As I drew closer I saw one end of the barn had been painted with a giant advertisement for Mail Pouch chewing tobacco. I also noticed that there was a power line running into the building. Evidently Darious De-Shong did not share the Amish farm owner's distrust of electricity.

I walked around two sides of the barn, looking for a way in. There had to be a door in the stone wall somewhere. I couldn't believe Darious swung open the huge double doors on the end of the barn every time he wanted to go in and out.

In back, I finally came upon a wooden door. Before I knocked, I put my ear to it trying to determine if anyone was inside. I thought I heard music, but it was so faint, I couldn't tell what it was.

I knocked, I pounded, and finally I yelled, “Hello,” as loudly as I could. Just as I was about to give up, the door opened a crack, and I could see and smell a lighted cigarette.

“Yeah?”

“I'm looking for Darious DeShong.”

“Yeah?”

I tried another approach. “Are you Darious DeShong?”

“Yeah.”

I was making progress. “My name is Tori Miracle. I'm looking into Mack Macmillan's death. Woody

Woodruff gave me your address and said you'd be glad to help me out.” That was a fib, but just a little one. After all, why would Woody have given me Darious's address if he didn't think the man would be willing to answer questions?

The door opened a little wider, just enough for the man to squeeze through. Before it closed behind him, I heard music again.

I was now able to get a good look at him, and I have to admit I liked what I saw. He was about six feet tall, and had a mop of curly blond hair much like Roger Daltrey in the movie Tommy. Eyes the color of dandelion leaves were fringed by long, dark eyelashes, and his skin was a rich golden brown, reminding me of Garnet, who always looked tan. He wore tight jeans, very tight I couldn't help noticing, a white dress shirt unbuttoned halfway to the waist, and white high-top sneakers.

While I was admiring-I mean studying-him, he appeared to be looking me over. His gaze moved slowly from my head to my feet, then back up to meet mine. His smile revealed the whitest, most perfect teeth I'd ever seen off a movie screen.

“Tori. Pretty name for a pretty girl.”

Oh God, there was that inane giggle again. Would I ever learn to control it?

“Can you keep a secret?” he asked.

“Not if it has anything to do with Mack Macmillan's death,” I replied in all honesty.

“It doesn't. If I let you in, will you promise me you won't tell anybody what you see here?”

“Cross my heart and hope to die.”

He opened the door. “Come in,” he said.

As I stepped across the threshold the music grew louder, and I realized what I'd been hearing was a calliope playing “In the Good Old Summertime.” Odd choice of music for a man of about my age to be listening to, I thought.

The room we were in was very small, no more than ten feet square, with a lot of old gear hanging from hooks on the walls. I recognized rakes, shovels, and harnesses, but there were many things there that I'd never seen before. Lined up on the dirt floor against the walls were old crocks, farm machines, and wooden crates. A small wooden staircase of only four steps led up to another door.

“Give me a minute,” Darious said. He ground out his cigarette, opened the door, and disappeared into the black void on the other side. The door closed behind him. After a short interlude it opened again, and his voice called out, “Come on in.”

I climbed the steps and cautiously entered the dark, silent interior of the barn.

“Stop right there.”

I was glad to stop. I don't like dark places. They could be full of snakes, or bats, or rats, or maybe even something worse.

The calliope began to play again. This time I recognized the music as “After the Ball Is Over,” and it was quite loud, as if I were standing close to the source.

“Now!” Darious said. And suddenly, looming up before me, all was flashing lights and swirling colors. It was all out of focus, as my eyes made the sudden transition from darkness to light, and I grew giddy as I tried to figure out what I was seeing. Then a horse went spinning past me, his front legs raised as if he were about to jump, and I realized I was seeing a carousel.

One after another, the animals leaped, spun, jumped, and twirled. Horses, giraffes, bears, unicorns, sea monsters, all covered with glass jewels and gilt and flowers, paraded past me, then disappeared into the darkness only to reappear a few moments later. I felt as if I'd been transplanted to another world: a fairyland or perhaps the Twilight Zone.

“Do you like it?” Darious had come close to me as I stood transfixed by the vision before me, and now when he spoke I could feel his breath on my ear. It gave me goose bumps, a sensation I didn't find unpleasant at all.

“It's breathtaking,” I said, reluctantly moving an inch or two away from him.

“Would you like to ride?”

“Please!”

He took my hand and helped me jump onto the moving platform. He then led me past several spectacular horses to a sea horse, painted with the luminous shades of blue and turquoise usually found in tropical seas. “The hippocampus. It suits you. I can imagine you as a sea nymph, rising naked from the coral sea.”

There was that giggle again. I tried to pretend it hadn't come from me and settled myself in the gilt saddle, then looked around in amazement, at the wild-eyed pinto pony next to me with one foot perpetually raised, at the tiny lights twinkling overhead, at the center of the carousel where sparkling mirrored panels reflected the animals and lights to eternity. I turned to see where Darious had gone and saw him sitting behind me in a golden chariot, a modern-day version of Apollo the sun god. As my mythological creature moved up and down on its brass pole, I surrendered to the sensation and let the carousel whirl me back to the magical world of childhood. It was a happy place where I'd never heard of cancer, my brother still lived, and a relationship was simply something to be enjoyed, not worked at.

When the music had faded and the carousel slowed down, I reluctantly returned to the present. Darious was right there at my side, helping me to dismount.

“What did you think?”

“There aren't enough words to describe it. Where did it come from… how did it… did you…? What I mean is, how can something this wonderful be in a broken-down old barn on an Amish farm in south-central Pennsylvania?”

“It's my one passion,” he said, staring down at me in a way that made me hope he had room for more than one in his life. “I've been working on it for years. Restoring the animals one by one. It's a slow process, but I was lucky to find a carousel that hadn't disintegrated too badly. Want to see my workshop?”

I nodded and followed him to the back of the barn. I moved slowly, afraid of stumbling on something, because the only light in the vast space came from the carousel itself. There wasn't even any daylight coming through the windows. “Why don't you put in some lights?” I asked. “You've got electricity. Or at least open some windows.”

“They're boarded up. I don't want anybody to see inside. Obviously you have no idea what a carousel like this is worth. Besides, I like it this way.”

We stepped inside a large room, made bright by the fluorescent lights hanging from the ceiling. We were surrounded by carousel animals in various degrees of disrepair. Darious stroked the carved mane of a statuesque horse. “One more coat of varnish on this beauty, and he'll be ready to join his friends on the carousel.”

“What do these letters stand for?” I asked, pointing to the monogram on the figure's saddle.

“PTC stood for the Philadelphia Toboggan Company. It was founded in 1903 and was one of the most important of the carousel manufacturing companies. This particular carousel is an early one, probably most of the carving was done in 1904.”