"Come on," somebody said, and took my hand, a soft, cool touch totally different from the fire of Karrid's skin. It was a person from one of the other Hearths, I didn't know her name. She seemed to me to shine like gold in the dim, misty place. "Oh, you're going so fast," she said, laughing and admiring and consoling. "Come on, come into the pool, take it easy for a while. Karrid shouldn't have come on to you like that! But you're lucky, first kemmer as a woman, there's nothing like it. I kemmered as a man three times before I got to kemmer as a woman, it made me so mad, every time I got into thorharmen all my damn friends would all be women already. Don't worry about me—I'd say Karrid's influence was decisive," and she laughed again. "Oh, you are so pretty!" and she bent her head and licked my nipples before I knew what she was doing.
It was wonderful, it cooled that stinging fire in them that nothing else could cool. She helped me finish undressing, and we stepped together into the warm water of the big, shallow pool that filled the whole center of this room. That was why it was so misty, why the echoes were so strange. The water lapped on my thighs, on my sex, on my belly. I turned to my friend and leaned forward to kiss her. It was a perfectly natural thing to do, it was what she wanted and I wanted, and I wanted her to lick and suck my nipples again, and she did. For a long time we lay in the shallow water playing, and I could have played forever. But then somebody else joined us, taking hold of my friend from behind, and she arched her body in the water like a golden fish leaping, threw her back, and began to play with him.
I got out of the water and dried myself, feeling sad and shy and forsaken, and yet extremely interested in what had happened to my body. It felt wonderfully alive and electric, so that the roughness of the towel made me shiver with pleasure. Somebody had come closer to me, somebody that had been watching me play with my friend in the water. He sat down by me now.
It was a hearthmate a few years older than I, Arrad Tehemmy. I had worked in the gardens with Arrad all last summer, and liked him. He looked like Sether, I now thought, with heavy black hair and a long, thin face, but in him was that shining, that glory they all had here—all the kemmerers, thewomen , themen —such vivid beauty as I had never seen in any human beings. "Sov," he said, "I'd like—Your first—Will you—" His hands were already on me, and mine on him. "Come," he said, and I went with him. He took me into a beautiful little room, in which there was nothing but a fire burning in a fireplace, and a wide bed. There Arrad took me into his arms and I took Arrad into my arms, and then between my legs, and fell upward, upward through the golden light.
Arrad and I were together all that first night, and besides fucking a great deal, we ate a great deal. It had not occurred to me that there would be food at a kemmerhouse, I had thought you weren't allowed to do anything but fuck. There was a lot of food, very good, too, set out so that you could eat whenever you
It's been nearly fifty years, and I have to admit I do not recall everyone from my first kemmer; only Karrid and Arrad, Hama and Gehardar, old Tubanny, the most exquisitely skillful lover as a male that I ever knew—I met him often in later kemmers—and Berre, my golden fish, with whom I ended up in drowsy, peaceful, blissful lovemaking in front of the great hearth till we both fell asleep. And when we woke we were not women. We were not men. We were not in kemmer. We were very tired young adults.
"You're still beautiful," I said to Berre.
"So are you," Berre said. "Where do you work?"
"Furniture shop, Third Ward."
I tried licking Berre's nipple, but it didn't work; Berre flinched a little, and I said "Sorry," and we both laughed.
"I'm in the radio trade," Berre said. "Did you ever think of trying that?"
"Making radios?"
"No. Broadcasting. I do the Fourth Hour news and weather."
"That's you?" I said, awed.
"Come over to the tower some time, I'll show you around," said Berre.
Which is how I found my lifelong trade and a life-long friend. As I tried to tell Sether when I came back to the Hearth, kemmer isn't exactly what we thought it was; it's much more complicated.
Sether's first kemmer was on Getheny Gor, the first day of the first month of autumn, at the dark of the moon. One of the family brought Sether into kemmer as a woman, and then Sether brought me in. That was the first time I kemmered as a man. And we stayed on the same wavelength, as Grand put it. We never conceived together, being cousins and having some modern scruples, but we made love in every combination, every dark of the moon, for years. And Sether brought my child, Tamor, into first kemmer—as a woman, like a proper Thade.
Later on Sether went into the Handdara, and became an Indweller in the old Fastness, and now is an Adept. I go over there often to join in one of the Chants or practice the Untrance or just to visit, and every few days Sether comes back to the Hearth. And we talk. The old days or the new times, somer or kemmer, love is love.
Ursula K. Le Guin
[07 feb 2002—scanned, proofed and released for #bookz]
Ursula K. Le Guin is one of the finest contemporary fantasy writers, winner of many awards (the Hugo, the Nebula, the National Book Award among others) and author of many popular books, including the contemporary classic, the Earthsea trilogy, second only to Tolkien's famous "Ring" trilogy in renown. Here is a less familiar piece, a fantasy story about light and dark, life and war and magic, filled with omens of impending doom. It is sharply and cleanly written, like a fine blade honed and polished, cold steel. It's a story about death.
On soft sand by the sea's edge a little boy walked leaving no footprints. Gulls cried in the bright sunless sky, trout leaped from the saltless ocean. Ear off on the horizon the sea serpent raised himself a moment in seven enormous arches and then, bellowing, sank. The child whistled but the sea serpent, busy hunting whales, did not surface again. The child walked on casting no shadow, leaving no tracks on the sand between the cliffs and the sea. Ahead of him rose a grassy headland on which stood a four-legged hut. As he climbed a path up the cliff the hut skipped about and rubbed its front legs together like a lawyer or a fly; but the hands of the clock inside, which said ten minutes of ten, never moved.
"What's that you've got there, Dicky?" asked his mother as she added parsley and a pinch of pepper to the rabbit stew simmering in an alembic.
"A box, Mummy."
"Where did you find it?"
Mummy's familiar leaped down from the onion-festooned rafters and, draping itself like a foxfur round her neck, said, "By the sea."
Dicky nodded. "That's right. The sea washed it up."
"And what's inside it?"
The familiar said nothing, but purred. The witch turned round to look into her son's round face. "What's in it?" she repeated.
"Oh? Let's see."
As she bent down to look, the familiar, still purring, shut its eyes. Holding the box against his chest, the little boy very carefully lifted the lid a scant inch.
"So it is," said his mother. "Now put it away, don't let it get knocked about. I wonder where the key got to. Run wash your hands now. Table, lay!" And while the child worked the heavy pump handle in the yard and splashed his face and hands, the hut resounded with the clatter of plates and forks materializing.
After the meal, while his mother was having her morning nap, Dicky took down the water-bleached, sand-encrusted box from his treasure shelf and set out with it across the dunes, away from the sea. Close at his heels the black familiar followed him, trotting patiently over the sand through the coarse grass, the only shadow he had.