At first he was aware only of two candle flames below the level of his knees and some distance ahead, six glowing braziers. Then he saw a white robe, squatting not far from a candle and then a black robe, near a second flame. He felt the tessellated floor under his feet and, using his stick, tapped his way across. “All the same,” he thought, “young Herrington’s stick is rubbershod.”

By the light of his own candle he made out the shape of the giant pentagram in the mosaic of the floor. It had been let into the pavement and was traced in some substance that acted as a reflector. The five-pointed star was enclosed in a double circle and he saw that at each of the points there was a smaller circle and in this a black cushion and a brazier filled with glowing embers. It was on one of these cushions that the white robe squatted. He drew close to it. A recognizable hand crept out from under the sleeve. It was Miss Garbel’s. He turned to the centre of the pentagram. Raoul was holding his candle under his own face. His hands and arms were gloved in black. He was seated, cross-legged on a black divan and in front of him was a brazier.

Alleyn murmured: “The lady behind you and to your right is not unfriendly. She knows who you are.”

Raoul signalled an assent.

“Depend on me for nothing — nothing,” admonished a ghost-whisper in French and then added in a sort of frenzy, “Not there! Not in the middle. Not yet. Like me. There!”

“Quick, Raoul. There!”

Raoul darted into the point of the pentagram in front of Miss Garbel’s. He put down his candle on the floor and pulled forward his hood.

Alleyn moved to the encircled point opposite Miss Garbel’s. He had seated himself on the cushion before his brazier and had laid down his stick and candle when a light danced across the facets of the pentagram. He sensed, rather than heard, the entrance of a new figure. It passed so close that he recognized Annabella Wells’s scent. She moved into the encircled point on his right and seated herself facing outwards as he did. At the same time there was a new glint of candlelight and the sound of a subsidence behind and to the left of Alleyn. In a moment or two a figure, unmistakably Baradi’s, swept round the pentagram and entered it between Annabella and Raoul. Alleyn guessed he had taken up his position at the centre. At the same time the bells cascaded close at hand. “Here we go,” he thought.

The five candles and six braziers furnished light enough for him to get a fitful impression of the preposterous scene. By turning his head slightly and slewing round his eyes, he could see the neighbouring points of the great pentagonal star, each protected by its circle and each containing its solitary figure, seated before a brazier and facing outward. Outside the pentagram and facing the points occupied by Annabella and Raoul was the altar. Alleyn could see the glint of metal in the embroidered cloth and quite distinctly, could make out the shape of the great crystal sun-burst standing in the middle.

The sound of bells came close and then stopped. A door opened in the wall beside the altar and the Egyptian servant walked through. He wore only a loin cloth and the squarish head-dress of antiquity. Before each of the initiates he set down a little box. “More reefers,” thought Alleyn, keeping his head down. “Damned awkward if he wants to light them for us.”

But the Egyptian made no attempt to do so. He moved away and out of the tail of his eye, Alleyn saw Annabella Wells reached out to her brazier, take a pair of tongs and light her cigarette with a piece of charcoal. Alleyn found that his brazier, too, was provided with tongs.

Because of the form of the pentagram the occupants of the five points all had their backs turned to Baradi and their shoulders to each other. If Baradi was on his feet he would have a sort of aerial survey of their backs. If he was seated on the divan he would have a still less rewarding view. Alleyn reached out for a cigarette, hid it inside his robe and produced one of his own. This he lit with a coal from the brazier. He wondered if it had occurred to Raoul to employ the same ruse.

Little spires of smoke began to rise from the five points of the star. The Egyptian had retired to a dark corner beyond the altar and presently began to strike a drum and play a meandering air on some reed instrument. To Alleyn the scene was preposterous and phony. He remembered Troy’s comment on the incident of the train window: hadn’t she compared it to bad cinematography? Even the ritual, for what it was worth, was bogus: a vamped-up synthesis, he thought, of several magic formulae. The reedy phrase trickled on like a tourist-class advertisement for Cairo, the drum throbbed and presently he sensed a stir of excitement among the initiates. The Egyptian began to chant and to increase the pace and volume of his drumming. Drum and voice achieved a sort of crescendo at the peak of which a second voice entered with a long vibrant call, startling in its unexpectedness. It was Baradi’s.

From that moment it was impossible altogether to dismiss the Rites of the Sun as cheap or ridiculous. No doubt they were both but they were also alarming.

Alleyn supposed that Baradi spoke Egyptian and that his chant was one of the set invocations of ritual magic. He thought he recognized the characteristic repetition of names: “O Oualbpaga! O Kammara! O Kamalo! O Karhenmou! O Amagaa! O Thoth! O Anubis!” The drum thumped imperatively. Small feral noises came from the points of the pentagram. Behind Alleyn, Carbury Glande began to beat with his palm on the floor. The other initiates followed, Alleyn with them. The Egyptian left his drum and running about the pentagram, threw incense on the braziers. Columns of heavily scented smoke arose amid sharp cries from the initiates. A gong crashed and there was immediate silence.

It was startling, after the long exhortations in an incomprehensible tongue to hear Baradi cry in a loud voice: “Children of the Sun in the Outer, turn inward, now turn in. Silence, silence, silence, symbol of the imperishable god protect us, silence. Turn inward now, turn in.”

This injunction was taken literally by the initiates who reversed their positions on the cushions and thus faced Baradi and the centre of the pentagram. Looking across, diagonally, to the Black Robe, Alleyn saw that Raoul had not moved. The exhortations, being in English, had meant nothing to him. Alleyn dared not look up at Baradi. He could see his feet and his white robe, up to his knees. Between drifts of incense he caught sight of the other initiates, all waiting. It seemed as if an age went by before the Black Robe rose, turned and reseated itself. He saw Baradi’s feet shift and his robe swing as he faced the alter.

Baradi intoned in aloud voice: “Here in the Names of Ra and Of the Sons of Ra—”

It was the oath Alleyn had read. Baradi gave it out phrase by phrase and the initiates repeated it after him. Alleyn spoke on the top register of his very deep voice. Raoul, of course, said nothing. Miss Garbel’s thin pipe was unmistakable. Annabella’s trained and vibrant voice rang out loudly. Carbury Glande’s sounded uncoordinated and hysterical.

“If I break this oath in the least degree,” Baradi dictated and was echoed, “may my lips be burned with the fire that is now set before them.” He gestured over his brazier. A tongue of flame darted up from it.

“May my eyes be put out by the knife that is now set before them.”

With a suddenness that was extraordinarily unnerving, five daggers dropped from the ceiling and checked with a jerk before the five initiates’ faces. A sixth, bigger, fell in front of Baradi, who seized and flourished it. The others hung glittering in the flamelight of the brazier. The women gave little whimpering febrile cries.

The oath of silence was taken through to its abominable conclusion. The flame subsided, the smaller daggers were drawn up to the ceiling, presumably by the Egyptian. The initiates turned outward again and Baradi settled down to a further exhortation, this time in English.