“The commission was given to the sculptor Chares, a native Rhodian from Lindos. It took him twelve years to build the Colossus, and no one knows quite how he did it. Some say hoists were used to lift the pieces into place; others say that a succession of spiral ramps were built around the statue as it grew upward, and that each new section was forged, molded, and poured into place atop the previous section. However it was made, when the Colossus was complete, and whatever ramps or scaffolding that surrounded it were cleared away, all who saw the image of Helios were astounded. The statue was by far the tallest ever made—well over a hundred feet, and on its fifty-foot pedestal, it towered even higher. The fame of the statue spread all over the world, from the marshes of Lake Maotis to the Pillars of Hercules, from the upper cataracts of the Nile to…” I tried to remember what regions lay to the uttermost north.
“To Gaul,” suggested Posidonius.
“I was going to say Ultima Thule.”
“Yet I can personally assure you that the Colossus is known in Gaul,” said Posidonius. “Even when pairing hyperboles, a speaker should never choose mere rhetorical flourish when a true example is at hand. But go on.”
“And so the Colossus stood, astounding all who saw it—until, less than sixty years later, a great earthquake shook the island. Many temples and other buildings were damaged, but the most terrible catastrophe was the fall of the Colossus, which broke at the knees and came tumbling down, breaking into pieces as it struck the ground. And there the Colossus remains to this day, and people from all over the world still come to Rhodes to see the ruins, for no one has yet built a monument to match it.”
Posidonius begrudged me a smile. “Very good, Gordianus. Your tutor has taught you well.”
We came to an intersection where Posidonius indicated we should turn to the right. Rhodes is a city of wide streets laid out in a grid pattern, and the thoroughfare before us was the broadest and grandest in the whole city, adorned with splashing fountains and lush gardens. Lining the way were literally hundreds of statues depicting gods and famous heroes. Many were dedicated to the generals and city leaders who had defended Rhodes against the siege of Demetrius.
We passed a succession of splendid altars and temples, then came to the city’s vast public square, which the Greeks call an agora, and crossed it diagonally. I began to smell the sea and to hear the lapping waves and seagull cries of the waterfront. A few blocks beyond the agora we came to the dual harbors bisected by a broad mole, edged with boulders, that projected far into the water. The harbors were crowded with ships moored for the winter, but with no cargo to unload or vessels setting sail, there were few sailors about, and the waterfront had a strangely deserted feel.
A simple rope barrier barred us from proceeding onto the mole. From a nearby hut emerged a little bald-headed man with a grin on his face and his open palm extended.
“Come to see the famous Colossus, have you?” he asked. “You won’t regret it. One of the Wonders of the World, that’s for sure. Is it a guided tour you’ll be wanting, or—oh, but it’s you, master Posidonius. Back again, and bringing more guests? Always good to see you. For such a distinguished citizen as yourself, there’s no charge, of course. Here, let me unhitch the rope for you. No Gauls with you this time? My, how those two savages gawked and gaped when they saw our Colossus. Still, your friends are in for quite a treat, especially this young one. You’ll never have seen anything like the Colossus, my boy. Now watch your step out there—be mindful of the rocks and the sharp bits of metal as you go wandering among the ruins.”
Whether he was charging admission or not, the little man kept his hand out as we passed by, and at a sign from Posidonius I saw Zenas produce a small pouch and drop a few coins onto his open palm.
Under a gray sky and with a brisk wind in our faces, we hiked to the end of the mole. Ahead of us loomed a sight that grew ever stranger as we approached—the fragments of the Colossus, which lay in pieces like the body of a warrior hacked asunder. There were a few other visitors on the mole, wandering amid the ruins, and their presence served to show the scale of the statue. The thing was man-made, but so bizarre, so unearthly, that it evoked a kind of religious wonder. Here was a thumb so huge I could barely wrap my arms around it, and here a finger larger than most full-size statues. Here was an arm, lying athwart the mole like a gigantic serpent, and there a torch the size of a lighthouse that must have been held in one of the statue’s hands. Inside some of the fragments I could see the iron bars and hidden bolts that had secured the structure from within; the lower extremities had apparently been filled with stones to act as ballast. In some places the bronze was as thick as my forearm, but in others as thin as a coin.
A thought occurred to me. “With so much of the Colossus intact, why was it not rebuilt after it fell? Could it not have been reassembled?”
“That idea was debated,” said Posidonius. “Some wanted to rebuild the Colossus. Others proposed that the broken statue should be melted down and the bronze reused or sold, for the earthquake had caused considerable damage all over Rhodes, and money and materials were needed for rebuilding. To settle the question, a delegation was sent to Delphi.”
“What did the oracle of Apollo decree?” I asked.
“That the Colossus should never be rebuilt—but also that the pieces should be left where they lay and never be disturbed. As happens so often with oracles, the answer split the difference and satisfied neither party. Yet the wisdom of Apollo is now manifest, for here lies the Colossus two hundred years after it was made, as famous now as when it stood upright, the pride of Rhodes despite its ruined state.”
Rounding a bit of knee, I was suddenly confronted by the statue’s genitalia, a scrotum and phallus surmounted by stylized whorls of hair. In their original context, these parts were no doubt reasonably proportioned, but seen on their own they were rather disconcerting. Antipater laughed aloud at the sight, but he also paused to touch the phallus for good luck. Many others had apparently done the same thing, for the bronze at that spot was shinier than elsewhere.
Farther on we came to the huge face I had seen from the ship the evening we arrived, with its staring eye. Radiating from the sculpted hair atop the head was a crown of sunbeams. Some were bent and some had broken off entirely, but a couple were intact and projected like gigantic spearheads sharpened to a point.
The massive stone pedestal, to which the feet were still attached, was itself as tall as any tenement tower in Rome. At its base, on a huge bronze plaque, inscribed in letters so large they could have been read from ships in the harbor, was a dedicatory poem. Antipater saw me mouthing the words—my skill at reading Greek lagged behind my ability to speak it—and he commenced reciting the lines in a booming voice, with as much conviction as if he had composed the poem himself:
“O Helios, this image we raise to thy renown.
The spoils of battle become thy crown.
The reek of war is pierced by thy light.
With thy blessing we end the fight.
The people of Rhodes stand proud and free.
Dominion is ours on land and sea.”
Posidonius and I applauded the recitation, and Antipater took a bow.
“Now that you’ve seen the remains of the Colossus with your own eyes,” said Posidonius, “can you imagine what it must have looked like when it stood upright?”
I put my hands on my hips and gazed upward, trying to envision the statue looming above me. “It would appear that Helios was naked, except for a scanty cloak draped over one shoulder—you can see folds of his garment amid the bronze ruins, but they can’t have covered much. He stood with one foot a bit forward and the other back, with the knee bent. One arm was lowered, and in that hand he held a torch. The other arm was raised, with the palm open to greet arriving ships.”