearly the wrong way.

Her eyes drifted to the bust. Staring at the back of the head, she spotted tiny writing on the base of the neck, shadowed by the hairline. She brought the flashlight closer. The lettering must have been partially obscured by the residual dust, but the rain was washing it clean. Four letters became clear.

Cassandra noted her attention and the script. “What does it mean?”

Safia translated, her frown deepening. “A woman’s name. Biliqis. ”

“Is it the woman sculpted here?”

Safia didn’t answer, too astounded. Could it be? She stepped around and studied the woman’s face. “If true, then this is a find of phenomenal significance. Biliqis was a woman revered across all faiths. A woman lost in mystery and myth. Said to be half human, half spirit of the desert.”

“I never heard of her.”

Safia cleared her throat, still stunned by the discovery. “Biliqis is better known by her title: the Queen of Sheba.”

“As in the story of King Solomon?”

“Among countless other tales.”

As rain pattered down and ran in rivulets over the iron face, the statue appeared to be crying.

Safia reached and wiped the tears from the queen’s cheek.

With her touch, the bust moved as if pivoting on slippery ice, swinging from her fingertips. It spun once fully around, then slowed and wavered to a stop, staring in the opposite direction.

To the northeast.

Safia glanced back to Cassandra.

“The map,” Cassandra ordered Kane. “Get the map.”

14

Tomb Raider

DECEMBER 3, 8:07 P.M.

JEBAL EITTEEN

PAINTER CHECKEDhis watch. One more minute.

He lay flat on his belly at the base of a fig tree, sheltered behind an acacia bush. Rain pitter-pattered against the canopy of leaves overhead. He had positioned himself far to the right of the road, carefully picking his way up a nearly sheer cliff face to reach this spot. He had a clear view of the parking lot.

With the night-vision goggles fixed to his face, the guards were easy to spot in the darkness, all in their blue windbreakers, now with hoods pulled up against the rain. Most were posted near the road leading here, but a few others slowly circled wider. It had taken precious minutes to creep into position, moving forward as the guards shifted past.

Painter took slow steady breaths, preparing himself. It was a thirty-yard dash to the nearest SUV. He fixed the plan, visualizing it, refining it. Once things began to roll, he would have no time to think, only react.

He glanced at his watch. Time was up.

He slowly raised himself into a crouched position, staying small, compact. He strained to listen, tuning out the rain. Nothing. He glanced at his watch again. Ten minutes had passed. Where were-

Then he heard it. A song, being sung by a handful of voices, rose from the valley behind him. He glanced over a shoulder. Through his night-vision lenses, the world was cast in shades of green, but sharp shards of brilliance bloomed below. Torches and flashlights. He watched the Bait Kathir begin a slow, steady climb up the road, singing as they proceeded.

Painter swung his attention back to the tomb complex.

The guards had noted the stirring of the tribesmen and had slowly shifted positions to concentrate on the road. Two men fled into the brush flanking the road and continued down the switchback.

With the forces pulled away from the parked SUVs, Painter made his move. He swept from his hiding place, staying low, and raced across the thirty yards to the nearest truck. He held his breath as he ran, avoiding the noisy splash of puddles. No alarm was raised.

Reaching the first SUV, he ducked behind it while pulling open the oiled zipper of his ditty bag. He removed the prewired C4 packages, each wrapped in cellophane, and tucked one into the truck’s wheel well, near the gas tank.

Painter silently thanked Cassandra for the gift of the explosives. It was only fitting that he return what was hers.

Staying low, he hurried forward to the next SUV and planted the second package. He left the third truck untouched, only checked to make sure the keys had been left in the ignition. Such a precaution was a common practice in an ops situation. When the shit hit the fan, you didn’t want to have to hunt down the driver with the keys.

Satisfied, he checked the lot. The guards remained focused on the approaching band of camels and men.

Swinging around, he darted toward the low wall that enclosed the tomb complex. He kept the line of SUVs between him and the guards. Behind, he heard shouts rising from below…in Arabic…jovial arguing. The singing had ceased. A pair of camels bleated forlornly, accompanied by the jingle of harness bells. The bedouin were halfway up the hill.

He had to hurry.

Painter vaulted the low wall. It was only four feet high. He had chosen an isolated spot, behind the mosque. He landed with more of a thud than he intended, but the rain covered the noise with a grumble of thunder.

He paused. Light flowed down either side of the mosque, coming from the courtyard in front of the building. It shone blindingly bright through his night-vision goggles. He heard mumbled voices, but the rain drummed away any distinction. He had no clue how many were out there.

Crouching to keep his silhouette below the wall, he fled along the back of the mosque, keeping to the shadows. He came to a back door, checked the knob. Locked. He could force the door, but it would make too much noise. He continued on, looking for a window or another way inside. He would be too exposed if he attempted to reach the central courtyard directly from either side of the building. There was no shelter and too much light. He needed a way through the mosque, a way to get closer. To abduct Safia from under Cassandra’s nose, he would need to be close to the action.